Cultural production and the politics of women's work in American literature and film:
"Cultural Production and the Politics of Women's Work in American Literature and Film emphasizes the interrelation between women's workplace roles, modes of authorship, and processes of subject-formation, pointing to some of the reasons for the persistence of limiting gender roles and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abindgon, Oxon
Routledge
2019
|
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | "Cultural Production and the Politics of Women's Work in American Literature and Film emphasizes the interrelation between women's workplace roles, modes of authorship, and processes of subject-formation, pointing to some of the reasons for the persistence of limiting gender roles and occupational hierarchies that arose during the first 60 years of the 20th century. The book interrogates three common narratives: the rise of Fordism as a "masculine" mode of production and the transition to an era of "feminized" work; women's liberation through the sexual revolutions; and the rise of a new form of literary authorship. Conversely, it suggests that women's labor was integral to the operations of the Fordist business sphere, where, unlike at the factory, the white-collar office proletarian work was casualized and feminized. This book argues that this workplace was an important site of subject formation, affirming dominant ideologies through economic practices. Analyzing work by Sinclair Lewis, Nella Larsen, Anita Loos, and Sylvia Plath, the book presents an alternative history of American Modernism, one that is more attuned to gendered discourses of labor and class. By looking at the micropolitics of power within cultural institutions this study moves beyond the dichotomies of exclusion/inclusion to interrogate the terms on which women and minorities worked as producers, and the ideas and experiences that consequently entered the field of intelligibility"-- |
| Beschreibung: | Revision of author's thesis (doctoral)--University of California, Irvine, 2011, titled Producing modern girls : gender and work in American literature and film, 1910-1960 Description based on print version record and CIP data provided by publisher; resource not viewed |
| Beschreibung: | 1 online resource (vi, 198 pages) |
| ISBN: | 9780429449345 0429449348 9780429830396 0429830394 9780429830402 0429830408 |
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Datensatz im Suchindex
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
| dewey-raw | 810.9/3522 |
| dewey-search | 810.9/3522 |
| dewey-sort | 3810.9 43522 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV047008709 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T09:00:00Z |
| institution | BVB |
| isbn | 9780429449345 0429449348 9780429830396 0429830394 9780429830402 0429830408 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032416246 |
| open_access_boolean | |
| physical | 1 online resource (vi, 198 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| spelling | Kroik, Polina Verfasser aut Producing modern girls Cultural production and the politics of women's work in American literature and film Polina Kroik Abindgon, Oxon Routledge 2019 © 2019 1 online resource (vi, 198 pages) txt rdacontent c rdamedia cr rdacarrier Revision of author's thesis (doctoral)--University of California, Irvine, 2011, titled Producing modern girls : gender and work in American literature and film, 1910-1960 Description based on print version record and CIP data provided by publisher; resource not viewed "Cultural Production and the Politics of Women's Work in American Literature and Film emphasizes the interrelation between women's workplace roles, modes of authorship, and processes of subject-formation, pointing to some of the reasons for the persistence of limiting gender roles and occupational hierarchies that arose during the first 60 years of the 20th century. The book interrogates three common narratives: the rise of Fordism as a "masculine" mode of production and the transition to an era of "feminized" work; women's liberation through the sexual revolutions; and the rise of a new form of literary authorship. Conversely, it suggests that women's labor was integral to the operations of the Fordist business sphere, where, unlike at the factory, the white-collar office proletarian work was casualized and feminized. This book argues that this workplace was an important site of subject formation, affirming dominant ideologies through economic practices. Analyzing work by Sinclair Lewis, Nella Larsen, Anita Loos, and Sylvia Plath, the book presents an alternative history of American Modernism, one that is more attuned to gendered discourses of labor and class. By looking at the micropolitics of power within cultural institutions this study moves beyond the dichotomies of exclusion/inclusion to interrogate the terms on which women and minorities worked as producers, and the ideas and experiences that consequently entered the field of intelligibility"-- Working class women in literature Working women in motion pictures American literature / History and criticism Motion pictures, American / History and criticism https://www.taylorfrancis.com/books/9780429449345 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Kroik, Polina Cultural production and the politics of women's work in American literature and film Working class women in literature Working women in motion pictures American literature / History and criticism Motion pictures, American / History and criticism |
| title | Cultural production and the politics of women's work in American literature and film |
| title_alt | Producing modern girls |
| title_auth | Cultural production and the politics of women's work in American literature and film |
| title_exact_search | Cultural production and the politics of women's work in American literature and film |
| title_exact_search_txtP | Cultural production and the politics of women's work in American literature and film |
| title_full | Cultural production and the politics of women's work in American literature and film Polina Kroik |
| title_fullStr | Cultural production and the politics of women's work in American literature and film Polina Kroik |
| title_full_unstemmed | Cultural production and the politics of women's work in American literature and film Polina Kroik |
| title_short | Cultural production and the politics of women's work in American literature and film |
| title_sort | cultural production and the politics of women s work in american literature and film |
| topic | Working class women in literature Working women in motion pictures American literature / History and criticism Motion pictures, American / History and criticism |
| topic_facet | Working class women in literature Working women in motion pictures American literature / History and criticism Motion pictures, American / History and criticism |
| url | https://www.taylorfrancis.com/books/9780429449345 |
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