The Routledge companion to the contemporary musical:
Saved in:
| Format: | Electronic eBook |
|---|---|
| Language: | English |
| Published: |
New York ; London
Routledge, Taylor & Francis Group
2020
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| Series: | Routledge music companions
|
| Subjects: | |
| Online Access: | DE-12 Volltext |
| Physical Description: | 1 Online-Ressource (X, 486 Seiten) Illustrationen, Notenbeispiele |
| ISBN: | 9781315543703 |
| DOI: | 10.4324/9781315543703 |
Staff View
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| 245 | 1 | 0 | |a The Routledge companion to the contemporary musical |c edited by Jessica Sternfeld and Elizabeth L. Wollman |
| 246 | 1 | 3 | |a Companion to the contemporary musical |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2020 | |
| 300 | |a 1 Online-Ressource (X, 486 Seiten) |b Illustrationen, Notenbeispiele | ||
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| 505 | 8 | |a Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- | |
| 505 | 8 | |a 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- | |
| 505 | 8 | |a Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- | |
| 505 | 8 | |a 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- | |
| 505 | 8 | |a 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- | |
| 505 | 8 | |a 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett | |
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| contents | Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett |
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| doi_str_mv | 10.4324/9781315543703 |
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| index_date | 2024-07-03T15:02:46Z |
| indexdate | 2024-10-07T18:05:37Z |
| institution | BVB |
| isbn | 9781315543703 |
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| series2 | Routledge music companions |
| spelling | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman Companion to the contemporary musical New York ; London Routledge, Taylor & Francis Group 2020 1 Online-Ressource (X, 486 Seiten) Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Routledge music companions Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett Geschichte 1970- gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Musicals / History and criticism Musicals Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Musical (DE-588)4040801-2 s Geschichte 1970- z DE-604 Sternfeld, Jessica 1971- Sonstige (DE-588)1195459637 oth Wollman, Elizabeth L. 1969- Sonstige (DE-588)143788353 oth Erscheint auch als Druck-Ausgabe 978-1-138-68461-4 https://doi.org/10.4324/9781315543703 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Routledge companion to the contemporary musical Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4143413-4 |
| title | The Routledge companion to the contemporary musical |
| title_alt | Companion to the contemporary musical |
| title_auth | The Routledge companion to the contemporary musical |
| title_exact_search | The Routledge companion to the contemporary musical |
| title_exact_search_txtP | The Routledge companion to the contemporary musical |
| title_full | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_fullStr | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_full_unstemmed | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_short | The Routledge companion to the contemporary musical |
| title_sort | the routledge companion to the contemporary musical |
| topic | Musical (DE-588)4040801-2 gnd |
| topic_facet | Musical Aufsatzsammlung |
| url | https://doi.org/10.4324/9781315543703 |
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