Music and synesthesia: abstracts from a Conference in Vienna, scheduled for July 3-5, 2020
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| Format: | Conference Proceeding Book |
| Language: | English |
| Published: |
Münster, Westf
Westfälische Wilhelms-Universität
2020
|
| Series: | Wissenschaftliche Schriften der WWU Münster. Reihe 18
14 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | VII, 199 Seiten 21 cm x 14.8 cm, 280 g |
| ISBN: | 9783840502279 3840502276 |
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| 245 | 1 | 0 | |a Music and synesthesia |b abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |c Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter |
| 263 | |a 202006 | ||
| 264 | 1 | |a Münster, Westf |b Westfälische Wilhelms-Universität |c 2020 | |
| 300 | |a VII, 199 Seiten |c 21 cm x 14.8 cm, 280 g | ||
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| 490 | 1 | |a Wissenschaftliche Schriften der WWU Münster. Reihe 18 |v 14 | |
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| 653 | |a Music | ||
| 653 | |a Synesthesia | ||
| 653 | |a Visual arts | ||
| 653 | |a Music perception | ||
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| 653 | |a Vienna | ||
| 653 | |a Musik | ||
| 653 | |a Synästhesie | ||
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Record in the Search Index
| _version_ | 1804181745073913856 |
|---|---|
| adam_text | CONTENTS
FOREWORD
...............................................................................................
I
CONFERENCE
PROGRAM
............................................................................
5
INTRODUCTION
WHAT
IS
SYNESTHESIA?
.....................................................................................
17
SEAN
A.
DAY
PHYSIOLOGY
OF
COLOR
AND
PITCH
PERCEPTION
...................................................
24
SALEH
SIDDIQ
IMPETUS
AND
CHALLENGES
OF
SYNESTHETIC
MUSIC
PAINTING
.............................
35
MICHAEL
HAVERKAMP
ABSTRACTS
PERSONAL
INSIGHTS
I:
VISUAL
ARTISTS
THE
EXPLORATION
OF
SOUND
SHAPE
SYNESTHESIA
AND
PAINTING
COLLABORATIVELY
DESIGNED
SOUND
....................................................................
45
TIMOTHY
B.
LAYDEN
II
CONTENTS
MUSIC-TO-COLOR-SYNESTHESIA
IN
THE
PAINTED
PICTURE:
DOES
EVERY
SOUND
HAVE
A
DISTINCT
COLORED
SHAPE
AND
WILL
BE
REPRESENTED
1:1
IN
A
PAINTING?
....................................................................
49
CHRISTINE
SOFFING
PARTICLES
OF
SOUND
...........................................................................................
51
MICHAEL
HAVERKAMP
PERSONAL
INSIGHTS
II:
SYNESTHETE
MUSICIANS
BENEFITS
OF
AND
DISTRACTIONS
DUE
TO
MULTIPLE
SYNESTHESIAS
IN
MY
ATTEMPTS
AT
COMPOSITIONS
....................................................................
57
SEAN
A.
DAY
WALKING
DOWN
THE
STREET:
THE
SEQUEL
...........................................................
58
JASMIN
SINHA
EXPLORING MIRROR
SENSORY
SYNESTHESIA
THROUGH
MUSIC:
CAN
A
CONTEMPORARY
COMPOSITION
REVEAL
THE
MIRROR-TOUCH
EXPERIENCE?
........
61
CONCETTA
ABBATE
&
CAROLYN
Z
CC
HART
COLORED
HEARING
OF
TWO
GUITAR
CONCERTS:
COMPARATIVE
RESULTS
..................
63
CLARA
SOTO
WHEN
AUDIO
IS
ALWAYS
VISUAL
..........................................................................
67
MILJA
VANHALEN
MUSIC-COLOR
SYNESTHETES:
CASE
STUDIES
A
RED
SYMPHONY
OUT
OF
THE
CANVAS:
EXPLORING
THE
NEUROPHENOMENOLOGICAL
DIMENSION
OF
MUSIC-COLOR
I
FORM
AND
MUSIC-TOUCH
SYNESTHESIAS
.......................................................................
69
HELENA
MELERO
III
AMY
BEACH:
SYNESTHESIA
AND
A
COMPARATIVE
ANALYSIS
OF
COLORED
COMPOSITION
........................................................................................
