"Windhauch, Windhauch, (...) Das ist alles Windhauch": zu einer Neubewertung des Vanitas-Stilllebens
It has become common practice in art historical scholarship to interpret Western still-life painting under the aspect of transience. This tendency, however, has obscured our view of the various pic- torial solutions and types of representation encompassed within the genre, with the result that the s...
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| Format: | Elektronisch Artikel |
| Sprache: | German |
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2020
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| Zusammenfassung: | It has become common practice in art historical scholarship to interpret Western still-life painting under the aspect of transience. This tendency, however, has obscured our view of the various pic- torial solutions and types of representation encompassed within the genre, with the result that the subgenre of Vanitas still life itself has been neglected. This article aims to reconsider and reassess Vanitas still life by studying the origins and historical contexts that signifi- cantly influenced the genre. It starts with a close examination of the meditatio mortis of Saint Jerome who, from the 14 th century onwards, enjoyed increasing popularity because his teachings corresponded most closely to humanism and a changed theology of piety. As translator and exegete of Ecclesiastes, the Church Father embodied the model of a new scholarly view of death in which mortality was understood not as punishment but as human condition and, thus, became the object of individual reflection. A decisive turning point in the relationship between Hieronymus imagery and autonomous Vanitas still life, so will be further argued, then occurred in the middle of the 16 th century when the Protestant-Calvinist movement, especially in the university city of Leiden, began to take an increas- ingly critical look at the Hebrew original text of the Bible and its translations and commentaries. Discussions of these texts certainly included the Book of Ecclesiastes and the term hæbæl ("breath of wind", "(blown) breath/air", "steam", "breath"), which serves as a leitmotif there. This term, which is so complex and meaningful in its pictoriality and semantics, found its way into the new genre of Vanitas still life emerging in Leiden around 1600. As will be shown, it is inherent in (or rather underlies) the new genre, which needs to be understood as a speculative pictorial form. |
| Beschreibung: | 1 Online-Ressource Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2020.1.73142 |
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| spelling | Leonhard, Karin 1969- Verfasser (DE-588)128781351 aut "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens Karin Leonhard & Sandra Hindriks 2020 1 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier It has become common practice in art historical scholarship to interpret Western still-life painting under the aspect of transience. This tendency, however, has obscured our view of the various pic- torial solutions and types of representation encompassed within the genre, with the result that the subgenre of Vanitas still life itself has been neglected. This article aims to reconsider and reassess Vanitas still life by studying the origins and historical contexts that signifi- cantly influenced the genre. It starts with a close examination of the meditatio mortis of Saint Jerome who, from the 14 th century onwards, enjoyed increasing popularity because his teachings corresponded most closely to humanism and a changed theology of piety. As translator and exegete of Ecclesiastes, the Church Father embodied the model of a new scholarly view of death in which mortality was understood not as punishment but as human condition and, thus, became the object of individual reflection. A decisive turning point in the relationship between Hieronymus imagery and autonomous Vanitas still life, so will be further argued, then occurred in the middle of the 16 th century when the Protestant-Calvinist movement, especially in the university city of Leiden, began to take an increas- ingly critical look at the Hebrew original text of the Bible and its translations and commentaries. Discussions of these texts certainly included the Book of Ecclesiastes and the term hæbæl ("breath of wind", "(blown) breath/air", "steam", "breath"), which serves as a leitmotif there. This term, which is so complex and meaningful in its pictoriality and semantics, found its way into the new genre of Vanitas still life emerging in Leiden around 1600. As will be shown, it is inherent in (or rather underlies) the new genre, which needs to be understood as a speculative pictorial form. Hieronymus, Sophronius Eusebius 345-420 (DE-588)118550853 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Geschichte 1590-1650 gnd rswk-swf Geschichte 1400-1600 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Vanitas (DE-588)4324124-4 gnd rswk-swf Motiv (DE-588)4040360-9 gnd rswk-swf Stillleben (DE-588)4057577-9 gnd rswk-swf Leiden (DE-588)4074118-7 gnd rswk-swf Stillleben (DE-588)4057577-9 s Malerei (DE-588)4037220-0 s Vanitas (DE-588)4324124-4 s Geschichte 1600-1700 z DE-604 Leiden (DE-588)4074118-7 g Geschichte 1590-1650 z Hieronymus, Sophronius Eusebius 345-420 (DE-588)118550853 p Motiv (DE-588)4040360-9 s Geschichte 1400-1600 z Hindriks, Sandra Verfasser (DE-588)1072063816 aut volume:1 number:1 year:2020 pages:127-180 21: inquiries into art, history, and the visual Heidelberg, 2020 Vol. 1, No. 1 (2020), Seite 127-180 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2020.1.73142 Resolving-System kostenfrei Volltext https://nbn-resolving.org/urn:nbn:de:bsz:16-xxi-731424 Resolving-System kostenfrei Volltext |
| spellingShingle | Leonhard, Karin 1969- Hindriks, Sandra "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens Hieronymus, Sophronius Eusebius 345-420 (DE-588)118550853 gnd Malerei (DE-588)4037220-0 gnd Vanitas (DE-588)4324124-4 gnd Motiv (DE-588)4040360-9 gnd Stillleben (DE-588)4057577-9 gnd |
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| title | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens |
| title_auth | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens |
| title_exact_search | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens |
| title_exact_search_txtP | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens |
| title_full | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens Karin Leonhard & Sandra Hindriks |
| title_fullStr | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens Karin Leonhard & Sandra Hindriks |
| title_full_unstemmed | "Windhauch, Windhauch, (...) Das ist alles Windhauch" zu einer Neubewertung des Vanitas-Stilllebens Karin Leonhard & Sandra Hindriks |
| title_short | "Windhauch, Windhauch, (...) Das ist alles Windhauch" |
| title_sort | windhauch windhauch das ist alles windhauch zu einer neubewertung des vanitas stilllebens |
| title_sub | zu einer Neubewertung des Vanitas-Stilllebens |
| topic | Hieronymus, Sophronius Eusebius 345-420 (DE-588)118550853 gnd Malerei (DE-588)4037220-0 gnd Vanitas (DE-588)4324124-4 gnd Motiv (DE-588)4040360-9 gnd Stillleben (DE-588)4057577-9 gnd |
| topic_facet | Hieronymus, Sophronius Eusebius 345-420 Malerei Vanitas Motiv Stillleben Leiden |
| url | https://doi.org/10.11588/xxi.2020.1.73142 https://nbn-resolving.org/urn:nbn:de:bsz:16-xxi-731424 |
| work_keys_str_mv | AT leonhardkarin windhauchwindhauchdasistalleswindhauchzueinerneubewertungdesvanitasstilllebens AT hindrikssandra windhauchwindhauchdasistalleswindhauchzueinerneubewertungdesvanitasstilllebens |