The persistence of violence: Colombian popular culture
Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Per...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New Brunswick, NJ
Rutgers University Press
[2020]
|
| Subjects: | |
| Online Access: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Summary: | Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment |
| Physical Description: | 1 Online-Ressource (222 Seiten) Illustrationen |
| ISBN: | 9781978817555 |
| DOI: | 10.36019/9781978817555 |
Staff View
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| 520 | |a Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment | ||
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| spelling | Miller, Toby 1958- Verfasser (DE-588)137643306 aut The persistence of violence Colombian popular culture Toby Miller New Brunswick, NJ Rutgers University Press [2020] © 2020 1 Online-Ressource (222 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment SOCIAL SCIENCE / General bisacsh Popular culture Columbia Violence in popular culture Colombia Violence Colombia Volkskultur (DE-588)4063849-2 gnd rswk-swf Gewalt (DE-588)4020832-1 gnd rswk-swf Kolumbien (DE-588)4031812-6 gnd rswk-swf Kolumbien (DE-588)4031812-6 g Volkskultur (DE-588)4063849-2 s Gewalt (DE-588)4020832-1 s DE-604 https://doi.org/10.36019/9781978817555 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Miller, Toby 1958- The persistence of violence Colombian popular culture SOCIAL SCIENCE / General bisacsh Popular culture Columbia Violence in popular culture Colombia Violence Colombia Volkskultur (DE-588)4063849-2 gnd Gewalt (DE-588)4020832-1 gnd |
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| title | The persistence of violence Colombian popular culture |
| title_auth | The persistence of violence Colombian popular culture |
| title_exact_search | The persistence of violence Colombian popular culture |
| title_exact_search_txtP | The persistence of violence Colombian popular culture |
| title_full | The persistence of violence Colombian popular culture Toby Miller |
| title_fullStr | The persistence of violence Colombian popular culture Toby Miller |
| title_full_unstemmed | The persistence of violence Colombian popular culture Toby Miller |
| title_short | The persistence of violence |
| title_sort | the persistence of violence colombian popular culture |
| title_sub | Colombian popular culture |
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