70
MARIS
LOEFFLER
THE
REFLECTION
OF
SYNESTHESIA
IN
THE
WORK
OF
FOUR
MUSICIANS:
JOYCE
YANG
,
J.
J.
SECHAN
,
BEN
WOLFE
,
AND
AARON
JAY
KERNIS
.....................
71
GRETA
BERMAN
TRANSLATING
CHROMESTHESIA
FOR
NON-SYNESTHETES
..........................................
72
SELMA
A.
ESPINO,
MCKAY
A.
BLOXHAM,
SPENCER
A.
LEE,
&
SCOTT
A.
BAILEY
KONSTANTIN
SARADZHEV S
MUSIC-RELATED
DEVELOPMENT
AS
A
BELL-RINGER
AND
MUSIC
THEORIST
AS
DETERMINED
BY
HIS
MICROTONAL
PITCH-TO-COLOR/SHAPE
SYNESTHESIA
..............................................
76
ANTON
V.
SIDOROFF-DORSO
SYNESTHETIC
FEATURES
OF
CREATIVITY:
KRZYSZTOF
PENDERECKI
.........................
81
SVETLANA
KONANCHUK
HEARING
COLOR:
HOW
SYNESTHESIA
CONSTRUCTS
INTIMACY
IN
ERIC
WHITACRE S
ALLELUIA
..........................................................................
84
SAMANTHA
KELLY
HOW
SYNESTHESIA
IS
USED
TO
OBTAIN
AIDA:
THE
ROLE
OF
SYNESTHESIA
IN
BRANDING
FEMALE
MUSICIANS
..................................................
86
HIKE
HAGER
MUSIC
AND
SYNESTHESIA:
HISTORY-THEORY
-
EMPIRICAL
STUDIES
WHAT
COLOR
IS
A
FLUTE?
TIMBRE-COLOR
SYNESTHETES
IN
THE
19TH
CENTURY:
A
COMPILATION
AND
EVALUATION
......................................................
91
LEONARDO
CAPANNI
&
JORG
JEWANSKI
IV
CONTENTS
MUSIC-COLOR
SYNESTHESIA:
A
SENSORIMOTOR
ACCOUNT
.....................................
93
CAROLINE
CURWEN
CHROMESTHESIA
INFLUENCES
ON
MUSICALLY
INSPIRED
IMMERSIVE
EXPERIENCE
DESIGN
.............................................................................................
96
ANNIKA
R.
JOHNSON,
ELISE
N.
GRAY,
LANCE
J.
RADTKE,
&
SCOTT
A.
BAILEY
AN
EXPERIMENTAL
FEEDBACK
MODEL
OF
MUSICAL
DEVELOPMENT
FOR
SYNESTHETES
AND
ABSOLUTE
PITCH
POSSESSORS
...........................................
100
SOLANGE
GLASSER
WHAT
HAPPENS
TO
THE
COLOR
PERCEPTION
OF
TIMBRE-COLOR
SYNESTHETES
IF
THE
TIMBRE
DIMINISHES
OR
CHANGES
STEP
BY
STEP?
.............
102
JEWANSKI,
JORG,
CHRISTOPH
REUTER,
ISABELLA
CZEDIK-EYSENBERG,
ANDREA
GANTSCHACHER,
&
JAMIE
WARD
COLOR-MUSIC
BY
SCRIABIN
AND
MESSIAEN:
REVEALING
THE
PHENOMENON
OF
SYNESTHESIA
..........................................................................
103
KONSTANTIN
SEMILAKOVS
EXPLORING
THE
CONTEMPORARY
LISTENING
EXPERIENCES
OF
SYNESTHETES
.......
104
SOLANGE
GLASSER,
AMANDA
E.
KRAUSE,
&
MARGARET
OSBORNE
PSEUDOSYNESTHESIA
-
CROSSMODAL
CORRESPONDENCES
-
ASSOCIATIONS
-
MUSIC
AND
VISUAL
ARTS
IN
DEFENSE
OF
MUSICAL
PSEUDOSYNESTHESIA
..................................................
