Driving identities: at the intersection of popular music and automotive culture
"Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2020
|
| Schriftenreihe: | Ashgate popular and folk music series
Ashgate popular and folk music series |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title"-- |
| Beschreibung: | Description based on online resource; title from digital title page (viewed on May 28, 2020) |
| Beschreibung: | 1 online resource (275 pages) illustrations |
| ISBN: | 9780429455346 0429455348 9780429848445 0429848447 9780429848452 0429848455 9780429848438 0429848439 |
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| 520 | |a "Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title"-- | ||
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Datensatz im Suchindex
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| dewey-full | 781.5/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/3 |
| dewey-search | 781.5/3 |
| dewey-sort | 3781.5 13 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047008899 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T09:00:00Z |
| institution | BVB |
| isbn | 9780429455346 0429455348 9780429848445 0429848447 9780429848452 0429848455 9780429848438 0429848439 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032416436 |
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| physical | 1 online resource (275 pages) illustrations |
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| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge |
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| series2 | Ashgate popular and folk music series |
| spelling | McCleod, Ken Verfasser aut Driving identities at the intersection of popular music and automotive culture Ken McCleod Abingdon, Oxon Routledge 2020 © 2020 1 online resource (275 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Description based on online resource; title from digital title page (viewed on May 28, 2020) "Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title"-- Automobiles / Songs and music / History and criticism Popular music / History and criticism Popular music / Social aspects Automobiles / Social aspects https://www.taylorfrancis.com/books/9780429455346 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | McCleod, Ken Driving identities at the intersection of popular music and automotive culture Automobiles / Songs and music / History and criticism Popular music / History and criticism Popular music / Social aspects Automobiles / Social aspects |
| title | Driving identities at the intersection of popular music and automotive culture |
| title_auth | Driving identities at the intersection of popular music and automotive culture |
| title_exact_search | Driving identities at the intersection of popular music and automotive culture |
| title_exact_search_txtP | Driving identities at the intersection of popular music and automotive culture |
| title_full | Driving identities at the intersection of popular music and automotive culture Ken McCleod |
| title_fullStr | Driving identities at the intersection of popular music and automotive culture Ken McCleod |
| title_full_unstemmed | Driving identities at the intersection of popular music and automotive culture Ken McCleod |
| title_short | Driving identities |
| title_sort | driving identities at the intersection of popular music and automotive culture |
| title_sub | at the intersection of popular music and automotive culture |
| topic | Automobiles / Songs and music / History and criticism Popular music / History and criticism Popular music / Social aspects Automobiles / Social aspects |
| topic_facet | Automobiles / Songs and music / History and criticism Popular music / History and criticism Popular music / Social aspects Automobiles / Social aspects |
| url | https://www.taylorfrancis.com/books/9780429455346 |
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