Journeys through galant expositions:
"Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, for there appear to be at least two viable possibilities. To be sure, you could probably locate a transition and secondary theme here without much trouble and provide excellent reasons for your choice, along with reasons why any alternate choice would be less satisfactory. But as a thought experiment, could you also think of plausible reasons why someone might choose to label the themes here differently than you do?"-- |
| Beschreibung: | viii, 295 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190083991 |
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| 505 | 8 | |a Introduction -- Theories and terminology. Formal punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-century approaches to expositions : Riepel and Koch ; 5: Other eighteenth-century approaches to expositions : Galeazzi, Kollmann, and Neubauer ; Modern terminology -- Expositions. Standard punctuation form ; Two-part expositions ; Division following the home-key dominant ; Division following the new-key dominant ; Expositions with two falf-cadential breaks ; Division following arrival on tonic ; Uncommon divisions -- The entire movement. The movement's second half ; Analyses | |
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Datensatz im Suchindex
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| author | Burstein, L. Poundie ca. 20./21. Jh |
| author_GND | (DE-588)1037054172 |
| author_facet | Burstein, L. Poundie ca. 20./21. Jh |
| author_role | aut |
| author_sort | Burstein, L. Poundie ca. 20./21. Jh |
| author_variant | l p b lp lpb |
| building | Verbundindex |
| bvnumber | BV046987484 |
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| contents | Introduction -- Theories and terminology. Formal punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-century approaches to expositions : Riepel and Koch ; 5: Other eighteenth-century approaches to expositions : Galeazzi, Kollmann, and Neubauer ; Modern terminology -- Expositions. Standard punctuation form ; Two-part expositions ; Division following the home-key dominant ; Division following the new-key dominant ; Expositions with two falf-cadential breaks ; Division following arrival on tonic ; Uncommon divisions -- The entire movement. The movement's second half ; Analyses |
| ctrlnum | (OCoLC)1224008415 (DE-599)BVBBV046987484 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T15:51:58Z |
| indexdate | 2024-07-10T08:59:25Z |
| institution | BVB |
| isbn | 9780190083991 |
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| spelling | Burstein, L. Poundie ca. 20./21. Jh. Verfasser (DE-588)1037054172 aut Journeys through galant expositions L. Poundie Burstein New York, NY Oxford University Press [2020] © 2020 viii, 295 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Introduction -- Theories and terminology. Formal punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-century approaches to expositions : Riepel and Koch ; 5: Other eighteenth-century approaches to expositions : Galeazzi, Kollmann, and Neubauer ; Modern terminology -- Expositions. Standard punctuation form ; Two-part expositions ; Division following the home-key dominant ; Division following the new-key dominant ; Expositions with two falf-cadential breaks ; Division following arrival on tonic ; Uncommon divisions -- The entire movement. The movement's second half ; Analyses "Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, for there appear to be at least two viable possibilities. To be sure, you could probably locate a transition and secondary theme here without much trouble and provide excellent reasons for your choice, along with reasons why any alternate choice would be less satisfactory. But as a thought experiment, could you also think of plausible reasons why someone might choose to label the themes here differently than you do?"-- Geschichte 1700-1800 gnd rswk-swf Sonatensatzform (DE-588)4181786-2 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Österreich (DE-588)4043271-3 gnd rswk-swf Sonata form Instrumental music / 18th century / Analysis, appreciation Instrumental music / Analysis, appreciation 1700-1799 Deutschland (DE-588)4011882-4 g Österreich (DE-588)4043271-3 g Instrumentalmusik (DE-588)4129951-6 s Sonatensatzform (DE-588)4181786-2 s Geschichte 1700-1800 z DE-604 Online version Burstein, L. Poundie Journeys through galant expositions New York : Oxford University Press, 2020 9780190084035 |
| spellingShingle | Burstein, L. Poundie ca. 20./21. Jh Journeys through galant expositions Introduction -- Theories and terminology. Formal punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-century approaches to expositions : Riepel and Koch ; 5: Other eighteenth-century approaches to expositions : Galeazzi, Kollmann, and Neubauer ; Modern terminology -- Expositions. Standard punctuation form ; Two-part expositions ; Division following the home-key dominant ; Division following the new-key dominant ; Expositions with two falf-cadential breaks ; Division following arrival on tonic ; Uncommon divisions -- The entire movement. The movement's second half ; Analyses Sonatensatzform (DE-588)4181786-2 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)4181786-2 (DE-588)4129951-6 (DE-588)4011882-4 (DE-588)4043271-3 |
| title | Journeys through galant expositions |
| title_auth | Journeys through galant expositions |
| title_exact_search | Journeys through galant expositions |
| title_exact_search_txtP | Journeys through galant expositions |
| title_full | Journeys through galant expositions L. Poundie Burstein |
| title_fullStr | Journeys through galant expositions L. Poundie Burstein |
| title_full_unstemmed | Journeys through galant expositions L. Poundie Burstein |
| title_short | Journeys through galant expositions |
| title_sort | journeys through galant expositions |
| topic | Sonatensatzform (DE-588)4181786-2 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Sonatensatzform Instrumentalmusik Deutschland Österreich |
| work_keys_str_mv | AT bursteinlpoundie journeysthroughgalantexpositions |