Experiments in Exile: C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive pol...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Fordham University Press
[2018]
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| Schriftenreihe: | Commonalities
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the "undocuments" that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of "the motley crew" historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (224 pages) |
| ISBN: | 9780823279814 |
| DOI: | 10.1515/9780823279814 |
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| 520 | |a Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the "undocuments" that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. | ||
| 520 | |a James and Oiticica’s experiments recall the insurgent sociality of "the motley crew" historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. | ||
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| spelling | Harris, Laura Verfasser aut Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness Laura Harris New York, NY Fordham University Press [2018] © 2018 1 online resource (224 pages) txt rdacontent c rdamedia cr rdacarrier Commonalities Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the "undocuments" that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of "the motley crew" historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life In English Afro-diaspora Black radicalism Blackness C. L. R. James Citizenship Exile intellectual Hélio Oiticica Popular culture Slum Undocumented immigrant LITERARY CRITICISM / Caribbean & Latin American bisacsh Aesthetics, Black Expatriate artists United States Intellectual life 20th century Expatriate authors United States Intellectual life 20th century https://doi.org/10.1515/9780823279814 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Harris, Laura Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness Afro-diaspora Black radicalism Blackness C. L. R. James Citizenship Exile intellectual Hélio Oiticica Popular culture Slum Undocumented immigrant LITERARY CRITICISM / Caribbean & Latin American bisacsh Aesthetics, Black Expatriate artists United States Intellectual life 20th century Expatriate authors United States Intellectual life 20th century |
| title | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness |
| title_auth | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness |
| title_exact_search | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness |
| title_exact_search_txtP | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness |
| title_full | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness Laura Harris |
| title_fullStr | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness Laura Harris |
| title_full_unstemmed | Experiments in Exile C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness Laura Harris |
| title_short | Experiments in Exile |
| title_sort | experiments in exile c l r james helio oiticica and the aesthetic sociality of blackness |
| title_sub | C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness |
| topic | Afro-diaspora Black radicalism Blackness C. L. R. James Citizenship Exile intellectual Hélio Oiticica Popular culture Slum Undocumented immigrant LITERARY CRITICISM / Caribbean & Latin American bisacsh Aesthetics, Black Expatriate artists United States Intellectual life 20th century Expatriate authors United States Intellectual life 20th century |
| topic_facet | Afro-diaspora Black radicalism Blackness C. L. R. James Citizenship Exile intellectual Hélio Oiticica Popular culture Slum Undocumented immigrant LITERARY CRITICISM / Caribbean & Latin American Aesthetics, Black Expatriate artists United States Intellectual life 20th century Expatriate authors United States Intellectual life 20th century |
| url | https://doi.org/10.1515/9780823279814 |
| work_keys_str_mv | AT harrislaura experimentsinexileclrjamesheliooiticicaandtheaestheticsocialityofblackness |