Making worlds: affect and collectivity in contemporary European cinema
The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2020]
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| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred |
| Beschreibung: | 1 Online-Ressource (336 Seiten) Illustrationen |
| ISBN: | 9780231550697 |
| DOI: | 10.7312/breg19148 |
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Datensatz im Suchindex
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| publisher | Columbia University Press |
| record_format | marc |
| spelling | Breger, Claudia 1969- Verfasser (DE-588)129030406 aut Making worlds affect and collectivity in contemporary European cinema Claudia Breger New York Columbia University Press [2020] © 2020 1 Online-Ressource (336 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred PERFORMING ARTS / Film & Video / History & Criticism bisacsh Affect (Psychology) in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Europe History 21st century Motion pictures Political aspects Europe Motion pictures Social aspects Europe History 21st century Motion pictures Social aspects Europe Politik Motiv (DE-588)4202544-8 gnd rswk-swf Gesellschaft Motiv (DE-588)4157054-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Film (DE-588)4017102-4 s Gesellschaft Motiv (DE-588)4157054-6 s Politik Motiv (DE-588)4202544-8 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-19418-1 (DE-604)BV046784101 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-19419-8 (DE-604)BV046784101 https://doi.org/10.7312/breg19148 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Breger, Claudia 1969- Making worlds affect and collectivity in contemporary European cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Affect (Psychology) in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Europe History 21st century Motion pictures Political aspects Europe Motion pictures Social aspects Europe History 21st century Motion pictures Social aspects Europe Politik Motiv (DE-588)4202544-8 gnd Gesellschaft Motiv (DE-588)4157054-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4202544-8 (DE-588)4157054-6 (DE-588)4017102-4 (DE-588)4015701-5 |
| title | Making worlds affect and collectivity in contemporary European cinema |
| title_auth | Making worlds affect and collectivity in contemporary European cinema |
| title_exact_search | Making worlds affect and collectivity in contemporary European cinema |
| title_exact_search_txtP | Making worlds affect and collectivity in contemporary European cinema |
| title_full | Making worlds affect and collectivity in contemporary European cinema Claudia Breger |
| title_fullStr | Making worlds affect and collectivity in contemporary European cinema Claudia Breger |
| title_full_unstemmed | Making worlds affect and collectivity in contemporary European cinema Claudia Breger |
| title_short | Making worlds |
| title_sort | making worlds affect and collectivity in contemporary european cinema |
| title_sub | affect and collectivity in contemporary European cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Affect (Psychology) in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Europe History 21st century Motion pictures Political aspects Europe Motion pictures Social aspects Europe History 21st century Motion pictures Social aspects Europe Politik Motiv (DE-588)4202544-8 gnd Gesellschaft Motiv (DE-588)4157054-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Affect (Psychology) in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Europe History 21st century Motion pictures Political aspects Europe Motion pictures Social aspects Europe History 21st century Motion pictures Social aspects Europe Politik Motiv Gesellschaft Motiv Film Europa |
| url | https://doi.org/10.7312/breg19148 |
| work_keys_str_mv | AT bregerclaudia makingworldsaffectandcollectivityincontemporaryeuropeancinema |