Holdings: Where the future came from

Where the future came from: a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present

Chicago is distinctive as a longstanding hub for artist-run culture. 'Where the Future Came From' expands upon previous research into this realm by focusing on the work of women and women-identified makers and their collective efforts from the late-nineteenth century to the present. Active...

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Bibliographic Details
Main Authors:	Duguid, Meg (Author, Editor), Boisseau, Tracey Jean 19XX- (Author), Carol, Estelle (Author), Centeno, Daisy Yessenia Zamora (Author)
Format:	Book
Language:	English
Published:	Chicago, Illinois Soberscove Press [2020]
Subjects:	Geschichte 1880-2019 Künstlerin Feminismus Frauenkunst Chicago, Ill. ART / General Ausstellungskatalog > Glass Curtain Gallery > 01.11.2018-15.02.2019 > Chicago, Ill. Aufsatzsammlung
Online Access:	Inhaltsverzeichnis Inhaltsverzeichnis
Summary:	Chicago is distinctive as a longstanding hub for artist-run culture. 'Where the Future Came From' expands upon previous research into this realm by focusing on the work of women and women-identified makers and their collective efforts from the late-nineteenth century to the present. Active contributors to the city's thriving art scene throughout its history, these artists have long defined how we create and organize collaborative work. This book documents a 2018-2019 participatory exhibition and related programming at Columbia College Chicago's Glass Curtain Gallery. In addition to a chronology of nearly 50 artist-run spaces and projects spanning from 1880 to 2019, this volume shares presentations and essays by 30 artists, organizers, curators, and historians that offer personal as well as scholarly accounts of feminist cultural work, much of which has not been chronicled before. 'Where the Future Came From' reveals a dynamic continuum of practices in Chicago's artist-run culture, shaping a critical conversation that places women and women-identified organizers at the core of the art world in Chicago and beyond. Exhibition: Glass Curtain Gallery, Chicago, USA (01.11.2018-15.02.2019)
Item Description:	"This book is the official documentation of Where the Future Came From, a project that took place at the Glass Curtain Gallery at Columbia College Chicago (November 1, 2018-February 15, 2019)" (Seite 7)
Physical Description:	272 Seiten Illustrationen
ISBN:	9781940190242

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Record in the Search Index

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adam_text	CONTENTS 5 ACKNOWLEDGMENTS SCHOLARS IN RESIDENCE 125 WOMEN WIT H THE WORLD AT THEIR FEET?: 7 INTRODUCTION REPRESENTING WOMEN AT TH E C HICA GO WORLD'S FAIRS WHERE LHE F UTUR E CAME FROM I S TRA CE Y JEAN BO ISS EAU WHERE LH E FUTURE COMES FROM MEG DUGUID 141 ROOMS OF T H EIR OWN: WOMEN ARTISTS' ORGANIZATIONS AND C OLLECTIVES IN CHICAGO, 1890-2015 SYMPOSIUM JOANNA GARDNER-HUGGETT 13 KEYNOTE CONVERSATION COURTNEY FINK , DIRECTOR , COMMON FIELD 157 WOMEN'S WORK AT HULL-HOUSE AND BEYOND: LYNNE WARREN , ADJUNCT CURATOR, MCA CHICAGO T H E FEMIN I S T AGEN D A MELI SSA HILLIARD POTTER AND JENNIFER SCOTT, IN CONVERSOTION PRESENTATIONS 33 C HICAGO