Dancing Jacobins: A Venezuelan Genealogy of Latin American Populism
Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic proje...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Fordham University Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds.Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist "monumental governmentality" that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or "dancing Jacobins," recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will.To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign "people" to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (408 pages) |
| ISBN: | 9780823263684 |
| DOI: | 10.1515/9780823263684 |
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| 520 | |a Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds.Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist "monumental governmentality" that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or "dancing Jacobins," recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will.To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign "people" to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address | ||
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Datensatz im Suchindex
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| dewey-raw | 987.06/42092 |
| dewey-search | 987.06/42092 |
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| discipline | Geschichte |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:08:33Z |
| indexdate | 2024-07-10T08:55:25Z |
| institution | BVB |
| isbn | 9780823263684 |
| language | English |
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| spelling | Sánchez, Rafael Verfasser aut Dancing Jacobins A Venezuelan Genealogy of Latin American Populism Rafael Sánchez New York, NY Fordham University Press [2016] © 2016 1 online resource (408 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds.Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist "monumental governmentality" that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or "dancing Jacobins," recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will.To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign "people" to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Crowds Political aspects Venezuela History Political culture Venezuela History Politicians Venezuela History Populism Latin America History Populism Venezuela History Presidents Venezuela Biography Public relations and politics Venezuela History https://doi.org/10.1515/9780823263684 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sánchez, Rafael Dancing Jacobins A Venezuelan Genealogy of Latin American Populism SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Crowds Political aspects Venezuela History Political culture Venezuela History Politicians Venezuela History Populism Latin America History Populism Venezuela History Presidents Venezuela Biography Public relations and politics Venezuela History |
| title | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism |
| title_auth | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism |
| title_exact_search | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism |
| title_exact_search_txtP | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism |
| title_full | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism Rafael Sánchez |
| title_fullStr | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism Rafael Sánchez |
| title_full_unstemmed | Dancing Jacobins A Venezuelan Genealogy of Latin American Populism Rafael Sánchez |
| title_short | Dancing Jacobins |
| title_sort | dancing jacobins a venezuelan genealogy of latin american populism |
| title_sub | A Venezuelan Genealogy of Latin American Populism |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Crowds Political aspects Venezuela History Political culture Venezuela History Politicians Venezuela History Populism Latin America History Populism Venezuela History Presidents Venezuela Biography Public relations and politics Venezuela History |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Crowds Political aspects Venezuela History Political culture Venezuela History Politicians Venezuela History Populism Latin America History Populism Venezuela History Presidents Venezuela Biography Public relations and politics Venezuela History |
| url | https://doi.org/10.1515/9780823263684 |
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