Shakespeare and Senecan tragedy:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 296 Seiten |
| ISBN: | 9781108496179 9781108791618 |
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| adam_text | Contents Acknowledgments Note on Texts 1 page vii ix Shakespeare and the Resources of Senecan Tragedy i Two Senecas or One? The Reception of Seneca and the Reception of Shakespeare Inwardness, Characterization, and the Affordances of Senecan Drama Notes 9 π 2 Richard III as Senecan History 3 37 Causation and Time in Senecan Tragedy Richard’s Senecan Self Determined to Prove a Viikin Notes 39 48 56 65 Seneca and the Modernity of Hamlet 73 Senecan Hamlet Antonio’s Involuntary Revenge Plucking Out the Heart Hamlet and (Senecan) Oedipus Notes 4 78 81 86 90 102 Seneca and the Antisocial in King Lear Senecan Lear and the Avoidance of Love “What is the cause of thunder?” Rogue Stoicism and Allegory Reconciliations Nostalgia and “our world of relatedness” Notes 5 17 27 no 115 124 133 141 145 Republican ՇօրԽևոստ and Imperial Seneca 152 Senecan Tragedy and a “new kind of humanism” Rome and the Senecan in Chapman’s Byron Plays Senecan Coriolanus 156 162 166 v
vi Contents Machiavelli, Seneca, and the Republican Շօոօևոստ Notes 6 Seneca, Titus, and Imperial Globalization “Permbeta omnia et insiticia sunt”: Seneca’s Miscegenated World Titus Andronìcus, Seneca, and the Post-Romanness of Empire Senecan Blackness Notes 7 Senecan Othello and the Republic of Venice “My parts, my title, and my perfect soul” Motive Hunting and Senecan Malignity Othello Oetaeus “More oblique and audacious than is often supposed” Notes Bibliography Index I72 179 187 190 201 212 224 231 233 243 252 259 260 2 66 289
Shakespeare’s tragic characters have often been seen as forerunners of modern personhood. It has been assumed that Shakespeare was able to invent such lifelike figures in part because of his freedom from the restrictions of classical form. Curtis Perry instead argues that characters such as Hamlet and King Lear have seemed modern to us in part because they are so robustly connected to the tradition of Senecan traged}. Resituating Shakespearean traged}՜ in this way ֊ as backward looking as well as forward looking ֊ makes it possible to recover a crucial political dimension. Shakespeare saw Seneca as a representative voice from post֊ republican Rome: in plays such as ( orioltimis and О ¡hello he uses Senecan modes of characterization to explore questions of identit}՜ in relation to failures of republican community. Ibis stud} has important implications for the way we understand character, community, and alterity in early modern drama.
Contents Acknowledgments Note on Texts 1 page vii ix Shakespeare and the Resources of Senecan Tragedy i Two Senecas or One? The Reception of Seneca and the Reception of Shakespeare Inwardness, Characterization, and the Affordances of Senecan Drama Notes 9 π 2 Richard III as Senecan History 3 37 Causation and Time in Senecan Tragedy Richard’s Senecan Self Determined to Prove a Viikin Notes 39 48 56 65 Seneca and the Modernity of Hamlet 73 Senecan Hamlet Antonio’s Involuntary Revenge Plucking Out the Heart Hamlet and (Senecan) Oedipus Notes 4 78 81 86 90 102 Seneca and the Antisocial in King Lear Senecan Lear and the Avoidance of Love “What is the cause of thunder?” Rogue Stoicism and Allegory Reconciliations Nostalgia and “our world of relatedness” Notes 5 17 27 no 115 124 133 141 145 Republican ՇօրԽևոստ and Imperial Seneca 152 Senecan Tragedy and a “new kind of humanism” Rome and the Senecan in Chapman’s Byron Plays Senecan Coriolanus 156 162 166 v
vi Contents Machiavelli, Seneca, and the Republican Շօոօևոստ Notes 6 Seneca, Titus, and Imperial Globalization “Permbeta omnia et insiticia sunt”: Seneca’s Miscegenated World Titus Andronìcus, Seneca, and the Post-Romanness of Empire Senecan Blackness Notes 7 Senecan Othello and the Republic of Venice “My parts, my title, and my perfect soul” Motive Hunting and Senecan Malignity Othello Oetaeus “More oblique and audacious than is often supposed” Notes Bibliography Index I72 179 187 190 201 212 224 231 233 243 252 259 260 2 66 289
Shakespeare’s tragic characters have often been seen as forerunners of modern personhood. It has been assumed that Shakespeare was able to invent such lifelike figures in part because of his freedom from the restrictions of classical form. Curtis Perry instead argues that characters such as Hamlet and King Lear have seemed modern to us in part because they are so robustly connected to the tradition of Senecan traged}. Resituating Shakespearean traged}՜ in this way ֊ as backward looking as well as forward looking ֊ makes it possible to recover a crucial political dimension. Shakespeare saw Seneca as a representative voice from post֊ republican Rome: in plays such as ( orioltimis and О ¡hello he uses Senecan modes of characterization to explore questions of identit}՜ in relation to failures of republican community. Ibis stud} has important implications for the way we understand character, community, and alterity in early modern drama.
