Flirtations: Rhetoric and Aesthetics This Side of Seduction
What is flirtation, and how does it differ from seduction?In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the criti...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Weitere Verfasser: | |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Fordham University Press
[2015]
|
Schriftenreihe: | Idiom: Inventing Writing Theory
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
Zusammenfassung: | What is flirtation, and how does it differ from seduction?In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: power. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. It is this elusive (and largely ignored) territory of playing for play’s sake that is the subject of this anthology.The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act’s relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure. The art of this poetic playfulness—often read or misread as flirtation’s "empty gesture"—becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
Beschreibung: | 1 online resource (192 pages) |
ISBN: | 9780823264926 |
DOI: | 10.1515/9780823264926 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046845767 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 200810s2015 |||| o||u| ||||||eng d | ||
020 | |a 9780823264926 |9 978-0-8232-6492-6 | ||
024 | 7 | |a 10.1515/9780823264926 |2 doi | |
035 | |a (ZDB-23-DGG)9780823264926 | ||
035 | |a (OCoLC)911214698 | ||
035 | |a (DE-599)BVBBV046845767 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
082 | 0 | |a 111/.85 |2 23 | |
100 | 1 | |a Nagel, Barbara Natalie |e Verfasser |4 aut | |
245 | 1 | 0 | |a Flirtations |b Rhetoric and Aesthetics This Side of Seduction |c Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz |
264 | 1 | |a New York, NY |b Fordham University Press |c [2015] | |
264 | 4 | |c © 2015 | |
300 | |a 1 online resource (192 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Idiom: Inventing Writing Theory | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) | ||
520 | |a What is flirtation, and how does it differ from seduction?In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: power. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. It is this elusive (and largely ignored) territory of playing for play’s sake that is the subject of this anthology.The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act’s relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure. The art of this poetic playfulness—often read or misread as flirtation’s "empty gesture"—becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power | ||
546 | |a In English | ||
650 | 4 | |a Caillois | |
650 | 4 | |a Flirtation | |
650 | 4 | |a Freud | |
650 | 4 | |a Gorgias | |
650 | 4 | |a Jensen | |
650 | 4 | |a Sapeurs | |
650 | 4 | |a Simmel | |
650 | 4 | |a Thomas Mann | |
650 | 4 | |a aesthetics | |
650 | 4 | |a critical theory | |
650 | 4 | |a gender | |
650 | 4 | |a mimesis | |
650 | 4 | |a seduction | |
650 | 4 | |a sexuality | |
650 | 7 | |a SOCIAL SCIENCE / Gender Studies |2 bisacsh | |
650 | 4 | |a Aesthetics | |
650 | 4 | |a Flirting | |
650 | 4 | |a Seduction | |
700 | 1 | |a Hoffman-Schwartz, Daniel |4 edt | |
700 | 1 | |a Stone, Lauren Shizuko |4 aut | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780823264926 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032254674 | ||
966 | e | |u https://doi.org/10.1515/9780823264926 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780823264926 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804181675002822656 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Nagel, Barbara Natalie Stone, Lauren Shizuko |
author2 | Hoffman-Schwartz, Daniel |
author2_role | edt |
author2_variant | d h s dhs |
author_facet | Nagel, Barbara Natalie Stone, Lauren Shizuko Hoffman-Schwartz, Daniel |
author_role | aut aut |
author_sort | Nagel, Barbara Natalie |
author_variant | b n n bn bnn l s s ls lss |
building | Verbundindex |
bvnumber | BV046845767 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780823264926 (OCoLC)911214698 (DE-599)BVBBV046845767 |
dewey-full | 111/.85 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 111 - Ontology |
dewey-raw | 111/.85 |
dewey-search | 111/.85 |
dewey-sort | 3111 285 |
dewey-tens | 110 - Metaphysics |
discipline | Philosophie |
discipline_str_mv | Philosophie |
doi_str_mv | 10.1515/9780823264926 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04270nmm a2200709zc 4500</leader><controlfield tag="001">BV046845767</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200810s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823264926</subfield><subfield code="9">978-0-8232-6492-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780823264926</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780823264926</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)911214698</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046845767</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.85</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nagel, Barbara Natalie</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Flirtations</subfield><subfield code="b">Rhetoric and Aesthetics This Side of Seduction</subfield><subfield code="c">Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Fordham University Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (192 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Idiom: Inventing Writing Theory</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What is flirtation, and how does it differ from seduction?In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: power. