Att göra hiphop: en studie av musikpraktiker och sociala positioner
This dissertation explores music-making processes within the genre of Swedish hip-hop during the first half of the 2010s. Hip-hop is often associated with strong notions about authenticity based both on musical tradition regarding style and aesthetics, as well as social categories such as race, gend...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Swedish |
| Veröffentlicht: |
Malmö
Universus Academic Press
[2019]
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| Schlagworte: | |
| Zusammenfassung: | This dissertation explores music-making processes within the genre of Swedish hip-hop during the first half of the 2010s. Hip-hop is often associated with strong notions about authenticity based both on musical tradition regarding style and aesthetics, as well as social categories such as race, gender, class and place. While hip-hop scholarship has often focused on analyzing social categories as part of identity politics, the practical music-making aspect has often been neglected. The aim of this dissertation is to analyze how hip-hop musicking has been constituted by the combination of musical practices, skills, social positions, and knowledge. The prerequisites of Swedish hip-hop music are analyzed, with a particular focus on the intersection between practical music-making and gender, race, ethnicity, generation and place. The primary empirical material consists of qualitative interviews with and observations among club DJs, battle rappers, and hosts at battle rap events, as well as both the participants and the instructors at musical camps. Material from social media is also a part of the empirical material. The musicological concept of musicking with its understanding of music as a collection of social processes is an important theoretical foundation for this study. Thinking in terms of musicking instead of music enabled me to broaden the scope of possible social settings where the fieldwork was conducted, as well as the choice of study participants. In order to define the practices, knowledges, skills, and positions specific to the hip-hop context, I introduced the concept of hip-hop musicking. The term "hip-hop musicking" signifies the conceptual marriage of practical music-making and the identity formations within processes of hip-hop music-making [...]. |
| Beschreibung: | 205 Seiten Illustrationen |
| ISBN: | 9789187439599 |
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| 520 | 3 | |a This dissertation explores music-making processes within the genre of Swedish hip-hop during the first half of the 2010s. Hip-hop is often associated with strong notions about authenticity based both on musical tradition regarding style and aesthetics, as well as social categories such as race, gender, class and place. While hip-hop scholarship has often focused on analyzing social categories as part of identity politics, the practical music-making aspect has often been neglected. The aim of this dissertation is to analyze how hip-hop musicking has been constituted by the combination of musical practices, skills, social positions, and knowledge. The prerequisites of Swedish hip-hop music are analyzed, with a particular focus on the intersection between practical music-making and gender, race, ethnicity, generation and place. The primary empirical material consists of qualitative interviews with and observations among club DJs, battle rappers, and hosts at battle rap events, as well as both the participants and the instructors at musical camps. Material from social media is also a part of the empirical material. The musicological concept of musicking with its understanding of music as a collection of social processes is an important theoretical foundation for this study. Thinking in terms of musicking instead of music enabled me to broaden the scope of possible social settings where the fieldwork was conducted, as well as the choice of study participants. In order to define the practices, knowledges, skills, and positions specific to the hip-hop context, I introduced the concept of hip-hop musicking. The term "hip-hop musicking" signifies the conceptual marriage of practical music-making and the identity formations within processes of hip-hop music-making [...]. | |
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Datensatz im Suchindex
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| index_date | 2024-07-03T15:27:47Z |
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| isbn | 9789187439599 |
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| spelling | Dankić, Andrea 1984- Verfasser (DE-588)1218187581 aut Att göra hiphop en studie av musikpraktiker och sociala positioner Andrea Dankić Making hip-hop Malmö Universus Academic Press [2019] © 2019 205 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation Stockholms universitet 2019 This dissertation explores music-making processes within the genre of Swedish hip-hop during the first half of the 2010s. Hip-hop is often associated with strong notions about authenticity based both on musical tradition regarding style and aesthetics, as well as social categories such as race, gender, class and place. While hip-hop scholarship has often focused on analyzing social categories as part of identity politics, the practical music-making aspect has often been neglected. The aim of this dissertation is to analyze how hip-hop musicking has been constituted by the combination of musical practices, skills, social positions, and knowledge. The prerequisites of Swedish hip-hop music are analyzed, with a particular focus on the intersection between practical music-making and gender, race, ethnicity, generation and place. The primary empirical material consists of qualitative interviews with and observations among club DJs, battle rappers, and hosts at battle rap events, as well as both the participants and the instructors at musical camps. Material from social media is also a part of the empirical material. The musicological concept of musicking with its understanding of music as a collection of social processes is an important theoretical foundation for this study. Thinking in terms of musicking instead of music enabled me to broaden the scope of possible social settings where the fieldwork was conducted, as well as the choice of study participants. In order to define the practices, knowledges, skills, and positions specific to the hip-hop context, I introduced the concept of hip-hop musicking. The term "hip-hop musicking" signifies the conceptual marriage of practical music-making and the identity formations within processes of hip-hop music-making [...]. Geschichte 2000-2005 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Soziale Identität (DE-588)4077567-7 gnd rswk-swf Subkultur (DE-588)4058326-0 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf Practice knowledge creativity hip-hop popular music ethnography authenticity intersectionality musicking Humanities and the Arts Other Humanities Ethnology Humaniora och konst Annan humaniora Etnologi etnologi government publication (DE-588)4113937-9 Hochschulschrift gnd-content Schweden (DE-588)4077258-5 g Hip-Hop (DE-588)4303517-6 s Subkultur (DE-588)4058326-0 s Musikleben (DE-588)4075128-4 s Soziale Identität (DE-588)4077567-7 s Geschichte 2000-2005 z DE-604 Erscheint auch als Online-Ausgabe |
| spellingShingle | Dankić, Andrea 1984- Att göra hiphop en studie av musikpraktiker och sociala positioner Musikleben (DE-588)4075128-4 gnd Soziale Identität (DE-588)4077567-7 gnd Subkultur (DE-588)4058326-0 gnd Hip-Hop (DE-588)4303517-6 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4077567-7 (DE-588)4058326-0 (DE-588)4303517-6 (DE-588)4077258-5 (DE-588)4113937-9 |
| title | Att göra hiphop en studie av musikpraktiker och sociala positioner |
| title_alt | Making hip-hop |
| title_auth | Att göra hiphop en studie av musikpraktiker och sociala positioner |
| title_exact_search | Att göra hiphop en studie av musikpraktiker och sociala positioner |
| title_exact_search_txtP | Att göra hiphop en studie av musikpraktiker och sociala positioner |
| title_full | Att göra hiphop en studie av musikpraktiker och sociala positioner Andrea Dankić |
| title_fullStr | Att göra hiphop en studie av musikpraktiker och sociala positioner Andrea Dankić |
| title_full_unstemmed | Att göra hiphop en studie av musikpraktiker och sociala positioner Andrea Dankić |
| title_short | Att göra hiphop |
| title_sort | att gora hiphop en studie av musikpraktiker och sociala positioner |
| title_sub | en studie av musikpraktiker och sociala positioner |
| topic | Musikleben (DE-588)4075128-4 gnd Soziale Identität (DE-588)4077567-7 gnd Subkultur (DE-588)4058326-0 gnd Hip-Hop (DE-588)4303517-6 gnd |
| topic_facet | Musikleben Soziale Identität Subkultur Hip-Hop Schweden Hochschulschrift |
| work_keys_str_mv | AT dankicandrea attgorahiphopenstudieavmusikpraktikerochsocialapositioner AT dankicandrea makinghiphop |