Music theory in the Safavid era: the taqsim al-naǵamāt
The Safavid era (1501-1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Routledge, Taylor & Francis Group
2019
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Schriftenreihe: | SOAS musicology series
SOAS musicology series |
Schlagworte: | |
Online-Zugang: | URL des Erstveroeffentlichers |
Zusammenfassung: | The Safavid era (1501-1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work of the middle or second half of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule |
Beschreibung: | Description based on print version record |
Beschreibung: | 1 online resource |
ISBN: | 9781138062436 113806243X 1315161621 1351665855 1351665863 1351665871 9781315161624 9781351665858 9781351665865 9781351665872 |
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Datensatz im Suchindex
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author | Wright, Owen 1938- |
author_facet | Wright, Owen 1938- |
author_role | aut |
author_sort | Wright, Owen 1938- |
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dewey-full | 781.0955 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.0955 |
dewey-search | 781.0955 |
dewey-sort | 3781.0955 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T15:58:10Z |
indexdate | 2024-07-10T09:00:05Z |
institution | BVB |
isbn | 9781138062436 113806243X 1315161621 1351665855 1351665863 1351665871 9781315161624 9781351665858 9781351665865 9781351665872 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032418979 |
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physical | 1 online resource |
psigel | ZDB-7-TFC |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | SOAS musicology series |
spelling | Wright, Owen 1938- Verfasser aut Music theory in the Safavid era the taqsim al-naǵamāt Owen Wright London Routledge, Taylor & Francis Group 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier SOAS musicology series Description based on print version record The Safavid era (1501-1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work of the middle or second half of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule Music theory / Iran / History https://www.taylorfrancis.com/books/9781315161624 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Wright, Owen 1938- Music theory in the Safavid era the taqsim al-naǵamāt Music theory / Iran / History |
title | Music theory in the Safavid era the taqsim al-naǵamāt |
title_auth | Music theory in the Safavid era the taqsim al-naǵamāt |
title_exact_search | Music theory in the Safavid era the taqsim al-naǵamāt |
title_exact_search_txtP | Music theory in the Safavid era the taqsim al-naǵamāt |
title_full | Music theory in the Safavid era the taqsim al-naǵamāt Owen Wright |
title_fullStr | Music theory in the Safavid era the taqsim al-naǵamāt Owen Wright |
title_full_unstemmed | Music theory in the Safavid era the taqsim al-naǵamāt Owen Wright |
title_short | Music theory in the Safavid era |
title_sort | music theory in the safavid era the taqsim al nagamat |
title_sub | the taqsim al-naǵamāt |
topic | Music theory / Iran / History |
topic_facet | Music theory / Iran / History |
url | https://www.taylorfrancis.com/books/9781315161624 |
work_keys_str_mv | AT wrightowen musictheoryinthesafaviderathetaqsimalnagamat |