Gestures of concern:
"GESTURES OF CONCERN contends that gestures with seemingly imperceptible measurable impact-such as bringing a reusable bag to the grocery store, scrolling through a newsfeed, or expressing a political opinion through a sticker-generate an affective commonwealth in which "citizen-critics&qu...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2020]
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Schriftenreihe: | A cultural politics book
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Schlagworte: | |
Zusammenfassung: | "GESTURES OF CONCERN contends that gestures with seemingly imperceptible measurable impact-such as bringing a reusable bag to the grocery store, scrolling through a newsfeed, or expressing a political opinion through a sticker-generate an affective commonwealth in which "citizen-critics" are able to create spaces of resistance. These gestures alone are not the solution to environmental destruction or a route to political emancipation from extractive capitalism. Yet, as Chris Ingraham argues, they constitute the daily work of commonwealth building-the creation of a politically engaged community-that enables meaningful social change to take hold. Rather than mapping the material presence of rhetorical events, Ingraham is interested in those unanswerable and ambiguous events that are fundamental to the lives of citizens in the twenty-first century. He shows that gestures of concern are important, not because they create a new state of being in the world, but because they create a new manner of being in the world. The study is organized into three sections of paired chapters, and each pair works together to advance the theory of concerned gestures' affective significance across the book's speculative paths. Chapters 1 and 2 take up TED Talks and the Vandalina sticker campaign against femicide in Turkey to understand how gestures of concern matter to twenty-first century political life. Ingraham suggests that the ancient Greek rhetorical figure of the idiot, defined as the silent non-rhetor who still participates in the public sphere through a listening disposition, is a key figure in understanding the affective significance of gestures of concern in modern life. The next two chapters demonstrate that concerned gestures matter most in the everyday cultural field. Focusing on gestures like the Facebook French flag filter after the 2015 Paris attacks and the use of goodreads.com, Ingraham addresses how citizen artists and citizen critics interact with an algorithmic culture that has democratized creative and critical participation in public life. Finally, Ingraham turns to the production of affective commonwealths in gestures like pop-up libraries in the London borough of Brent and artistic representations of images captured by Google Street View. The book concludes with a short epilogue that reconfigures Auden's "poet in the city" as a concerned citizen-critic "poet in the Anthropocene." GESTURES OF CONCERN will be of interest to scholars of media and communication, cultural studies, and political theory"-- |
Beschreibung: | x, 254 Seiten Illustrationen 23 cm |
ISBN: | 9781478009511 9781478008583 |
Internformat
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505 | 8 | |a Introduction. The shape we're in -- Idiot winds -- Stickiness -- Democratizing creativity, curating culture -- Citizen artists, citizen critics -- Uncommonwealth -- Affective commonwealths -- Epilogue. The poet in the Anthropocene | |
520 | 3 | |a "GESTURES OF CONCERN contends that gestures with seemingly imperceptible measurable impact-such as bringing a reusable bag to the grocery store, scrolling through a newsfeed, or expressing a political opinion through a sticker-generate an affective commonwealth in which "citizen-critics" are able to create spaces of resistance. These gestures alone are not the solution to environmental destruction or a route to political emancipation from extractive capitalism. Yet, as Chris Ingraham argues, they constitute the daily work of commonwealth building-the creation of a politically engaged community-that enables meaningful social change to take hold. Rather than mapping the material presence of rhetorical events, Ingraham is interested in those unanswerable and ambiguous events that are fundamental to the lives of citizens in the twenty-first century. | |
520 | 3 | |a He shows that gestures of concern are important, not because they create a new state of being in the world, but because they create a new manner of being in the world. The study is organized into three sections of paired chapters, and each pair works together to advance the theory of concerned gestures' affective significance across the book's speculative paths. Chapters 1 and 2 take up TED Talks and the Vandalina sticker campaign against femicide in Turkey to understand how gestures of concern matter to twenty-first century political life. Ingraham suggests that the ancient Greek rhetorical figure of the idiot, defined as the silent non-rhetor who still participates in the public sphere through a listening disposition, is a key figure in understanding the affective significance of gestures of concern in modern life. The next two chapters demonstrate that concerned gestures matter most in the everyday cultural field. | |
520 | 3 | |a Focusing on gestures like the Facebook French flag filter after the 2015 Paris attacks and the use of goodreads.com, Ingraham addresses how citizen artists and citizen critics interact with an algorithmic culture that has democratized creative and critical participation in public life. Finally, Ingraham turns to the production of affective commonwealths in gestures like pop-up libraries in the London borough of Brent and artistic representations of images captured by Google Street View. The book concludes with a short epilogue that reconfigures Auden's "poet in the city" as a concerned citizen-critic "poet in the Anthropocene." GESTURES OF CONCERN will be of interest to scholars of media and communication, cultural studies, and political theory"-- | |
