The ephemeral eighteenth century: print, sociability and the cultures of collecting
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2020
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| Series: | Cambridge studies in romanticism
[129] |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Physical Description: | xii, 303 Seiten Illustrationen |
| ISBN: | 9781108487580 |
Staff View
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Record in the Search Index
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| adam_text | Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
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| adam_txt |
Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
Contents List ofFigures Acknowledgements Introduction: ‘All the Ephemera of Our Lives’ 1 page viii xi i Accidental Readings and Diurnal Historiographies: The Invention of Ephemera 30 2 Making Collections: Enlightenment Ephemerology 60 3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections 98 4 Sarah Sophia Banks’s ‘Magic Encyclopedia’ 126 5 ‘Announcing Each Day the Performances’: Playbills as Theatre/Media History 153 6 Transacting Hospitality: The Novel Networks of the Visiting Card 186 7 214 England in 1814: Frost Fairs, Peace, and Persuasion Conclusion 23 x Bibliography Index 233 28i
THE EPHEMERAL EIGHTEENTH CENTURY Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills, and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relation ship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for ‘ephemerology’ as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today. |
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| spelling | Russell, Gillian 1958- Verfasser (DE-588)1059586959 aut The ephemeral eighteenth century print, sociability and the cultures of collecting Gillian Russell Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2020 xii, 303 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge studies in romanticism [129] Geschichte 1700-1800 gnd rswk-swf Ephemera (DE-588)1023954222 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Ephemera (DE-588)1023954222 s Geschichte 1700-1800 z DE-604 Erscheint auch als Online-Ausgabe 978-1-108-76734-7 Cambridge studies in romanticism [129] (DE-604)BV008317109 129 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000009&line_number=0005&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000011&line_number=0006&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Russell, Gillian 1958- The ephemeral eighteenth century print, sociability and the cultures of collecting Cambridge studies in romanticism Ephemera (DE-588)1023954222 gnd |
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| title | The ephemeral eighteenth century print, sociability and the cultures of collecting |
| title_auth | The ephemeral eighteenth century print, sociability and the cultures of collecting |
| title_exact_search | The ephemeral eighteenth century print, sociability and the cultures of collecting |
| title_exact_search_txtP | The ephemeral eighteenth century print, sociability and the cultures of collecting |
| title_full | The ephemeral eighteenth century print, sociability and the cultures of collecting Gillian Russell |
| title_fullStr | The ephemeral eighteenth century print, sociability and the cultures of collecting Gillian Russell |
| title_full_unstemmed | The ephemeral eighteenth century print, sociability and the cultures of collecting Gillian Russell |
| title_short | The ephemeral eighteenth century |
| title_sort | the ephemeral eighteenth century print sociability and the cultures of collecting |
| title_sub | print, sociability and the cultures of collecting |
| topic | Ephemera (DE-588)1023954222 gnd |
| topic_facet | Ephemera Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000009&line_number=0005&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032279395&sequence=000011&line_number=0006&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV008317109 |
| work_keys_str_mv | AT russellgillian theephemeraleighteenthcenturyprintsociabilityandtheculturesofcollecting |
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Indexes
Indexes