Modern Theories of Art 1: From Winckelmann to Baudelaire
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of...
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| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York, NY
New York University Press
[1990]
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| Subjects: | |
| Online Access: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Summary: | This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in some detail the doctrines of philosophers, poets, and critics. Barasch thus traces for the reader the entire development of modernism in art and art theory |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020) |
| Physical Description: | 1 online resource (460 pages) |
| ISBN: | 9780814787274 |
Staff View
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Record in the Search Index
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| discipline | Kunstgeschichte |
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| isbn | 9780814787274 |
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| spelling | Modern Theories of Art 1 From Winckelmann to Baudelaire Moshe Barasch New York, NY New York University Press [1990] © 1990 1 online resource (460 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020) This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in some detail the doctrines of philosophers, poets, and critics. Barasch thus traces for the reader the entire development of modernism in art and art theory In English ART / Criticism bisacsh Aesthetics, Modern 18th century Aesthetics, Modern 19th century Art Philosophy Barasch, Moshe edt https://www.degruyter.com/isbn/9780814787274 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Modern Theories of Art 1 From Winckelmann to Baudelaire ART / Criticism bisacsh Aesthetics, Modern 18th century Aesthetics, Modern 19th century Art Philosophy |
| title | Modern Theories of Art 1 From Winckelmann to Baudelaire |
| title_auth | Modern Theories of Art 1 From Winckelmann to Baudelaire |
| title_exact_search | Modern Theories of Art 1 From Winckelmann to Baudelaire |
| title_exact_search_txtP | Modern Theories of Art 1 From Winckelmann to Baudelaire |
| title_full | Modern Theories of Art 1 From Winckelmann to Baudelaire Moshe Barasch |
| title_fullStr | Modern Theories of Art 1 From Winckelmann to Baudelaire Moshe Barasch |
| title_full_unstemmed | Modern Theories of Art 1 From Winckelmann to Baudelaire Moshe Barasch |
| title_short | Modern Theories of Art 1 |
| title_sort | modern theories of art 1 from winckelmann to baudelaire |
| title_sub | From Winckelmann to Baudelaire |
| topic | ART / Criticism bisacsh Aesthetics, Modern 18th century Aesthetics, Modern 19th century Art Philosophy |
| topic_facet | ART / Criticism Aesthetics, Modern 18th century Aesthetics, Modern 19th century Art Philosophy |
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