107
MAIKO
KAWABATA
SYMBOLIST
COMPOSER
ALEXANDER
SCRIABIN:
RECEPTION
HISTORY
AND
HIS
SYNESTHESIA:
MUSIC
ANALYSIS
FOR
SONATA
NO.
9
AND
PRELUDES
OP.
74
...............................................................................................
109
SVETLANA
RUDENKO
V
D ANNUNZIO
AND
SCRIABIN
...........................................................................
NO
LUIGI
VERDI
THE
COLORS
OF
MUSICAL
INSTRUMENTS:
AN
INTERCULTURAL
COMPARISON
ON
TIMBRE-COLOR
MAPPINGS
WITH
NON-SYNESTHETES
IN
AUSTRIA/GERMANY
AND
IN
MADAGASCAR
.....................
113
JORG
JEWANSKI,
AUGUST
SCHMIDHOFER,
&
CHRISTOPH
REUTER
LISTEN
TO
THE
TASTE
OF
MUSIC:
MAPPING
SOUND
AND
WINE
IN
CROSSMODAL
COMPOSITION
..............................................................................
115
JO
BURZYNSKA
FROM
SYNESTHETICAL
EAR
TRAINING
TO
CREATIVITY
OF
CONSCIOUSNESS
............
116
SVETLANA
MALAKHOVA
ZNAMENNY
CHANT
AS
A
SYNESTHETIC
PHENOMENON
.......................................
118
ALISA
TIMOSHENKO
MUSIC
AND
WORD:
THE
VIEWS
OF
RUSSIAN
THEORISTS
ON
VERSIFICATION
IN
THE
CONTEXT
OF
SYNESTHESIA
.................................................
121
NINA
NIKOLAEVA
MUSICAL
ART
AND
SYNESTHESIA:
SYNERGY
BETWEEN
SMELL
,
COLOR
AND
SOUND
IN
MUSIC
.......................................................................................
124
ILUMINADA
PEREZ
FRUTOS
VISUAL
MUSIC:
FROM
COLOR
ORGANS
TO
ABSTRACT
FILMS
COLOR
SINGS
TOO:
THE
EMANCIPATION
OF
COLOR
AND
ITS
ROLE
IN
THE
DEVELOPMENT
OF
A
VISUAL
MUSIC
EXPRESSION
IN
20TH
CENTURY
ART
......
125
MAURA
MCDONNELL
THE
FIRST
AUSTRALIAN
COLOR
ORGAN
BY
ALEXANDER
BURNETT
HECTOR
(1912)
....
126
JOSHUA
JAMES
BERGER
VI
CONTENTS
1925:
LUDWIG
HIRSCHFELD-MACK S
COLOUR-LIGHT-PLAYS
AS
VISUAL
MUSIC?
.........................................................
131
PETER
STASNY
SYMPHONY
OF
THE
LIGHT:
TONE
PAINTING
AND
COLOR
HARMONY
IN
THE
PRACTICE
OF
SILENT
FILM
MUSIC
..............................................................
135
MARIA
FUCHS
VLADIMIR
BARANOFF-ROSSINE,
GRIGORY
GIDONI,
LEON
THEREMIN:
EXPERIMENTS
IN
THE
FIELD
OF
SOUND/LIGHT/
CHOREOGRAPHY
(1920-1930)
..........................................................................
137
OLGA
KOLGANOVA
MULTIMEDIA
TECHNOLOGIES
FOR
THE
COMPOSER S
SYNESTHETIC
EXPERIENCE
EXPRESSION
....................................................................................
142
ELENA
FATIANOVA
TEARING
DOWN
LIGHT
ART S
MUSICAL
SCAFFOLDING:
FROM
COLOR
ORGANS
TO
ART
GALLERIES
...................................................................................
146
RALPH
WHYTE
THE
FIRST
VISUALIZATION
AS
A
FILM
OF
SCRIABIN S
PROMETHEE,
DIRECTED
IN
1964
IN
RUSSIA
BY
BULAT
GALEYEV:
PRINCIPLES
OF
HIS
INTERPRETATION
...........................................................................................
147
RUSTEM
SAKHABIEV
&
ANASTASIA
MAXIMOVA
AUDIOVISUAL
HALLUCINATIONS
IN
THE
SYNESTHETIC
FILMS
OF
JORDAN
BELSON
AND
JAMES
WHITNEY
..............................................................
