Salvage Work: U.S. and Caribbean Literatures amid the Debris of Legal Personhood
Salvage Work examines contemporary literary responses to the law’s construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Fordham University Press
[2015]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Salvage Work examines contemporary literary responses to the law’s construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories of race, citizenship, gender, and labor. What emerges is a compelling and original study of how law invents categories of identification and how literature contends with the person as a legal fiction. Through readings of Francisco Goldman’s The Ordinary Seaman, Edwidge Danticat’s Krik?Krak!, Rosario Ferre’s Sweet Diamond Dust (Maldito Amor), Gayl Jones’s Song for Anninho and Mosquito, and John Edgar Wideman’s Fanon, Naimou shows how literary engagements with legal personhood reconfigure formal narrative conventions in Black Atlantic historiography, the immigrant novel, the anticolonial romance, the trope of the talking book, and the bildungsroman.Revealing links between colonial, civic, slave, labor, immigration, and penal law, Salvage Work reframes debates over civil and human rights by revealing the shared hemispheric histories and effects of legal personhood across seemingly disparate identities—including the human and the corporate person, the political refugee and the economic migrant, and the stateless person and the citizen.In depicting the material remains of the legal slave personality in the de-industrialized neoliberal era, these literary texts develop a salvage aesthetic that invites us to rethink our political and aesthetic imagination of personhood. Questioning liberal frameworks for civil and human rights as well as what Naimou calls death-bound theories of personhood—in which forms of human life are primarily described as wasted, disposable, bare, or dead in law—Salvage Work thus responds to critical discussions of biopolitics and neoliberal globalization by exploring the potential for contemporary literature to reclaim the individual from the legal regimes that have marked her |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (304 pages) |
| ISBN: | 9780823264780 |
| DOI: | 10.1515/9780823264780 |
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| 520 | |a Salvage Work examines contemporary literary responses to the law’s construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories of race, citizenship, gender, and labor. What emerges is a compelling and original study of how law invents categories of identification and how literature contends with the person as a legal fiction. | ||
| 520 | |a Through readings of Francisco Goldman’s The Ordinary Seaman, Edwidge Danticat’s Krik?Krak!, Rosario Ferre’s Sweet Diamond Dust (Maldito Amor), Gayl Jones’s Song for Anninho and Mosquito, and John Edgar Wideman’s Fanon, Naimou shows how literary engagements with legal personhood reconfigure formal narrative conventions in Black Atlantic historiography, the immigrant novel, the anticolonial romance, the trope of the talking book, and the bildungsroman.Revealing links between colonial, civic, slave, labor, immigration, and penal law, Salvage Work reframes debates over civil and human rights by revealing the shared hemispheric histories and effects of legal personhood across seemingly disparate identities—including the human and the corporate person, the political refugee and the economic migrant, and the stateless person and the citizen.In depicting the material remains of the legal slave personality in the de-industrialized neoliberal era, | ||
| 520 | |a these literary texts develop a salvage aesthetic that invites us to rethink our political and aesthetic imagination of personhood. Questioning liberal frameworks for civil and human rights as well as what Naimou calls death-bound theories of personhood—in which forms of human life are primarily described as wasted, disposable, bare, or dead in law—Salvage Work thus responds to critical discussions of biopolitics and neoliberal globalization by exploring the potential for contemporary literature to reclaim the individual from the legal regimes that have marked her | ||
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| spelling | Naimou, Angela Verfasser aut Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood Angela Naimou New York, NY Fordham University Press [2015] © 2015 1 online resource (304 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Salvage Work examines contemporary literary responses to the law’s construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories of race, citizenship, gender, and labor. What emerges is a compelling and original study of how law invents categories of identification and how literature contends with the person as a legal fiction. Through readings of Francisco Goldman’s The Ordinary Seaman, Edwidge Danticat’s Krik?Krak!, Rosario Ferre’s Sweet Diamond Dust (Maldito Amor), Gayl Jones’s Song for Anninho and Mosquito, and John Edgar Wideman’s Fanon, Naimou shows how literary engagements with legal personhood reconfigure formal narrative conventions in Black Atlantic historiography, the immigrant novel, the anticolonial romance, the trope of the talking book, and the bildungsroman.Revealing links between colonial, civic, slave, labor, immigration, and penal law, Salvage Work reframes debates over civil and human rights by revealing the shared hemispheric histories and effects of legal personhood across seemingly disparate identities—including the human and the corporate person, the political refugee and the economic migrant, and the stateless person and the citizen.In depicting the material remains of the legal slave personality in the de-industrialized neoliberal era, these literary texts develop a salvage aesthetic that invites us to rethink our political and aesthetic imagination of personhood. Questioning liberal frameworks for civil and human rights as well as what Naimou calls death-bound theories of personhood—in which forms of human life are primarily described as wasted, disposable, bare, or dead in law—Salvage Work thus responds to critical discussions of biopolitics and neoliberal globalization by exploring the potential for contemporary literature to reclaim the individual from the legal regimes that have marked her In English Citizenship Francisco Goldman Gayl Jones Law and Literature Legal Personhood Postcolonial Ethnic Studies Rosario Ferré human rights neoliberalism race SOCIAL SCIENCE / Slavery bisacsh American literature History and criticism Caribbean literature History and criticism Citizenship in literature Human rights in literature Juristic persons Moral and ethical aspects Law and literature Self in literature https://doi.org/10.1515/9780823264780 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Naimou, Angela Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood Citizenship Francisco Goldman Gayl Jones Law and Literature Legal Personhood Postcolonial Ethnic Studies Rosario Ferré human rights neoliberalism race SOCIAL SCIENCE / Slavery bisacsh American literature History and criticism Caribbean literature History and criticism Citizenship in literature Human rights in literature Juristic persons Moral and ethical aspects Law and literature Self in literature |
| title | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood |
| title_auth | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood |
| title_exact_search | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood |
| title_exact_search_txtP | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood |
| title_full | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood Angela Naimou |
| title_fullStr | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood Angela Naimou |
| title_full_unstemmed | Salvage Work U.S. and Caribbean Literatures amid the Debris of Legal Personhood Angela Naimou |
| title_short | Salvage Work |
| title_sort | salvage work u s and caribbean literatures amid the debris of legal personhood |
| title_sub | U.S. and Caribbean Literatures amid the Debris of Legal Personhood |
| topic | Citizenship Francisco Goldman Gayl Jones Law and Literature Legal Personhood Postcolonial Ethnic Studies Rosario Ferré human rights neoliberalism race SOCIAL SCIENCE / Slavery bisacsh American literature History and criticism Caribbean literature History and criticism Citizenship in literature Human rights in literature Juristic persons Moral and ethical aspects Law and literature Self in literature |
| topic_facet | Citizenship Francisco Goldman Gayl Jones Law and Literature Legal Personhood Postcolonial Ethnic Studies Rosario Ferré human rights neoliberalism race SOCIAL SCIENCE / Slavery American literature History and criticism Caribbean literature History and criticism Citizenship in literature Human rights in literature Juristic persons Moral and ethical aspects Law and literature Self in literature |
| url | https://doi.org/10.1515/9780823264780 |
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