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Datensatz im Suchindex
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author | Ingraham, Christopher |
author_GND | (DE-588)1220454958 |
author_facet | Ingraham, Christopher |
author_role | aut |
author_sort | Ingraham, Christopher |
author_variant | c i ci |
building | Verbundindex |
bvnumber | BV046923890 |
contents | Introduction. The shape we're in -- Idiot winds -- Stickiness -- Democratizing creativity, curating culture -- Citizen artists, citizen critics -- Uncommonwealth -- Affective commonwealths -- Epilogue. The poet in the Anthropocene |
ctrlnum | (OCoLC)1220889369 (DE-599)BVBBV046923890 |
format | Book |
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illustrated | Illustrated |
index_date | 2024-07-03T15:32:05Z |
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physical | x, 254 Seiten Illustrationen 23 cm |
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spelling | Ingraham, Christopher Verfasser (DE-588)1220454958 aut Gestures of concern Chris Ingraham Durham Duke University Press [2020] x, 254 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier A cultural politics book Introduction. The shape we're in -- Idiot winds -- Stickiness -- Democratizing creativity, curating culture -- Citizen artists, citizen critics -- Uncommonwealth -- Affective commonwealths -- Epilogue. The poet in the Anthropocene "GESTURES OF CONCERN contends that gestures with seemingly imperceptible measurable impact-such as bringing a reusable bag to the grocery store, scrolling through a newsfeed, or expressing a political opinion through a sticker-generate an affective commonwealth in which "citizen-critics" are able to create spaces of resistance. These gestures alone are not the solution to environmental destruction or a route to political emancipation from extractive capitalism. Yet, as Chris Ingraham argues, they constitute the daily work of commonwealth building-the creation of a politically engaged community-that enables meaningful social change to take hold. Rather than mapping the material presence of rhetorical events, Ingraham is interested in those unanswerable and ambiguous events that are fundamental to the lives of citizens in the twenty-first century. He shows that gestures of concern are important, not because they create a new state of being in the world, but because they create a new manner of being in the world. The study is organized into three sections of paired chapters, and each pair works together to advance the theory of concerned gestures' affective significance across the book's speculative paths. Chapters 1 and 2 take up TED Talks and the Vandalina sticker campaign against femicide in Turkey to understand how gestures of concern matter to twenty-first century political life. Ingraham suggests that the ancient Greek rhetorical figure of the idiot, defined as the silent non-rhetor who still participates in the public sphere through a listening disposition, is a key figure in understanding the affective significance of gestures of concern in modern life. The next two chapters demonstrate that concerned gestures matter most in the everyday cultural field. Focusing on gestures like the Facebook French flag filter after the 2015 Paris attacks and the use of goodreads.com, Ingraham addresses how citizen artists and citizen critics interact with an algorithmic culture that has democratized creative and critical participation in public life. Finally, Ingraham turns to the production of affective commonwealths in gestures like pop-up libraries in the London borough of Brent and artistic representations of images captured by Google Street View. The book concludes with a short epilogue that reconfigures Auden's "poet in the city" as a concerned citizen-critic "poet in the Anthropocene." GESTURES OF CONCERN will be of interest to scholars of media and communication, cultural studies, and political theory"-- Geste (DE-588)4157147-2 gnd rswk-swf Sorge (DE-588)4181855-6 gnd rswk-swf Politischer Wandel (DE-588)4175047-0 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Politics and culture Social change / Citizen participation Political participation / Social aspects Communication and culture Geste (DE-588)4157147-2 s Sorge (DE-588)4181855-6 s Sozialer Wandel (DE-588)4077587-2 s Politischer Wandel (DE-588)4175047-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-1217-7 |
spellingShingle | Ingraham, Christopher Gestures of concern Introduction. The shape we're in -- Idiot winds -- Stickiness -- Democratizing creativity, curating culture -- Citizen artists, citizen critics -- Uncommonwealth -- Affective commonwealths -- Epilogue. The poet in the Anthropocene Geste (DE-588)4157147-2 gnd Sorge (DE-588)4181855-6 gnd Politischer Wandel (DE-588)4175047-0 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
subject_GND | (DE-588)4157147-2 (DE-588)4181855-6 (DE-588)4175047-0 (DE-588)4077587-2 |
title | Gestures of concern |
title_auth | Gestures of concern |
title_exact_search | Gestures of concern |
title_exact_search_txtP | Gestures of concern |
title_full | Gestures of concern Chris Ingraham |
title_fullStr | Gestures of concern Chris Ingraham |
title_full_unstemmed | Gestures of concern Chris Ingraham |
title_short | Gestures of concern |
title_sort | gestures of concern |
topic | Geste (DE-588)4157147-2 gnd Sorge (DE-588)4181855-6 gnd Politischer Wandel (DE-588)4175047-0 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
topic_facet | Geste Sorge Politischer Wandel Sozialer Wandel |
work_keys_str_mv | AT ingrahamchristopher gesturesofconcern |