POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING: from the silent era to synchronized ... sound
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative per...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
ROUTLEDGE
2018
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| Schriftenreihe: | Routledge Advances in Film Studies
Routledge advances in film studies |
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film's final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production |
| Beschreibung: | 1 online resource |
| ISBN: | 9780429960635 0429960638 9780429960659 0429960654 9780429492358 0429492359 |
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| index_date | 2024-07-03T15:58:07Z |
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| spelling | LARKIN, GEORGE. Verfasser aut POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound [Place of publication not identified] ROUTLEDGE 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge Advances in Film Studies Routledge advances in film studies Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film's final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production Cinematography / History https://www.taylorfrancis.com/books/9780429492358 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | LARKIN, GEORGE POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound Cinematography / History |
| title | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_auth | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_exact_search | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_exact_search_txtP | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_full | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_fullStr | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_full_unstemmed | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING from the silent era to synchronized ... sound |
| title_short | POST-PRODUCTION AND THE INVISIBLE REVOLUTION OF FILMMAKING |
| title_sort | post production and the invisible revolution of filmmaking from the silent era to synchronized sound |
| title_sub | from the silent era to synchronized ... sound |
| topic | Cinematography / History |
| topic_facet | Cinematography / History |
| url | https://www.taylorfrancis.com/books/9780429492358 |
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