150
HENRY
BALME
VIDEO
(GAMES)
KILLED
THE
MUSIC
HALL
STAR:
A
HISTORY
OF
MULTI-MODAL
AND
CROSS-SENSORY
MUSIC
PERFORMANCE
................................
152
KENNY
MCALPINE
VII
MUVI.
AN
INTERNATIONAL
PROJECT
ON
SYNESTHESIA
AND
VISUAL
MUSIC
.......
153
MARIA
JOSE
DE
CORDOBA
SERRANO
&
DINA
RICCO
SYNESTHESIA
AND
DIGITAL
PERCEPTION
2019:
THE
VISUAL
MUSIC
SCENE
AND
MULTISENSORY
SOUND-BASED
PRACTICES
IN
BRAZIL
........................
156
SERGIO
BASBAUM
TOWARDS
A
LIVE
SYNESTHETIC
VISUALIZATION ?
CONSIDERATIONS
IN
ARTISTICALLY
VISUALIZED
SOUND
.......................................
160
UMUT
ELDEM
APPENDICES
THE
AUTHORS
..........................................................................................
165
NAME
INDEX
........................................................................................
195
|
| adam_txt |
CONTENTS
FOREWORD
.
I
CONFERENCE
PROGRAM
.
5
INTRODUCTION
WHAT
IS
SYNESTHESIA?
.
17
SEAN
A.
DAY
PHYSIOLOGY
OF
COLOR
AND
PITCH
PERCEPTION
.
24
SALEH
SIDDIQ
IMPETUS
AND
CHALLENGES
OF
SYNESTHETIC
MUSIC
PAINTING
.
35
MICHAEL
HAVERKAMP
ABSTRACTS
PERSONAL
INSIGHTS
I:
VISUAL
ARTISTS
THE
EXPLORATION
OF
SOUND
SHAPE
SYNESTHESIA
AND
PAINTING
COLLABORATIVELY
DESIGNED
SOUND
.
45
TIMOTHY
B.
LAYDEN
II
CONTENTS
MUSIC-TO-COLOR-SYNESTHESIA
IN
THE
PAINTED
PICTURE:
DOES
EVERY
SOUND
HAVE
A
DISTINCT
COLORED
SHAPE
AND
WILL
BE
REPRESENTED
1:1
IN
A
PAINTING?
.
49
CHRISTINE
SOFFING
PARTICLES
OF
SOUND
.
51
MICHAEL
HAVERKAMP
PERSONAL
INSIGHTS
II:
SYNESTHETE
MUSICIANS
BENEFITS
OF
AND
DISTRACTIONS
DUE
TO
MULTIPLE
SYNESTHESIAS
IN
MY
ATTEMPTS
AT
COMPOSITIONS
.
57
SEAN
A.
DAY
WALKING
DOWN
THE
STREET:
THE
SEQUEL
.
58
JASMIN
SINHA
EXPLORING MIRROR
SENSORY
SYNESTHESIA
THROUGH
MUSIC:
CAN
A
CONTEMPORARY
COMPOSITION
REVEAL
THE
MIRROR-TOUCH
EXPERIENCE?
.
61
CONCETTA
ABBATE
&
CAROLYN
Z
CC
HART
COLORED
HEARING
OF
TWO
GUITAR
CONCERTS:
COMPARATIVE
RESULTS
.
63
CLARA
SOTO
WHEN
AUDIO
IS
ALWAYS
VISUAL
.
67
MILJA
VANHALEN
MUSIC-COLOR
SYNESTHETES:
CASE
STUDIES
A
RED
SYMPHONY
OUT
OF
THE
CANVAS:
EXPLORING
THE
NEUROPHENOMENOLOGICAL
DIMENSION
OF
MUSIC-COLOR
I
FORM
AND
MUSIC-TOUCH
SYNESTHESIAS
.
69
HELENA
MELERO
III
AMY
BEACH:
SYNESTHESIA
AND
A
COMPARATIVE
ANALYSIS
OF
COLORED
COMPOSITION
.
70
MARIS
LOEFFLER
THE
REFLECTION
OF
SYNESTHESIA
IN
THE
WORK
OF
FOUR
MUSICIANS:
JOYCE
YANG
,
J.
J.
