Flowers of time: on postapocalyptic fiction
An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and D...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
Zusammenfassung: | An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity |
Beschreibung: | 1 Online-Ressource (x, 192 Seiten) |
ISBN: | 9780691206400 |
DOI: | 10.1515/9780691206400 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046992863 | ||
003 | DE-604 | ||
005 | 20210901 | ||
007 | cr|uuu---uuuuu | ||
008 | 201112s2020 |||| o||u| ||||||eng d | ||
020 | |a 9780691206400 |c Online, PDF |9 978-0-691-20640-0 | ||
024 | 7 | |a 10.1515/9780691206400 |2 doi | |
035 | |a (ZDB-23-DGG)9780691206400 | ||
035 | |a (ZDB-23-DKU)9780691206400 | ||
035 | |a (OCoLC)1220925220 | ||
035 | |a (DE-599)BVBBV046992863 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 |a DE-12 | ||
082 | 0 | |a 809.3/9372 |2 23 | |
100 | 1 | |a Payne, Mark |d 1967- |e Verfasser |0 (DE-588)138403694 |4 aut | |
245 | 1 | 0 | |a Flowers of time |b on postapocalyptic fiction |c Mark Payne |
264 | 1 | |a Princeton ; Oxford |b Princeton University Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a 1 Online-Ressource (x, 192 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity | ||
650 | 4 | |a Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks | |
650 | 4 | |a Gilgamesh | |
650 | 4 | |a Hesiod | |
650 | 4 | |a John Hay | |
650 | 4 | |a Margaret Atwood | |
650 | 4 | |a Mary Shelley | |
650 | 4 | |a Postapocalyptic Fantasies in Antebellum American Literature | |
650 | 4 | |a Terminal Vision: The Literature of Last Things | |
650 | 4 | |a The Last Man | |
650 | 4 | |a The Post-Apocalyptic Novel in the Twenty-First Century | |
650 | 4 | |a Ursula Le Guin | |
650 | 4 | |a Warren Wagar | |
650 | 4 | |a ancient | |
650 | 4 | |a apocalypse | |
650 | 4 | |a catastrophe | |
650 | 4 | |a civilization | |
650 | 4 | |a freedom | |
650 | 4 | |a maroon | |
650 | 4 | |a memory | |
650 | 4 | |a myth | |
650 | 4 | |a nature | |
650 | 4 | |a pastoral | |
650 | 4 | |a philosophical training | |
650 | 4 | |a primitive | |
650 | 4 | |a survival practice | |
650 | 4 | |a survival | |
650 | 4 | |a survivalist anthropology | |
650 | 4 | |a survivalist fiction | |
650 | 4 | |a the apocalyptic cosmos | |
650 | 4 | |a zombie | |
650 | 7 | |a LITERARY CRITICISM / Science Fiction & Fantasy |2 bisacsh | |
650 | 4 | |a Apocalypse in literature | |
650 | 4 | |a Apocalyptic fiction |x History and criticism | |
650 | 4 | |a Dystopias |x History | |
650 | 4 | |a End of the world in literature | |
650 | 0 | 7 | |a Weltuntergang |g Motiv |0 (DE-588)4112551-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Dystopie |g Literatur |0 (DE-588)4202262-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | 1 | |a Dystopie |g Literatur |0 (DE-588)4202262-9 |D s |
689 | 0 | 2 | |a Weltuntergang |g Motiv |0 (DE-588)4112551-4 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-691-20542-7 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-691-20594-6 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780691206400 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG |a ZDB-23-DKU | ||
940 | 1 | |q ZDB-23-DKU20 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032400666 | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-12 |p ZDB-23-DKU |q BSB_DKU_PrincetonUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691206400?locatt=mode:legacy |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1811705445059919872 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Payne, Mark 1967- |
author_GND | (DE-588)138403694 |
author_facet | Payne, Mark 1967- |
author_role | aut |
author_sort | Payne, Mark 1967- |
author_variant | m p mp |
building | Verbundindex |
bvnumber | BV046992863 |
collection | ZDB-23-DGG ZDB-23-DKU |
ctrlnum | (ZDB-23-DGG)9780691206400 (ZDB-23-DKU)9780691206400 (OCoLC)1220925220 (DE-599)BVBBV046992863 |
dewey-full | 809.3/9372 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809.3/9372 |
dewey-search | 809.3/9372 |
dewey-sort | 3809.3 49372 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
discipline_str_mv | Literaturwissenschaft |
doi_str_mv | 10.1515/9780691206400 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV046992863</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210901</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201112s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691206400</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-691-20640-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691206400</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780691206400</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9780691206400</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220925220</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046992863</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.3/9372</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Payne, Mark</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138403694</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Flowers of time</subfield><subfield code="b">on postapocalyptic fiction</subfield><subfield code="c">Mark Payne</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton ; Oxford</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 192 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gilgamesh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hesiod</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">John Hay</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Margaret Atwood</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mary Shelley</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postapocalyptic Fantasies in Antebellum American Literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Terminal Vision: The Literature of Last Things</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Last Man</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Post-Apocalyptic Novel in the Twenty-First Century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ursula Le Guin</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Warren Wagar</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ancient</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">apocalypse</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">catastrophe</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">civilization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">freedom</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">maroon</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">memory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">myth</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">nature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">pastoral</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">philosophical training</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">primitive</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">survival