Choreographed exhibition/exhibited choreography: how bodies design spaces
Current museum strategies are by now going towards interdisciplinary forms profiting from the cross-matching between visual arts and performing ones. The negotiation between different art languages engenders a heuristic dialogue which, in turn, enables aesthetic experiences to arise, at the same tim...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Current museum strategies are by now going towards interdisciplinary forms profiting from the cross-matching between visual arts and performing ones. The negotiation between different art languages engenders a heuristic dialogue which, in turn, enables aesthetic experiences to arise, at the same time that it defines new exhibiting forms: ‘choreographed exhibition and exhibited choreography’. Within a migration from the ‘black box’ to the ‘white cube’, the theatrical bodybecomes a work of art through a process of objectification. Simultaneously, the exhibition space turns into a hybrid place of creation. Eventually, the beholder is called into question: his participation is choreographed, as well as the very act of observation. This article probes the dynamism of this situation and analyses a series of study cases from both, the institutions’ and the artists’ perspectives. |
| Beschreibung: | Illustrationen |
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| spelling | Bianchi, Pamela 1981- Verfasser (DE-588)1116497255 aut Choreographed exhibition/exhibited choreography how bodies design spaces Pamela Bianchi 2020 Illustrationen txt rdacontent c rdamedia cr rdacarrier Current museum strategies are by now going towards interdisciplinary forms profiting from the cross-matching between visual arts and performing ones. The negotiation between different art languages engenders a heuristic dialogue which, in turn, enables aesthetic experiences to arise, at the same time that it defines new exhibiting forms: ‘choreographed exhibition and exhibited choreography’. Within a migration from the ‘black box’ to the ‘white cube’, the theatrical bodybecomes a work of art through a process of objectification. Simultaneously, the exhibition space turns into a hybrid place of creation. Eventually, the beholder is called into question: his participation is choreographed, as well as the very act of observation. This article probes the dynamism of this situation and analyses a series of study cases from both, the institutions’ and the artists’ perspectives. number:9 year:2020 pages:109-129 Rebus Colchester, 2020 Issue 9 (spring 2020), Seite 109-129 (DE-604)BV037229382 (DE-600)2594782-5 application/pdf https://www.essex.ac.uk/-/media/documents/faculty-of-humanities/spah/rebus-issue-9_spring-2020.pdf#page=109 Verlag kostenfrei Volltext |
| spellingShingle | Bianchi, Pamela 1981- Choreographed exhibition/exhibited choreography how bodies design spaces |
| title | Choreographed exhibition/exhibited choreography how bodies design spaces |
| title_auth | Choreographed exhibition/exhibited choreography how bodies design spaces |
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| title_full | Choreographed exhibition/exhibited choreography how bodies design spaces Pamela Bianchi |
| title_fullStr | Choreographed exhibition/exhibited choreography how bodies design spaces Pamela Bianchi |
| title_full_unstemmed | Choreographed exhibition/exhibited choreography how bodies design spaces Pamela Bianchi |
| title_short | Choreographed exhibition/exhibited choreography |
| title_sort | choreographed exhibition exhibited choreography how bodies design spaces |
| title_sub | how bodies design spaces |
| url | https://www.essex.ac.uk/-/media/documents/faculty-of-humanities/spah/rebus-issue-9_spring-2020.pdf#page=109 |
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