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| adam_txt |
Contents Acknowledgments Note on Texts 1 page vii ix Shakespeare and the Resources of Senecan Tragedy i Two Senecas or One? The Reception of Seneca and the Reception of Shakespeare Inwardness, Characterization, and the Affordances of Senecan Drama Notes 9 π 2 Richard III as Senecan History 3 37 Causation and Time in Senecan Tragedy Richard’s Senecan Self Determined to Prove a Viikin Notes 39 48 56 65 Seneca and the Modernity of Hamlet 73 Senecan Hamlet Antonio’s Involuntary Revenge Plucking Out the Heart Hamlet and (Senecan) Oedipus Notes 4 78 81 86 90 102 Seneca and the Antisocial in King Lear Senecan Lear and the Avoidance of Love “What is the cause of thunder?” Rogue Stoicism and Allegory Reconciliations Nostalgia and “our world of relatedness” Notes 5 17 27 no 115 124 133 141 145 Republican ՇօրԽևոստ and Imperial Seneca 152 Senecan Tragedy and a “new kind of humanism” Rome and the Senecan in Chapman’s Byron Plays Senecan Coriolanus 156 162 166 v
vi Contents Machiavelli, Seneca, and the Republican Շօոօևոստ Notes 6 Seneca, Titus, and Imperial Globalization “Permbeta omnia et insiticia sunt”: Seneca’s Miscegenated World Titus Andronìcus, Seneca, and the Post-Romanness of Empire Senecan Blackness Notes 7 Senecan Othello and the Republic of Venice “My parts, my title, and my perfect soul” Motive Hunting and Senecan Malignity Othello Oetaeus “More oblique and audacious than is often supposed” Notes Bibliography Index I72 179 187 190 201 212 224 231 233 243 252 259 260 2 66 289
Shakespeare’s tragic characters have often been seen as forerunners of modern personhood. It has been assumed that Shakespeare was able to invent such lifelike figures in part because of his freedom from the restrictions of classical form. Curtis Perry instead argues that characters such as Hamlet and King Lear have seemed modern to us in part because they are so robustly connected to the tradition of Senecan traged}. Resituating Shakespearean traged}՜ in this way ֊ as backward looking as well as forward looking ֊ makes it possible to recover a crucial political dimension. Shakespeare saw Seneca as a representative voice from post֊ republican Rome: in plays such as ('orioltimis and О ¡hello he uses Senecan modes of characterization to explore questions of identit}՜ in relation to failures of republican community. Ibis stud} has important implications for the way we understand character, community, and alterity in early modern drama.