WOMEN'S GRAP HI CS CO LL ECTIVE 167 F I G HTIN G AS FORM: BUILDING COMM UNI TY ESTELLE CAROL ON THE LOWER WEST SIDE 41 CARYAT IDS NICOLE MARROQUIN CAROL CRANDALL 51 SIS TCRSCRPENTS 187 WOMEN IN THE ALCOVES MARY ELLEN CRATEAU TEMPESTT HAZEL 55 MANGO T RIB E SHARMILI MAJMUDAR AND LANI MONTREAL 205 FEMINISM IN YOUR FACE: PUBLIC ART R ES IST A N CE 61 SAPP HI RE A ND CRYS TAL S NEYSA PAGE-LIEBERMAN , IN CONVERSATION WITH ARL ENE TURNER-CRAWFORD SAM KIRK , MEIDA TERESA MCNEIL , AND GLORIA TALAMANTES 67 WOMAN MADE GAL L ERY BEATE M I NKOVSKI ESSAYS 73 MUJERES MUTANTES 223 CO NTINUUM GLORIA TALAMANTES JEFFREEN M . HAYES 77 F4F JORY DREW AND AMINO ROSS 227 C RO WDSO URCED E DITIN G LHROU G H A FEMINIST LENS 83 T H E OVERLOOK KATE SIERZPUTOWSKI JENN IFE R SOVA 89 BROWN AND PROUD PR ESS 231 SAFE SPACES AND CO LL ECT I VES: HOW CO LL ECTIVES DAISY YESSENIA ZAMORA CENTENO AND LUZ MOGDALENO FLORES USE SAFE SPACES TO AMPLIFY VOICES 93 CHICAGO ARC HI VES + ARTISTS PROJECT RANA LIU KATE HADLEY TOFTNESS 237 A CHRONOLOGY OF PROJECTS: 99 ROUNDTABLE DISCUSSION 1880- PRESENT DAISY YESSENIA ZAMORO CENTENO, JORY DREW, LUZ MAGDALENO FLARES, AMINO ROSS, JENNIFER SOVA , 265 BIOGRAPHIES GLARIO TALAMANTES, KATE HADLEY TOFTNESS 103 EXHIBITION IMAGES
adam_txt	CONTENTS 5 ACKNOWLEDGMENTS SCHOLARS IN RESIDENCE 125 WOMEN WIT H THE WORLD AT THEIR FEET?: 7 INTRODUCTION REPRESENTING WOMEN AT TH E C HICA GO WORLD'S FAIRS WHERE LHE F UTUR E CAME FROM I S TRA CE Y JEAN BO ISS EAU WHERE LH E FUTURE COMES FROM MEG DUGUID 141 ROOMS OF T H EIR OWN: WOMEN ARTISTS' ORGANIZATIONS AND C OLLECTIVES IN CHICAGO, 1890-2015 SYMPOSIUM JOANNA GARDNER-HUGGETT 13 KEYNOTE CONVERSATION COURTNEY FINK , DIRECTOR , COMMON FIELD 157 WOMEN'S WORK AT HULL-HOUSE AND BEYOND: LYNNE WARREN , ADJUNCT CURATOR, MCA CHICAGO T H E FEMIN I S T AGEN D A MELI SSA HILLIARD POTTER AND JENNIFER SCOTT, IN CONVERSOTION PRESENTATIONS 33 C HICAGO WOMEN'S GRAP HI CS CO LL ECTIVE 167 F I G HTIN G AS FORM: BUILDING COMM UNI TY ESTELLE CAROL ON THE LOWER WEST SIDE 41 CARYAT IDS NICOLE MARROQUIN CAROL CRANDALL 51 SIS TCRSCRPENTS 187 WOMEN IN THE ALCOVES MARY ELLEN CRATEAU TEMPESTT HAZEL 55 MANGO T RIB E SHARMILI MAJMUDAR AND LANI MONTREAL 205 FEMINISM IN YOUR FACE: PUBLIC ART R ES IST A N CE 61 SAPP HI RE A ND CRYS TAL S NEYSA PAGE-LIEBERMAN , IN CONVERSATION WITH ARL ENE TURNER-CRAWFORD SAM KIRK , MEIDA TERESA MCNEIL , AND GLORIA TALAMANTES 67 WOMAN MADE GAL L ERY BEATE M I NKOVSKI ESSAYS 73 MUJERES MUTANTES 223 CO NTINUUM GLORIA TALAMANTES JEFFREEN M . HAYES 77 F4F JORY DREW AND AMINO ROSS 227 C RO WDSO URCED E DITIN G LHROU G H A FEMINIST LENS 83 T H E OVERLOOK KATE SIERZPUTOWSKI JENN IFE R SOVA 89 BROWN AND PROUD PR ESS 231 SAFE SPACES AND CO LL ECT I VES: HOW CO LL ECTIVES DAISY YESSENIA ZAMORA CENTENO AND LUZ MOGDALENO FLORES USE SAFE SPACES TO AMPLIFY VOICES 93 CHICAGO ARC HI VES + ARTISTS PROJECT RANA LIU KATE HADLEY TOFTNESS 237 A CHRONOLOGY OF PROJECTS: 99 ROUNDTABLE DISCUSSION 1880- PRESENT DAISY YESSENIA ZAMORO CENTENO, JORY DREW, LUZ MAGDALENO FLARES, AMINO ROSS, JENNIFER SOVA , 265 BIOGRAPHIES GLARIO TALAMANTES, KATE HADLEY TOFTNESS 103 EXHIBITION IMAGES
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author	Duguid, Meg Boisseau, Tracey Jean 19XX- Carol, Estelle Centeno, Daisy Yessenia Zamora
