The memory marketplace: witnessing pain in contemporary Irish and international theatre
Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2020]
|
| Schriftenreihe: | Irish culture, memory, place
|
| Schlagworte: | |
| Zusammenfassung: | Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace "What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history" |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 247 Seiten |
| ISBN: | 9780253049506 9780253049520 |
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| 520 | 3 | |a Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace | |
| 520 | 3 | |a "What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history" | |
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Datensatz im Suchindex
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| building | Verbundindex |
| bvnumber | BV046915335 |
| callnumber-first | P - Language and Literature |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09415 |
| dewey-search | 792.09415 |
| dewey-sort | 3792.09415 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| format | Book |
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| indexdate | 2024-07-10T08:57:23Z |
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| isbn | 9780253049506 9780253049520 |
| language | English |
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| spelling | Pine, Emilie Verfasser (DE-588)1126585424 aut The memory marketplace witnessing pain in contemporary Irish and international theatre Emilie Pine Bloomington, Indiana Indiana University Press [2020] x, 247 Seiten txt rdacontent n rdamedia nc rdacarrier Irish culture, memory, place Includes bibliographical references and index Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace "What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history" Drama (DE-588)4012899-4 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Theater and society / Ireland / History / 21st century Drama / Social aspects / Ireland / History and criticism Theater and society / History / 20th century Drama / Social aspects / History and criticism Pain in literature Psychic trauma in literature Collective memory in literature Collective memory and literature Irland (DE-588)4027667-3 g Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s Kollektives Gedächtnis (DE-588)4200793-8 s DE-604 Erscheint auch als Online-Ausgabe 978-0-253-04951-3 |
| spellingShingle | Pine, Emilie The memory marketplace witnessing pain in contemporary Irish and international theatre Drama (DE-588)4012899-4 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4200793-8 (DE-588)4059702-7 (DE-588)4027667-3 |
| title | The memory marketplace witnessing pain in contemporary Irish and international theatre |
| title_auth | The memory marketplace witnessing pain in contemporary Irish and international theatre |
| title_exact_search | The memory marketplace witnessing pain in contemporary Irish and international theatre |
| title_exact_search_txtP | The memory marketplace witnessing pain in contemporary Irish and international theatre |
| title_full | The memory marketplace witnessing pain in contemporary Irish and international theatre Emilie Pine |
| title_fullStr | The memory marketplace witnessing pain in contemporary Irish and international theatre Emilie Pine |
| title_full_unstemmed | The memory marketplace witnessing pain in contemporary Irish and international theatre Emilie Pine |
| title_short | The memory marketplace |
| title_sort | the memory marketplace witnessing pain in contemporary irish and international theatre |
| title_sub | witnessing pain in contemporary Irish and international theatre |
| topic | Drama (DE-588)4012899-4 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Drama Kollektives Gedächtnis Theater Irland |
| work_keys_str_mv | AT pineemilie thememorymarketplacewitnessingpainincontemporaryirishandinternationaltheatre |