Chances are: contingency, queer theory and American literature
This innovative work makes use of psychoanalytic, queer, and narrative theories to read nineteenth and twentieth-century American literature and demonstrate how the concept of contingency--whether chance, accident, luck, or mutation--enriches our understanding of how queer sexualities are articulate...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Abingdon, Oxon
Routledge
[2020]
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Schlagworte: | |
Online-Zugang: | URL des Erstveroeffentlichers |
Zusammenfassung: | This innovative work makes use of psychoanalytic, queer, and narrative theories to read nineteenth and twentieth-century American literature and demonstrate how the concept of contingency--whether chance, accident, luck, or mutation--enriches our understanding of how queer sexualities are articulated. Perhaps love always carries an element of contingency (our attraction to a particular person can be arbitrary and inexplicable), and a sense of necessity (we find that we cannot imagine life without them). But contingency and chance mean something different for queer subjects. In a heteronormative culture, heterosexuality claims to be necessary (it must be), whereas homosexuality not only could be otherwise, but perhaps it should be otherwise, and probably it should not be at all. This book outlines why and how issues of chance and contingency should matter to queer theory and queer literary studies. Combining psychoanalytic, queer, and narrative theories, Chances Are considers nineteenth- and twentieth-century American literary texts that formally or thematically involve contingencies of their own, including narrative coincidences and accidents, the role of luck in notions of race and class, and efforts to imagine queer hermeneutic methods that make space for contingency. Literary texts include Edgar Allan Poe's "The Mystery of Marie Rogêt" (1842), Horatio Alger's Ragged Dick novels (1868-69), Frank Norris's The Pit (1903) and Edith Wharton's The House of Mirth (1905), Frances E.W. Harper's Iola Leroy (1892) and Nella Larsen's Passing (1929), H.D.'s Tribute to Freud (1956), and Alison Bechdel's Are You My Mother (2012). This dynamic and original text would be suitable for students and researchers in literary studies, critical theory and women's and gender studies |
Beschreibung: | Includes index |
Beschreibung: | 1 online resource (viii, 166 pages) |
ISBN: | 9781315266107 1315266105 9781351969147 1351969145 9781351969154 1351969153 9781351969130 1351969137 |
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520 | |a This innovative work makes use of psychoanalytic, queer, and narrative theories to read nineteenth and twentieth-century American literature and demonstrate how the concept of contingency--whether chance, accident, luck, or mutation--enriches our understanding of how queer sexualities are articulated. Perhaps love always carries an element of contingency (our attraction to a particular person can be arbitrary and inexplicable), and a sense of necessity (we find that we cannot imagine life without them). But contingency and chance mean something different for queer subjects. In a heteronormative culture, heterosexuality claims to be necessary (it must be), whereas homosexuality not only could be otherwise, but perhaps it should be otherwise, and probably it should not be at all. This book outlines why and how issues of chance and contingency should matter to queer theory and queer literary studies. Combining psychoanalytic, queer, and narrative theories, Chances Are considers nineteenth- and twentieth-century American literary texts that formally or thematically involve contingencies of their own, including narrative coincidences and accidents, the role of luck in notions of race and class, and efforts to imagine queer hermeneutic methods that make space for contingency. Literary texts include Edgar Allan Poe's "The Mystery of Marie Rogêt" (1842), Horatio Alger's Ragged Dick novels (1868-69), Frank Norris's The Pit (1903) and Edith Wharton's The House of Mirth (1905), Frances E.W. Harper's Iola Leroy (1892) and Nella Larsen's Passing (1929), H.D.'s Tribute to Freud (1956), and Alison Bechdel's Are You My Mother (2012). This dynamic and original text would be suitable for students and researchers in literary studies, critical theory and women's and gender studies | ||
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author | Rohy, Valerie |
author_facet | Rohy, Valerie |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 810 - American literature in English |
dewey-raw | 810.9/353 |
dewey-search | 810.9/353 |
dewey-sort | 3810.9 3353 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
format | Electronic eBook |
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id | DE-604.BV047012493 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:12Z |
indexdate | 2024-07-10T09:00:07Z |
institution | BVB |
isbn | 9781315266107 1315266105 9781351969147 1351969145 9781351969154 1351969153 9781351969130 1351969137 |
language | English |
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open_access_boolean | |
physical | 1 online resource (viii, 166 pages) |
psigel | ZDB-7-TFC |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Routledge |
record_format | marc |
spelling | Rohy, Valerie Verfasser aut Chances are contingency, queer theory and American literature Valerie Rohy Abingdon, Oxon Routledge [2020] 1 online resource (viii, 166 pages) txt rdacontent c rdamedia cr rdacarrier Includes index This innovative work makes use of psychoanalytic, queer, and narrative theories to read nineteenth and twentieth-century American literature and demonstrate how the concept of contingency--whether chance, accident, luck, or mutation--enriches our understanding of how queer sexualities are articulated. Perhaps love always carries an element of contingency (our attraction to a particular person can be arbitrary and inexplicable), and a sense of necessity (we find that we cannot imagine life without them). But contingency and chance mean something different for queer subjects. In a heteronormative culture, heterosexuality claims to be necessary (it must be), whereas homosexuality not only could be otherwise, but perhaps it should be otherwise, and probably it should not be at all. This book outlines why and how issues of chance and contingency should matter to queer theory and queer literary studies. Combining psychoanalytic, queer, and narrative theories, Chances Are considers nineteenth- and twentieth-century American literary texts that formally or thematically involve contingencies of their own, including narrative coincidences and accidents, the role of luck in notions of race and class, and efforts to imagine queer hermeneutic methods that make space for contingency. Literary texts include Edgar Allan Poe's "The Mystery of Marie Rogêt" (1842), Horatio Alger's Ragged Dick novels (1868-69), Frank Norris's The Pit (1903) and Edith Wharton's The House of Mirth (1905), Frances E.W. Harper's Iola Leroy (1892) and Nella Larsen's Passing (1929), H.D.'s Tribute to Freud (1956), and Alison Bechdel's Are You My Mother (2012). This dynamic and original text would be suitable for students and researchers in literary studies, critical theory and women's and gender studies American literature / History and criticism / 19th century American literature / History and criticism / 20th century Homosexuality in literature Queer theory Homosexuality and literature Gender identity in literature https://www.taylorfrancis.com/books/9781315266107 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Rohy, Valerie Chances are contingency, queer theory and American literature American literature / History and criticism / 19th century American literature / History and criticism / 20th century Homosexuality in literature Queer theory Homosexuality and literature Gender identity in literature |
title | Chances are contingency, queer theory and American literature |
title_auth | Chances are contingency, queer theory and American literature |
title_exact_search | Chances are contingency, queer theory and American literature |
title_exact_search_txtP | Chances are contingency, queer theory and American literature |
title_full | Chances are contingency, queer theory and American literature Valerie Rohy |
title_fullStr | Chances are contingency, queer theory and American literature Valerie Rohy |
title_full_unstemmed | Chances are contingency, queer theory and American literature Valerie Rohy |
title_short | Chances are |
title_sort | chances are contingency queer theory and american literature |
title_sub | contingency, queer theory and American literature |
topic | American literature / History and criticism / 19th century American literature / History and criticism / 20th century Homosexuality in literature Queer theory Homosexuality and literature Gender identity in literature |
topic_facet | American literature / History and criticism / 19th century American literature / History and criticism / 20th century Homosexuality in literature Queer theory Homosexuality and literature Gender identity in literature |
url | https://www.taylorfrancis.com/books/9781315266107 |
work_keys_str_mv | AT rohyvalerie chancesarecontingencyqueertheoryandamericanliterature |