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publisher	Soberscove Press
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spelling	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present edited by Meg Duguid ; contributors: Tracey Jean Boisseau, Estelle Carol, Daisy Yessenia Zamora Centeno, Carol Crandall, Mary Ellen Croteau, Jory Drew, Meg Duguid, Courtney Fink, Luz Magdaleno Flores, Jeffreen M Hayes, Tempestt Hazel, Joanna Gardner-Huggett, Sam Kirk, Rana Liu, Sharmili Majmudar, Nicole Marroquin, Meida McNeal, Beate Minkovski, Lani Montreal, Neysa Page-Lieberman, Melissa Potter, Amina Ross, Jennifer Scott, Kate Sierzputowski, Jennifer Sova, Gloria Talamantes, Kate Hadley Toftness, Arlene Turner-Crawford, and Lynne Warren Chicago, Illinois Soberscove Press [2020] 272 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "This book is the official documentation of Where the Future Came From, a project that took place at the Glass Curtain Gallery at Columbia College Chicago (November 1, 2018-February 15, 2019)" (Seite 7) Chicago is distinctive as a longstanding hub for artist-run culture. 'Where the Future Came From' expands upon previous research into this realm by focusing on the work of women and women-identified makers and their collective efforts from the late-nineteenth century to the present. Active contributors to the city's thriving art scene throughout its history, these artists have long defined how we create and organize collaborative work. This book documents a 2018-2019 participatory exhibition and related programming at Columbia College Chicago's Glass Curtain Gallery. In addition to a chronology of nearly 50 artist-run spaces and projects spanning from 1880 to 2019, this volume shares presentations and essays by 30 artists, organizers, curators, and historians that offer personal as well as scholarly accounts of feminist cultural work, much of which has not been chronicled before. 'Where the Future Came From' reveals a dynamic continuum of practices in Chicago's artist-run culture, shaping a critical conversation that places women and women-identified organizers at the core of the art world in Chicago and beyond. Exhibition: Glass Curtain Gallery, Chicago, USA (01.11.2018-15.02.2019) Geschichte 1880-2019 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Frauenkunst (DE-588)4370467-0 gnd rswk-swf Chicago, Ill. (DE-588)4009921-0 gnd rswk-swf ART / General (DE-588)4135467-9 Ausstellungskatalog Glass Curtain Gallery 01.11.2018-15.02.2019 Chicago, Ill. gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Chicago, Ill. (DE-588)4009921-0 g Frauenkunst (DE-588)4370467-0 s Feminismus (DE-588)4222126-2 s Künstlerin (DE-588)4033430-2 s Geschichte 1880-2019 z DE-604 Duguid, Meg edt aut Boisseau, Tracey Jean 19XX- (DE-588)173709621 aut Carol, Estelle aut Centeno, Daisy Yessenia Zamora aut Glass Curtain Gallery (DE-588)1219747750 his V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1726232379inh.htm 20200807153220 Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032358276&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Duguid, Meg Boisseau, Tracey Jean 19XX- Carol, Estelle Centeno, Daisy Yessenia Zamora Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present Künstlerin (DE-588)4033430-2 gnd Feminismus (DE-588)4222126-2 gnd Frauenkunst (DE-588)4370467-0 gnd