SECHAN
,
BEN
WOLFE
,
AND
AARON
JAY
KERNIS
.
71
GRETA
BERMAN
TRANSLATING
CHROMESTHESIA
FOR
NON-SYNESTHETES
.
72
SELMA
A.
ESPINO,
MCKAY
A.
BLOXHAM,
SPENCER
A.
LEE,
&
SCOTT
A.
BAILEY
KONSTANTIN
SARADZHEV'S
MUSIC-RELATED
DEVELOPMENT
AS
A
BELL-RINGER
AND
MUSIC
THEORIST
AS
DETERMINED
BY
HIS
MICROTONAL
PITCH-TO-COLOR/SHAPE
SYNESTHESIA
.
76
ANTON
V.
SIDOROFF-DORSO
SYNESTHETIC
FEATURES
OF
CREATIVITY:
KRZYSZTOF
PENDERECKI
.
81
SVETLANA
KONANCHUK
HEARING
COLOR:
HOW
SYNESTHESIA
CONSTRUCTS
INTIMACY
IN
ERIC
WHITACRE'S
ALLELUIA
'
.
84
SAMANTHA
KELLY
HOW
SYNESTHESIA
IS
USED
TO
OBTAIN
AIDA:
THE
ROLE
OF
SYNESTHESIA
IN
BRANDING
FEMALE
MUSICIANS
.
86
HIKE
HAGER
MUSIC
AND
SYNESTHESIA:
HISTORY-THEORY
-
EMPIRICAL
STUDIES
WHAT
COLOR
IS
A
FLUTE?
TIMBRE-COLOR
SYNESTHETES
IN
THE
19TH
CENTURY:
A
COMPILATION
AND
EVALUATION
.
91
LEONARDO
CAPANNI
&
JORG
JEWANSKI
IV
CONTENTS
MUSIC-COLOR
SYNESTHESIA:
A
SENSORIMOTOR
ACCOUNT
.
93
CAROLINE
CURWEN
CHROMESTHESIA
INFLUENCES
ON
MUSICALLY
INSPIRED
IMMERSIVE
EXPERIENCE
DESIGN
.
96
ANNIKA
R.
JOHNSON,
ELISE
N.
GRAY,
LANCE
J.
RADTKE,
&
SCOTT
A.
BAILEY
AN
EXPERIMENTAL
FEEDBACK
MODEL
OF
MUSICAL
DEVELOPMENT
FOR
SYNESTHETES
AND
ABSOLUTE
PITCH
POSSESSORS
.
100
SOLANGE
GLASSER
WHAT
HAPPENS
TO
THE
COLOR
PERCEPTION
OF
TIMBRE-COLOR
SYNESTHETES
IF
THE
TIMBRE
DIMINISHES
OR
CHANGES
STEP
BY
STEP?
.
102
JEWANSKI,
JORG,
CHRISTOPH
REUTER,
ISABELLA
CZEDIK-EYSENBERG,
ANDREA
GANTSCHACHER,
&
JAMIE
WARD
COLOR-MUSIC
BY
SCRIABIN
AND
MESSIAEN:
REVEALING
THE
PHENOMENON
OF
SYNESTHESIA
.
103
KONSTANTIN
SEMILAKOVS
EXPLORING
THE
CONTEMPORARY
LISTENING
EXPERIENCES
OF
SYNESTHETES
.
104
SOLANGE
GLASSER,
AMANDA
E.
KRAUSE,
&
MARGARET
OSBORNE
PSEUDOSYNESTHESIA
-
CROSSMODAL
CORRESPONDENCES
-
ASSOCIATIONS
-
MUSIC
AND
VISUAL
ARTS
IN
DEFENSE
OF
MUSICAL
'PSEUDOSYNESTHESIA'
.
107
MAIKO
KAWABATA
SYMBOLIST
COMPOSER
ALEXANDER
SCRIABIN:
RECEPTION
HISTORY
AND
HIS
SYNESTHESIA:
MUSIC
ANALYSIS
FOR
SONATA
NO.
9
AND
PRELUDES
OP.
74
.
109
SVETLANA
RUDENKO
V
D'ANNUNZIO
AND
SCRIABIN
.
