Cinepoetry: Imaginary Cinemas in French Poetry
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long his...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2013]
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| Schriftenreihe: | Verbal Arts: Studies in Poetics
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-739 DE-473 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (504 pages) 51 Black & White and Color Illustrations |
| ISBN: | 9780823245512 |
| DOI: | 10.1515/9780823245512 |
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| 520 | |a Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids | ||
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| illustrated | Illustrated |
| index_date | 2024-07-03T15:08:32Z |
| indexdate | 2025-02-19T17:28:57Z |
| institution | BVB |
| isbn | 9780823245512 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032254500 |
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| spelling | Wall-Romana, Christophe Verfasser aut Cinepoetry Imaginary Cinemas in French Poetry Christophe Wall-Romana New York, NY Fordham University Press [2013] © 2013 1 online resource (504 pages) 51 Black & White and Color Illustrations txt rdacontent c rdamedia cr rdacarrier Verbal Arts: Studies in Poetics Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids In English André Breton Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry LITERARY CRITICISM / European / French bisacsh French poetry 19th century History and criticism French poetry 20th century History and criticism Motion pictures and literature France Motion pictures in literature https://doi.org/10.1515/9780823245512 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wall-Romana, Christophe Cinepoetry Imaginary Cinemas in French Poetry André Breton Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry LITERARY CRITICISM / European / French bisacsh French poetry 19th century History and criticism French poetry 20th century History and criticism Motion pictures and literature France Motion pictures in literature |
| title | Cinepoetry Imaginary Cinemas in French Poetry |
| title_auth | Cinepoetry Imaginary Cinemas in French Poetry |
| title_exact_search | Cinepoetry Imaginary Cinemas in French Poetry |
| title_exact_search_txtP | Cinepoetry Imaginary Cinemas in French Poetry |
| title_full | Cinepoetry Imaginary Cinemas in French Poetry Christophe Wall-Romana |
| title_fullStr | Cinepoetry Imaginary Cinemas in French Poetry Christophe Wall-Romana |
| title_full_unstemmed | Cinepoetry Imaginary Cinemas in French Poetry Christophe Wall-Romana |
| title_short | Cinepoetry |
| title_sort | cinepoetry imaginary cinemas in french poetry |
| title_sub | Imaginary Cinemas in French Poetry |
| topic | André Breton Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry LITERARY CRITICISM / European / French bisacsh French poetry 19th century History and criticism French poetry 20th century History and criticism Motion pictures and literature France Motion pictures in literature |
| topic_facet | André Breton Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry LITERARY CRITICISM / European / French French poetry 19th century History and criticism French poetry 20th century History and criticism Motion pictures and literature France Motion pictures in literature |
| url | https://doi.org/10.1515/9780823245512 |
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