Contents Acknowledgments Note on Texts 1 page vii ix Shakespeare and the Resources of Senecan Tragedy i Two Senecas or One? The Reception of Seneca and the Reception of Shakespeare Inwardness, Characterization, and the Affordances of Senecan Drama Notes 9 π 2 Richard III as Senecan History 3 37 Causation and Time in Senecan Tragedy Richard’s Senecan Self Determined to Prove a Viikin Notes 39 48 56 65 Seneca and the Modernity of Hamlet 73 Senecan Hamlet Antonio’s Involuntary Revenge Plucking Out the Heart Hamlet and (Senecan) Oedipus Notes 4 78 81 86 90 102 Seneca and the Antisocial in King Lear Senecan Lear and the Avoidance of Love “What is the cause of thunder?” Rogue Stoicism and Allegory Reconciliations Nostalgia and “our world of relatedness” Notes 5 17 27 no 115 124 133 141 145 Republican ՇօրԽևոստ and Imperial Seneca 152 Senecan Tragedy and a “new kind of humanism” Rome and the Senecan in Chapman’s Byron Plays Senecan Coriolanus 156 162 166 v
vi Contents Machiavelli, Seneca, and the Republican Շօոօևոստ Notes 6 Seneca, Titus, and Imperial Globalization “Permbeta omnia et insiticia sunt”: Seneca’s Miscegenated World Titus Andronìcus, Seneca, and the Post-Romanness of Empire Senecan Blackness Notes 7 Senecan Othello and the Republic of Venice “My parts, my title, and my perfect soul” Motive Hunting and Senecan Malignity Othello Oetaeus “More oblique and audacious than is often supposed” Notes Bibliography Index I72 179 187 190 201 212 224 231 233 243 252 259 260 2 66 289
Shakespeare’s tragic characters have often been seen as forerunners of modern personhood. It has been assumed that Shakespeare was able to invent such lifelike figures in part because of his freedom from the restrictions of classical form. Curtis Perry instead argues that characters such as Hamlet and King Lear have seemed modern to us in part because they are so robustly connected to the tradition of Senecan traged}. Resituating Shakespearean traged}՜ in this way ֊ as backward looking as well as forward looking ֊ makes it possible to recover a crucial political dimension. Shakespeare saw Seneca as a representative voice from post֊ republican Rome: in plays such as ('orioltimis and О ¡hello he uses Senecan modes of characterization to explore questions of identit}՜ in relation to failures of republican community. Ibis stud} has important implications for the way we understand character, community, and alterity in early modern drama. |
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| index_date | 2024-07-03T15:38:50Z |
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| spelling | Perry, Curtis 1965- Verfasser (DE-588)1222310570 aut Shakespeare and Senecan tragedy Curtis Perry Cambridge Cambridge University Press 2021 x, 296 Seiten txt rdacontent n rdamedia nc rdacarrier Shakespeare, William 1564-1616 Tragedies Seneca, Lucius Annaeus approximately 4 B.C.-65 A.D. Tragedies Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Seneca, Lucius Annaeus Philosophus -65 (DE-588)118613200 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Senecae Tragoediae (DE-2581)TH000002781 gbd William Shakespeare (1564 - 1616) (DE-2581)TH000005455 gbd England, Rezeption (DE-2581)TH000005509 gbd Seneca phil. (DE-2581)TH000002761 gbd Shakespeare, William 1564-1616 (DE-588)118613723 p Tragödie (DE-588)4060591-7 s Seneca, Lucius Annaeus Philosophus -65 (DE-588)118613200 p DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-108-85727-7 Erscheint auch als Online-Ausgabe 9781108866316 (DE-604)BV047023557 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Perry, Curtis 1965- Shakespeare and Senecan tragedy Shakespeare, William 1564-1616 Tragedies Seneca, Lucius Annaeus approximately 4 B.C.-65 A.D. Tragedies Shakespeare, William 1564-1616 (DE-588)118613723 gnd Seneca, Lucius Annaeus Philosophus -65 (DE-588)118613200 gnd Tragödie (DE-588)4060591-7 gnd |
| subject_GND | (DE-588)118613723 (DE-588)118613200 (DE-588)4060591-7 |
| title | Shakespeare and Senecan tragedy |
| title_auth | Shakespeare and Senecan tragedy |
| title_exact_search | Shakespeare and Senecan tragedy |
| title_exact_search_txtP | Shakespeare and Senecan tragedy |
| title_full | Shakespeare and Senecan tragedy Curtis Perry |
| title_fullStr | Shakespeare and Senecan tragedy Curtis Perry |
| title_full_unstemmed | Shakespeare and Senecan tragedy Curtis Perry |
| title_short | Shakespeare and Senecan tragedy |
| title_sort | shakespeare and senecan tragedy |
| topic | Shakespeare, William 1564-1616 Tragedies Seneca, Lucius Annaeus approximately 4 B.C.-65 A.D. Tragedies Shakespeare, William 1564-1616 (DE-588)118613723 gnd Seneca, Lucius Annaeus Philosophus -65 (DE-588)118613200 gnd Tragödie (DE-588)4060591-7 gnd |
| topic_facet | Shakespeare, William 1564-1616 Tragedies Seneca, Lucius Annaeus approximately 4 B.C.-65 A.D. Tragedies Shakespeare, William 1564-1616 Seneca, Lucius Annaeus Philosophus -65 Tragödie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032352797&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT perrycurtis shakespeareandsenecantragedy |
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