Kinaesthesia and classical Antiquity 1750-1820: moved by stone
This books argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture - ruins, sculpture, and art...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
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| Schriftenreihe: | Bloomsbury studies in classical reception
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This books argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture - ruins, sculpture, and artefacts - formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asia Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis. The sense typically associated with the Enlightenment is vision, but this has obscured the equally important contribution made by touch and movement to the way in which a newly materialised Graeco-Roman world was perceived. Kinaesthesia, or the sense of self-movement, is rarely recognised in its own right, but because all encounters with sites and objects are embodied, and all embodiment takes place in motion, this sense is vital to forming more abstract or imaginative impressions. Theories of embodied cognition propose that all intellectual processes are also physical. This book shows how ideas about classical antiquity in the volatile milieu of the late 18th century developed as a result of diverse kinaesthetic relationships |
| Beschreibung: | 274 Seiten 8 Illustrationen |
| ISBN: | 9781350144026 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of Figures Acknowledgements Introduction: The Science of Sensuous Cognition Part One Approaches viii ix 1 19 1 Emma Hamilton’s Attitudes 21 2 Herder’s ‘Feeling Imagination’ 33 3 Charlotte Eaton’s Rome as Theatre 45 4 Goethe’s ‘Seeing Hand’ 63 Part Two Apprehensions 83 5 Time Travellers 85 6 Frankenstein’s Venus 107 7 Belongings in Museums 133 Part Three Appreciations 155 8 Roman Novels 157 9 Forever Young 173 10 Mary Shelley’s ‘Desart Ruins’ 193 Conclusion 207 Notes Bibliography Index 211 251 271
|
| adam_txt |
CONTENTS List of Figures Acknowledgements Introduction: The Science of Sensuous Cognition Part One Approaches viii ix 1 19 1 Emma Hamilton’s Attitudes 21 2 Herder’s ‘Feeling Imagination’ 33 3 Charlotte Eaton’s Rome as Theatre 45 4 Goethe’s ‘Seeing Hand’ 63 Part Two Apprehensions 83 5 Time Travellers 85 6 Frankenstein’s Venus 107 7 Belongings in Museums 133 Part Three Appreciations 155 8 Roman Novels 157 9 Forever Young 173 10 Mary Shelley’s ‘Desart Ruins’ 193 Conclusion 207 Notes Bibliography Index 211 251 271 |
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| author | Slaney, Helen 1981- |
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| discipline | Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Philologie / Byzantinistik / Neulatein |
| era | Geschichte 1750-1820 gnd |
| era_facet | Geschichte 1750-1820 |
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| spelling | Slaney, Helen 1981- Verfasser (DE-588)1080931759 aut Kinaesthesia and classical Antiquity 1750-1820 moved by stone Helen Slaney London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 274 Seiten 8 Illustrationen txt rdacontent n rdamedia nc rdacarrier Bloomsbury studies in classical reception This books argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture - ruins, sculpture, and artefacts - formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asia Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis. The sense typically associated with the Enlightenment is vision, but this has obscured the equally important contribution made by touch and movement to the way in which a newly materialised Graeco-Roman world was perceived. Kinaesthesia, or the sense of self-movement, is rarely recognised in its own right, but because all encounters with sites and objects are embodied, and all embodiment takes place in motion, this sense is vital to forming more abstract or imaginative impressions. Theories of embodied cognition propose that all intellectual processes are also physical. This book shows how ideas about classical antiquity in the volatile milieu of the late 18th century developed as a result of diverse kinaesthetic relationships Geschichte 1750-1820 gnd rswk-swf Altertümer (DE-588)4201096-2 gnd rswk-swf Kinästhesie (DE-588)4163782-3 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Aufklärung, Rezeption (DE-2581)TH000005257 gbd Kinästhesie (DE-588)4163782-3 s Altertümer (DE-588)4201096-2 s Antike (DE-588)4068754-5 s Rezeption (DE-588)4049716-1 s Geschichte 1750-1820 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-4403-3 Erscheint auch als Online-Ausgabe 978-1-3501-4404-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032280101&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Slaney, Helen 1981- Kinaesthesia and classical Antiquity 1750-1820 moved by stone Altertümer (DE-588)4201096-2 gnd Kinästhesie (DE-588)4163782-3 gnd Antike (DE-588)4068754-5 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | Kinaesthesia and classical Antiquity 1750-1820 moved by stone |
| title_auth | Kinaesthesia and classical Antiquity 1750-1820 moved by stone |
| title_exact_search | Kinaesthesia and classical Antiquity 1750-1820 moved by stone |
| title_exact_search_txtP | Kinaesthesia and classical Antiquity 1750-1820 moved by stone |
| title_full | Kinaesthesia and classical Antiquity 1750-1820 moved by stone Helen Slaney |
| title_fullStr | Kinaesthesia and classical Antiquity 1750-1820 moved by stone Helen Slaney |
| title_full_unstemmed | Kinaesthesia and classical Antiquity 1750-1820 moved by stone Helen Slaney |
| title_short | Kinaesthesia and classical Antiquity 1750-1820 |
| title_sort | kinaesthesia and classical antiquity 1750 1820 moved by stone |
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