practice</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">survival</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">survivalist anthropology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">survivalist fiction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">the apocalyptic cosmos</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">zombie</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Science Fiction & Fantasy</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Apocalypse in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Apocalyptic fiction</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dystopias</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">End of the world in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Weltuntergang</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4112551-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dystopie</subfield><subfield code="g">Literatur</subfield><subfield code="0">(DE-588)4202262-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dystopie</subfield><subfield code="g">Literatur</subfield><subfield code="0">(DE-588)4202262-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Weltuntergang</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4112551-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-691-20542-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-691-20594-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691206400</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032400666</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_PrincetonUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691206400?locatt=mode:legacy</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046992863 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:54:06Z |
indexdate | 2024-10-01T10:02:31Z |
institution | BVB |
isbn | 9780691206400 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032400666 |
oclc_num | 1220925220 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
physical | 1 Online-Ressource (x, 192 Seiten) |
psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 ZDB-23-DKU BSB_DKU_PrincetonUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Princeton University Press |
record_format | marc |
spelling | Payne, Mark 1967- Verfasser (DE-588)138403694 aut Flowers of time on postapocalyptic fiction Mark Payne Princeton ; Oxford Princeton University Press [2020] © 2020 1 Online-Ressource (x, 192 Seiten) txt rdacontent c rdamedia cr rdacarrier An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks Gilgamesh Hesiod John Hay Margaret Atwood Mary Shelley Postapocalyptic Fantasies in Antebellum American Literature Terminal Vision: The Literature of Last Things The Last Man The Post-Apocalyptic Novel in the Twenty-First Century Ursula Le Guin Warren Wagar ancient apocalypse catastrophe civilization freedom maroon memory myth nature pastoral philosophical training primitive survival practice survival survivalist anthropology survivalist fiction the apocalyptic cosmos zombie LITERARY CRITICISM / Science Fiction & Fantasy bisacsh Apocalypse in literature Apocalyptic fiction History and criticism Dystopias History End of the world in literature Weltuntergang Motiv (DE-588)4112551-4 gnd rswk-swf Dystopie Literatur (DE-588)4202262-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Literatur (DE-588)4035964-5 s Dystopie Literatur (DE-588)4202262-9 s Weltuntergang Motiv (DE-588)4112551-4 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-691-20542-7 Erscheint auch als Druck-Ausgabe, Paperback 978-0-691-20594-6 https://doi.org/10.1515/9780691206400 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Payne, Mark 1967- Flowers of time on postapocalyptic fiction Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks Gilgamesh Hesiod John Hay Margaret Atwood Mary Shelley Postapocalyptic Fantasies in Antebellum American Literature Terminal Vision: The Literature of Last Things The Last Man The Post-Apocalyptic Novel in the Twenty-First Century Ursula Le Guin Warren Wagar ancient apocalypse catastrophe civilization freedom maroon memory myth nature pastoral philosophical training primitive survival practice survival survivalist anthropology survivalist fiction the apocalyptic cosmos zombie LITERARY CRITICISM / Science Fiction & Fantasy bisacsh Apocalypse in literature Apocalyptic fiction History and criticism Dystopias History End of the world in literature Weltuntergang Motiv (DE-588)4112551-4 gnd Dystopie Literatur (DE-588)4202262-9 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4112551-4 (DE-588)4202262-9 (DE-588)4035964-5 |
title | Flowers of time on postapocalyptic fiction |
title_auth | Flowers of time on postapocalyptic fiction |
title_exact_search | Flowers of time on postapocalyptic fiction |
title_exact_search_txtP | Flowers of time on postapocalyptic fiction |
title_full | Flowers of time on postapocalyptic fiction Mark Payne |
title_fullStr | Flowers of time on postapocalyptic fiction Mark Payne |
title_full_unstemmed | Flowers of time on postapocalyptic fiction Mark Payne |
title_short | Flowers of time |
title_sort | flowers of time on postapocalyptic fiction |
title_sub | on postapocalyptic fiction |
topic | Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks Gilgamesh Hesiod John Hay Margaret Atwood Mary Shelley Postapocalyptic Fantasies in Antebellum American Literature Terminal Vision: The Literature of Last Things The Last Man The Post-Apocalyptic Novel in the Twenty-First Century Ursula Le Guin Warren Wagar ancient apocalypse catastrophe civilization freedom maroon memory myth nature pastoral philosophical training primitive survival practice survival survivalist anthropology survivalist fiction the apocalyptic cosmos zombie LITERARY CRITICISM / Science Fiction & Fantasy bisacsh Apocalypse in literature Apocalyptic fiction History and criticism Dystopias History End of the world in literature Weltuntergang Motiv (DE-588)4112551-4 gnd Dystopie Literatur (DE-588)4202262-9 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Claire Curtis;Postapocalyptic Fiction and the Social Contract;Mary Manjikian;Apocalypse and Post-Politics;Teresa Heffernan;Post-Apocalyptic Culture;Heather Hicks Gilgamesh Hesiod John Hay Margaret Atwood Mary Shelley Postapocalyptic Fantasies in Antebellum American Literature Terminal Vision: The Literature of Last Things The Last Man The Post-Apocalyptic Novel in the Twenty-First Century Ursula Le Guin Warren Wagar ancient apocalypse catastrophe civilization freedom maroon memory myth nature pastoral philosophical training primitive survival practice survival survivalist anthropology survivalist fiction the apocalyptic cosmos zombie LITERARY CRITICISM / Science Fiction & Fantasy Apocalypse in literature Apocalyptic fiction History and criticism Dystopias History End of the world in literature Weltuntergang Motiv Dystopie Literatur Literatur |
url | https://doi.org/10.1515/9780691206400 |
work_keys_str_mv | AT paynemark flowersoftimeonpostapocalypticfiction |