NO
LUIGI
VERDI
THE
COLORS
OF
MUSICAL
INSTRUMENTS:
AN
INTERCULTURAL
COMPARISON
ON
TIMBRE-COLOR
MAPPINGS
WITH
NON-SYNESTHETES
IN
AUSTRIA/GERMANY
AND
IN
MADAGASCAR
.
113
JORG
JEWANSKI,
AUGUST
SCHMIDHOFER,
&
CHRISTOPH
REUTER
LISTEN
TO
THE
TASTE
OF
MUSIC:
MAPPING
SOUND
AND
WINE
IN
CROSSMODAL
COMPOSITION
.
115
JO
BURZYNSKA
FROM
SYNESTHETICAL
EAR
TRAINING
TO
CREATIVITY
OF
CONSCIOUSNESS
.
116
SVETLANA
MALAKHOVA
ZNAMENNY
CHANT
AS
A
SYNESTHETIC
PHENOMENON
.
118
ALISA
TIMOSHENKO
MUSIC
AND
WORD:
THE
VIEWS
OF
RUSSIAN
THEORISTS
ON
VERSIFICATION
IN
THE
CONTEXT
OF
SYNESTHESIA
.
121
NINA
NIKOLAEVA
MUSICAL
ART
AND
SYNESTHESIA:
SYNERGY
BETWEEN
SMELL
,
COLOR
AND
SOUND
IN
MUSIC
.
124
ILUMINADA
PEREZ
FRUTOS
VISUAL
MUSIC:
FROM
COLOR
ORGANS
TO
ABSTRACT
FILMS
COLOR
SINGS
TOO:
THE
EMANCIPATION
OF
COLOR
AND
ITS
ROLE
IN
THE
DEVELOPMENT
OF
A
VISUAL
MUSIC
EXPRESSION
IN
20TH
CENTURY
ART
.
125
MAURA
MCDONNELL
THE
FIRST
AUSTRALIAN
COLOR
ORGAN
BY
ALEXANDER
BURNETT
HECTOR
(1912)
.
126
JOSHUA
JAMES
BERGER
VI
CONTENTS
1925:
LUDWIG
HIRSCHFELD-MACK'S
'COLOUR-LIGHT-PLAYS'
AS
VISUAL
MUSIC?
.
131
PETER
STASNY
SYMPHONY
OF
THE
LIGHT:
TONE
PAINTING
AND
COLOR
HARMONY
IN
THE
PRACTICE
OF
SILENT
FILM
MUSIC
.
135
MARIA
FUCHS
VLADIMIR
BARANOFF-ROSSINE,
GRIGORY
GIDONI,
LEON
THEREMIN:
EXPERIMENTS
IN
THE
FIELD
OF
SOUND/LIGHT/
CHOREOGRAPHY
(1920-1930)
.
137
OLGA
KOLGANOVA
MULTIMEDIA
TECHNOLOGIES
FOR
THE
COMPOSER'S
SYNESTHETIC
EXPERIENCE
EXPRESSION
.
142
ELENA
FATIANOVA
TEARING
DOWN
LIGHT
ART'S
MUSICAL
SCAFFOLDING:
FROM
COLOR
ORGANS
TO
ART
GALLERIES
.
146
RALPH
WHYTE
THE
FIRST
VISUALIZATION
AS
A
FILM
OF
SCRIABIN'S
PROMETHEE,
DIRECTED
IN
1964
IN
RUSSIA
BY
BULAT
GALEYEV:
PRINCIPLES
OF
HIS
INTERPRETATION
.
147
RUSTEM
SAKHABIEV
&
ANASTASIA
MAXIMOVA
AUDIOVISUAL
HALLUCINATIONS
IN
THE
SYNESTHETIC
FILMS
OF
JORDAN
BELSON
AND
JAMES
WHITNEY
.
150
HENRY
BALME
VIDEO
(GAMES)
KILLED
THE
MUSIC
HALL
STAR:
A
HISTORY
OF
MULTI-MODAL
AND
CROSS-SENSORY
MUSIC
PERFORMANCE
.
152
KENNY
MCALPINE
VII
MUVI.
AN
INTERNATIONAL
PROJECT
ON
SYNESTHESIA
AND
VISUAL
MUSIC
.