subject_GND	(DE-588)4033430-2 (DE-588)4222126-2 (DE-588)4370467-0 (DE-588)4009921-0 (DE-588)4135467-9 (DE-588)4143413-4
title	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present
title_auth	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present
title_exact_search	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present
title_exact_search_txtP	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present
title_full	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present edited by Meg Duguid ; contributors: Tracey Jean Boisseau, Estelle Carol, Daisy Yessenia Zamora Centeno, Carol Crandall, Mary Ellen Croteau, Jory Drew, Meg Duguid, Courtney Fink, Luz Magdaleno Flores, Jeffreen M Hayes, Tempestt Hazel, Joanna Gardner-Huggett, Sam Kirk, Rana Liu, Sharmili Majmudar, Nicole Marroquin, Meida McNeal, Beate Minkovski, Lani Montreal, Neysa Page-Lieberman, Melissa Potter, Amina Ross, Jennifer Scott, Kate Sierzputowski, Jennifer Sova, Gloria Talamantes, Kate Hadley Toftness, Arlene Turner-Crawford, and Lynne Warren
title_fullStr	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present edited by Meg Duguid ; contributors: Tracey Jean Boisseau, Estelle Carol, Daisy Yessenia Zamora Centeno, Carol Crandall, Mary Ellen Croteau, Jory Drew, Meg Duguid, Courtney Fink, Luz Magdaleno Flores, Jeffreen M Hayes, Tempestt Hazel, Joanna Gardner-Huggett, Sam Kirk, Rana Liu, Sharmili Majmudar, Nicole Marroquin, Meida McNeal, Beate Minkovski, Lani Montreal, Neysa Page-Lieberman, Melissa Potter, Amina Ross, Jennifer Scott, Kate Sierzputowski, Jennifer Sova, Gloria Talamantes, Kate Hadley Toftness, Arlene Turner-Crawford, and Lynne Warren
title_full_unstemmed	Where the future came from a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present edited by Meg Duguid ; contributors: Tracey Jean Boisseau, Estelle Carol, Daisy Yessenia Zamora Centeno, Carol Crandall, Mary Ellen Croteau, Jory Drew, Meg Duguid, Courtney Fink, Luz Magdaleno Flores, Jeffreen M Hayes, Tempestt Hazel, Joanna Gardner-Huggett, Sam Kirk, Rana Liu, Sharmili Majmudar, Nicole Marroquin, Meida McNeal, Beate Minkovski, Lani Montreal, Neysa Page-Lieberman, Melissa Potter, Amina Ross, Jennifer Scott, Kate Sierzputowski, Jennifer Sova, Gloria Talamantes, Kate Hadley Toftness, Arlene Turner-Crawford, and Lynne Warren
title_short	Where the future came from
title_sort	where the future came from a collective research project on the integral role of feminism in chicago s artist run culture from the late nineteenth century to the present
title_sub	a collective research project on the integral role of feminism in Chicago's artist-run culture from the late nineteenth century to the present
topic	Künstlerin (DE-588)4033430-2 gnd Feminismus (DE-588)4222126-2 gnd Frauenkunst (DE-588)4370467-0 gnd
topic_facet	Künstlerin Feminismus Frauenkunst Chicago, Ill. Ausstellungskatalog Glass Curtain Gallery 01.11.2018-15.02.2019 Chicago, Ill. Aufsatzsammlung
url	http://swbplus.bsz-bw.de/bsz1726232379inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032358276&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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