Comics and stuff:
Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre.While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. Comics are stuff; comics tell stories about stuff; and they display stuff.When we use the phrase "and stuff" in everyday speech, we often mean something vague, something like "etcetera." In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express—or hold at bay—through our relationships with stuff.In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. |
| Beschreibung: | 1 Online-Ressource (346 Seiten) Illustrationen |
| ISBN: | 9781479831258 |
Internformat
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| 520 | |a Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre.While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. | ||
| 520 | |a They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. | ||
| 520 | |a Comics are stuff; comics tell stories about stuff; and they display stuff.When we use the phrase "and stuff" in everyday speech, we often mean something vague, something like "etcetera." In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express—or hold at bay—through our relationships with stuff.In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. | ||
| 650 | 4 | |a Local History | |
| 650 | 4 | |a Meaning | |
| 650 | 4 | |a Memory | |
| 650 | 4 | |a Midcentury Podern | |
| 650 | 4 | |a Music hall | |
| 650 | 4 | |a Nostalgia | |
| 650 | 4 | |a Racism | |
| 650 | 4 | |a Relic | |
| 650 | 4 | |a Rituals | |
| 650 | 4 | |a Senior citizens | |
| 650 | 4 | |a Southern folklore | |
| 650 | 4 | |a The abject | |
| 650 | 4 | |a The residual | |
| 650 | 4 | |a Toy | |
| 650 | 4 | |a Trading | |
| 650 | 4 | |a Transitional objects | |
| 650 | 4 | |a Trickster stories | |
| 650 | 4 | |a Underground comics | |
| 650 | 4 | |a WWII veterans | |
| 650 | 4 | |a White supremacy | |
| 650 | 4 | |a Wonder cabinets | |
| 650 | 4 | |a accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d’amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance | |
| 650 | 4 | |a material culture | |
| 650 | 4 | |a mise-en-scene | |
| 650 | 4 | |a monster culture | |
| 650 | 4 | |a scrapbooks | |
| 650 | 4 | |a sketchbook | |
| 650 | 4 | |a still life painting | |
| 650 | 4 | |a toxic masculinity | |
| 650 | 4 | |a transformative works | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 4 | |a Comic books, strips, etc |x History and criticism | |
| 650 | 4 | |a Comic books, strips, etc |x History and criticism | |
| 650 | 4 | |a Material culture in art | |
| 650 | 4 | |a Material culture in literature | |
| 650 | 0 | 7 | |a Comic |0 (DE-588)4010427-8 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804181857616527360 |
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| adam_txt | |
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| author | Jenkins, Henry 1958- |
| author_GND | (DE-588)132470233 |
| author_facet | Jenkins, Henry 1958- |
| author_role | aut |
| author_sort | Jenkins, Henry 1958- |
| author_variant | h j hj |
| building | Verbundindex |
| bvnumber | BV046948280 |
| classification_rvk | HD 402 |
| collection | ZDB-23-DGG ZDB-23-SEW |
| ctrlnum | (ZDB-23-DGG)9781479831258 (ZDB-23-SEW)9781479831258 (OCoLC)1155066588 (DE-599)BVBBV046948280 |
| dewey-full | 741.5/9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5/9 |
| dewey-search | 741.5/9 |
| dewey-sort | 3741.5 19 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte Anglistik / Amerikanistik |
| discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:40:23Z |
| indexdate | 2024-07-10T08:58:19Z |
| institution | BVB |
| isbn | 9781479831258 |
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| spelling | Jenkins, Henry 1958- Verfasser (DE-588)132470233 aut Comics and stuff Henry Jenkins New York, NY New York University Press [2020] © 2020 1 Online-Ressource (346 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre.While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. Comics are stuff; comics tell stories about stuff; and they display stuff.When we use the phrase "and stuff" in everyday speech, we often mean something vague, something like "etcetera." In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express—or hold at bay—through our relationships with stuff.In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. Local History Meaning Memory Midcentury Podern Music hall Nostalgia Racism Relic Rituals Senior citizens Southern folklore The abject The residual Toy Trading Transitional objects Trickster stories Underground comics WWII veterans White supremacy Wonder cabinets accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d’amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance material culture mise-en-scene monster culture scrapbooks sketchbook still life painting toxic masculinity transformative works SOCIAL SCIENCE / Media Studies bisacsh Comic books, strips, etc History and criticism Material culture in art Material culture in literature Comic (DE-588)4010427-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Comic (DE-588)4010427-8 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 9781479852741 Erscheint auch als Druck-Ausgabe, Paperback 9781479800933 https://www.degruyter.com/isbn/9781479831258 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jenkins, Henry 1958- Comics and stuff Local History Meaning Memory Midcentury Podern Music hall Nostalgia Racism Relic Rituals Senior citizens Southern folklore The abject The residual Toy Trading Transitional objects Trickster stories Underground comics WWII veterans White supremacy Wonder cabinets accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d’amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance material culture mise-en-scene monster culture scrapbooks sketchbook still life painting toxic masculinity transformative works SOCIAL SCIENCE / Media Studies bisacsh Comic books, strips, etc History and criticism Material culture in art Material culture in literature Comic (DE-588)4010427-8 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4010427-8 (DE-588)4000626-8 |
| title | Comics and stuff |
| title_auth | Comics and stuff |
| title_exact_search | Comics and stuff |
| title_exact_search_txtP | Comics and stuff |
| title_full | Comics and stuff Henry Jenkins |
| title_fullStr | Comics and stuff Henry Jenkins |
| title_full_unstemmed | Comics and stuff Henry Jenkins |
| title_short | Comics and stuff |
| title_sort | comics and stuff |
| topic | Local History Meaning Memory Midcentury Podern Music hall Nostalgia Racism Relic Rituals Senior citizens Southern folklore The abject The residual Toy Trading Transitional objects Trickster stories Underground comics WWII veterans White supremacy Wonder cabinets accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d’amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance material culture mise-en-scene monster culture scrapbooks sketchbook still life painting toxic masculinity transformative works SOCIAL SCIENCE / Media Studies bisacsh Comic books, strips, etc History and criticism Material culture in art Material culture in literature Comic (DE-588)4010427-8 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Local History Meaning Memory Midcentury Podern Music hall Nostalgia Racism Relic Rituals Senior citizens Southern folklore The abject The residual Toy Trading Transitional objects Trickster stories Underground comics WWII veterans White supremacy Wonder cabinets accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d’amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance material culture mise-en-scene monster culture scrapbooks sketchbook still life painting toxic masculinity transformative works SOCIAL SCIENCE / Media Studies Comic books, strips, etc History and criticism Material culture in art Material culture in literature Comic Ästhetik |
| url | https://www.degruyter.com/isbn/9781479831258 |
| work_keys_str_mv | AT jenkinshenry comicsandstuff |