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. It is this elusive (and largely ignored) territory of playing for play’s sake that is the subject of this anthology.The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act’s relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure. The art of this poetic playfulness—often read or misread as flirtation’s "empty gesture"—becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Caillois</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Flirtation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Freud</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gorgias</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jensen</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sapeurs</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Simmel</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Thomas Mann</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">critical theory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">gender</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">mimesis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">seduction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">sexuality</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Gender Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Flirting</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Seduction</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hoffman-Schwartz, Daniel</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stone, Lauren Shizuko</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032254674</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823264926</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046845767 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:08:33Z |
indexdate | 2024-07-10T08:55:25Z |
institution | BVB |
isbn | 9780823264926 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032254674 |
oclc_num | 911214698 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
physical | 1 online resource (192 pages) |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Fordham University Press |
record_format | marc |
series2 | Idiom: Inventing Writing Theory |
spelling | Nagel, Barbara Natalie Verfasser aut Flirtations Rhetoric and Aesthetics This Side of Seduction Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz New York, NY Fordham University Press [2015] © 2015 1 online resource (192 pages) txt rdacontent c rdamedia cr rdacarrier Idiom: Inventing Writing Theory Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) What is flirtation, and how does it differ from seduction?In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: power. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. It is this elusive (and largely ignored) territory of playing for play’s sake that is the subject of this anthology.The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act’s relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure. The art of this poetic playfulness—often read or misread as flirtation’s "empty gesture"—becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power In English Caillois Flirtation Freud Gorgias Jensen Sapeurs Simmel Thomas Mann aesthetics critical theory gender mimesis seduction sexuality SOCIAL SCIENCE / Gender Studies bisacsh Aesthetics Flirting Seduction Hoffman-Schwartz, Daniel edt Stone, Lauren Shizuko aut https://doi.org/10.1515/9780823264926 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Nagel, Barbara Natalie Stone, Lauren Shizuko Flirtations Rhetoric and Aesthetics This Side of Seduction Caillois Flirtation Freud Gorgias Jensen Sapeurs Simmel Thomas Mann aesthetics critical theory gender mimesis seduction sexuality SOCIAL SCIENCE / Gender Studies bisacsh Aesthetics Flirting Seduction |
title | Flirtations Rhetoric and Aesthetics This Side of Seduction |
title_auth | Flirtations Rhetoric and Aesthetics This Side of Seduction |
title_exact_search | Flirtations Rhetoric and Aesthetics This Side of Seduction |
title_exact_search_txtP | Flirtations Rhetoric and Aesthetics This Side of Seduction |
title_full | Flirtations Rhetoric and Aesthetics This Side of Seduction Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz |
title_fullStr | Flirtations Rhetoric and Aesthetics This Side of Seduction Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz |
title_full_unstemmed | Flirtations Rhetoric and Aesthetics This Side of Seduction Barbara Natalie Nagel, Lauren Shizuko Stone; Daniel Hoffman-Schwartz |
title_short | Flirtations |
title_sort | flirtations rhetoric and aesthetics this side of seduction |
title_sub | Rhetoric and Aesthetics This Side of Seduction |
topic | Caillois Flirtation Freud Gorgias Jensen Sapeurs Simmel Thomas Mann aesthetics critical theory gender mimesis seduction sexuality SOCIAL SCIENCE / Gender Studies bisacsh Aesthetics Flirting Seduction |
topic_facet | Caillois Flirtation Freud Gorgias Jensen Sapeurs Simmel Thomas Mann aesthetics critical theory gender mimesis seduction sexuality SOCIAL SCIENCE / Gender Studies Aesthetics Flirting Seduction |
url | https://doi.org/10.1515/9780823264926 |
work_keys_str_mv | AT nagelbarbaranatalie flirtationsrhetoricandaestheticsthissideofseduction AT hoffmanschwartzdaniel flirtationsrhetoricandaestheticsthissideofseduction AT stonelaurenshizuko flirtationsrhetoricandaestheticsthissideofseduction |