153
MARIA
JOSE
DE
CORDOBA
SERRANO
&
DINA
RICCO
SYNESTHESIA
AND
DIGITAL
PERCEPTION
2019:
THE
VISUAL
MUSIC
SCENE
AND
MULTISENSORY
SOUND-BASED
PRACTICES
IN
BRAZIL
.
156
SERGIO
BASBAUM
TOWARDS
A
'
LIVE
SYNESTHETIC
VISUALIZATION'?
CONSIDERATIONS
IN
ARTISTICALLY
VISUALIZED
SOUND
.
160
UMUT
ELDEM
APPENDICES
THE
AUTHORS
.
165
NAME
INDEX
.
195 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Jewanski, Jörg 1959- |
| author2_role | edt |
| author2_variant | j j jj |
| author_GND | (DE-588)120051885 |
| author_corporate | Music and Synesthesia (Veranstaltung) Wien |
| author_corporate_role | aut |
| author_facet | Jewanski, Jörg 1959- Music and Synesthesia (Veranstaltung) Wien |
| author_sort | Music and Synesthesia (Veranstaltung) Wien |
| building | Verbundindex |
| bvnumber | BV046884855 |
| ctrlnum | (OCoLC)1232513547 (DE-599)DNB1211682765 |
| discipline | Psychologie |
| discipline_str_mv | Psychologie |
| format | Conference Proceeding Book |
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| genre | (DE-588)1071861417 Konferenzschrift gnd-content |
| genre_facet | Konferenzschrift |
| id | DE-604.BV046884855 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:19:16Z |
| indexdate | 2024-07-10T08:56:32Z |
| institution | BVB |
| institution_GND | (DE-588)121484488X (DE-588)5091030-9 |
| isbn | 9783840502279 3840502276 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032294788 |
| oclc_num | 1232513547 |
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| owner | DE-355 DE-BY-UBR DE-12 |
| owner_facet | DE-355 DE-BY-UBR DE-12 |
| physical | VII, 199 Seiten 21 cm x 14.8 cm, 280 g |
| psigel | BSB_NED_20210201 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Westfälische Wilhelms-Universität |
| record_format | marc |
| series | Wissenschaftliche Schriften der WWU Münster. Reihe 18 |
| series2 | Wissenschaftliche Schriften der WWU Münster. Reihe 18 |
| spelling | Music and Synesthesia (Veranstaltung) 2020 Wien Verfasser (DE-588)121484488X aut Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter 202006 Münster, Westf Westfälische Wilhelms-Universität 2020 VII, 199 Seiten 21 cm x 14.8 cm, 280 g txt rdacontent n rdamedia nc rdacarrier Wissenschaftliche Schriften der WWU Münster. Reihe 18 14 Musik (DE-588)4040802-4 gnd rswk-swf Synästhesie (DE-588)4184220-0 gnd rswk-swf Music Synesthesia Visual arts Music perception Neuroscience Conference Vienna Musik Synästhesie Bildende Kunst Wahrnehmung von Musik Neurowissenschaften Konferenz Wien (DE-588)1071861417 Konferenzschrift gnd-content Musik (DE-588)4040802-4 s Synästhesie (DE-588)4184220-0 s b DE-604 Jewanski, Jörg 1959- (DE-588)120051885 edt Universitäts- und Landesbibliothek Münster (DE-588)5091030-9 pbl Wissenschaftliche Schriften der WWU Münster. Reihe 18 14 (DE-604)BV036125139 14 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032294788&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 Wissenschaftliche Schriften der WWU Münster. Reihe 18 Musik (DE-588)4040802-4 gnd Synästhesie (DE-588)4184220-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4184220-0 (DE-588)1071861417 |
| title | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |
| title_auth | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |
| title_exact_search | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |
| title_exact_search_txtP | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |
| title_full | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter |
| title_fullStr | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter |
| title_full_unstemmed | Music and synesthesia abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter |
| title_short | Music and synesthesia |
| title_sort | music and synesthesia abstracts from a conference in vienna scheduled for july 3 5 2020 |
| title_sub | abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 |
| topic | Musik (DE-588)4040802-4 gnd Synästhesie (DE-588)4184220-0 gnd |
| topic_facet | Musik Synästhesie Konferenzschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032294788&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036125139 |
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