To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic
2007 Arts Club of Washington’s National Award for Arts Writing - FinalistSEE ALSO: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women by T. Denean Sharpley-Whiting.With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | 2007 Arts Club of Washington’s National Award for Arts Writing - FinalistSEE ALSO: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women by T. Denean Sharpley-Whiting.With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.The four pillars of hip hop—break dancing, graffiti art, deejaying, and rapping—find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants’ turnstile artistry. Tracing hip-hop’s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780814790045 |
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Datensatz im Suchindex
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| index_date | 2024-07-03T15:08:32Z |
| indexdate | 2024-07-10T08:55:25Z |
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| spelling | Cobb, William Jelani Verfasser aut To the Break of Dawn A Freestyle on the Hip Hop Aesthetic William Jelani Cobb New York, NY New York University Press [2007] © 2007 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) 2007 Arts Club of Washington’s National Award for Arts Writing - FinalistSEE ALSO: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women by T. Denean Sharpley-Whiting.With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.The four pillars of hip hop—break dancing, graffiti art, deejaying, and rapping—find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants’ turnstile artistry. Tracing hip-hop’s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art In English Bronx Eminem South artistic evolution from hip-hop MUSIC / Ethnomusicology bisacsh Hip-hop https://www.degruyter.com/isbn/9780814790045 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cobb, William Jelani To the Break of Dawn A Freestyle on the Hip Hop Aesthetic Bronx Eminem South artistic evolution from hip-hop MUSIC / Ethnomusicology bisacsh Hip-hop |
| title | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic |
| title_auth | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic |
| title_exact_search | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic |
| title_exact_search_txtP | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic |
| title_full | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic William Jelani Cobb |
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| title_full_unstemmed | To the Break of Dawn A Freestyle on the Hip Hop Aesthetic William Jelani Cobb |
| title_short | To the Break of Dawn |
| title_sort | to the break of dawn a freestyle on the hip hop aesthetic |
| title_sub | A Freestyle on the Hip Hop Aesthetic |
| topic | Bronx Eminem South artistic evolution from hip-hop MUSIC / Ethnomusicology bisacsh Hip-hop |
| topic_facet | Bronx Eminem South artistic evolution from hip-hop MUSIC / Ethnomusicology Hip-hop |
| url | https://www.degruyter.com/isbn/9780814790045 |
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