Go to reception and ask for Sara in red felt tip:
Using anecdote as a method to generate a collection of poetry, critical fictions and literary fragments this book performs a response to the history and function of the Women?s Art Library. The stories segue through the archive of personal correspondence, artists? slides and administrative papers, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Book Works
2015
|
| Schlagworte: | |
| Zusammenfassung: | Using anecdote as a method to generate a collection of poetry, critical fictions and literary fragments this book performs a response to the history and function of the Women?s Art Library. The stories segue through the archive of personal correspondence, artists? slides and administrative papers, as well as a poster archive documenting exhibitions, parties and activism in 1980s Feminist art movements. Anecdotal, gossiped and mistreated histories form aberrant narratives as a result of an inverted mode of archival research. These stories, poems and fragments were composed through engagement with the Women?s Art Library in 2014, with the support of a bursary?Living with Make: Art in the Archive? that was co-funded by WAL and Feminist Review, in association with Whitechapel Gallery |
| Beschreibung: | 110 Seiten Illustrationen 24 cm |
| ISBN: | 9781906012663 1906012660 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T15:49:31Z |
| indexdate | 2024-07-10T08:59:12Z |
| institution | BVB |
| isbn | 9781906012663 1906012660 |
| language | English |
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| physical | 110 Seiten Illustrationen 24 cm |
| publishDate | 2015 |
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| publisher | Book Works |
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| spelling | Pester, Holly Verfasser aut Go to reception and ask for Sara in red felt tip Holly Pester London Book Works 2015 110 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Using anecdote as a method to generate a collection of poetry, critical fictions and literary fragments this book performs a response to the history and function of the Women?s Art Library. The stories segue through the archive of personal correspondence, artists? slides and administrative papers, as well as a poster archive documenting exhibitions, parties and activism in 1980s Feminist art movements. Anecdotal, gossiped and mistreated histories form aberrant narratives as a result of an inverted mode of archival research. These stories, poems and fragments were composed through engagement with the Women?s Art Library in 2014, with the support of a bursary?Living with Make: Art in the Archive? that was co-funded by WAL and Feminist Review, in association with Whitechapel Gallery Art / Poetry Literature Art Artists' books Poetry |
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