Sound streams: a cultural history of radio-internet convergence
"In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music ser...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ann Arbor
University of Michigan Press
2020
|
Schlagworte: | |
Online-Zugang: | FUBA1 |
Zusammenfassung: | "In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"-- |
Beschreibung: | 1 Online-Ressource (xii, 326 Seiten) |
ISBN: | 9780472126774 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV046818282 | ||
003 | DE-604 | ||
005 | 20200805 | ||
007 | cr|uuu---uuuuu | ||
008 | 200722s2020 |||| o||u| ||||||eng d | ||
020 | |a 9780472126774 |c Online |9 9780472126774 | ||
024 | 7 | |a 10.3998/mpub.9978838 |2 doi | |
035 | |a (OCoLC)1190909671 | ||
035 | |a (DE-599)BVBBV046818282 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-188 | ||
084 | |a AP 33200 |0 (DE-625)7300:658 |2 rvk | ||
084 | |a AP 34050 |0 (DE-625)7314: |2 rvk | ||
084 | |a AP 18420 |0 (DE-625)7052: |2 rvk | ||
100 | 1 | |a Bottomley, Andrew J. |e Verfasser |0 (DE-588)111698167X |4 aut | |
245 | 1 | 0 | |a Sound streams |b a cultural history of radio-internet convergence |c Andrew J. Bottomley |
264 | 1 | |a Ann Arbor |b University of Michigan Press |c 2020 | |
300 | |a 1 Online-Ressource (xii, 326 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | 3 | |a "In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"-- | |
648 | 7 | |a Geschichte 1993-2020 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Hörfunk |0 (DE-588)4025408-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Medienkonvergenz |0 (DE-588)1024346722 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Podcast |0 (DE-588)7527248-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Internetradio |0 (DE-588)4830454-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Internet |0 (DE-588)4308416-3 |2 gnd |9 rswk-swf |
653 | 0 | |a Internet radio broadcasting / History | |
653 | 0 | |a Radio programs / History | |
653 | 0 | |a Internet radio broadcasting | |
653 | 0 | |a Podcasting | |
653 | 0 | |a Webcasting | |
653 | 6 | |a Electronic books | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Medienkonvergenz |0 (DE-588)1024346722 |D s |
689 | 0 | 1 | |a Hörfunk |0 (DE-588)4025408-2 |D s |
689 | 0 | 2 | |a Internet |0 (DE-588)4308416-3 |D s |
689 | 0 | 3 | |a Geschichte 1993-2020 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Internetradio |0 (DE-588)4830454-2 |D s |
689 | 1 | 1 | |a Podcast |0 (DE-588)7527248-9 |D s |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Print version |a Bottomley, Andrew |t Sound streams |d Ann Arbor : University of Michigan Press, 2020 |z 9780472074495 |
912 | |a ZDB-30-PQE | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032226707 | ||
966 | e | |u https://ebookcentral.proquest.com/lib/fuberlin-ebooks/detail.action?docID=6199313 |l FUBA1 |p ZDB-30-PQE |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804181629424369664 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Bottomley, Andrew J. |
author_GND | (DE-588)111698167X |
author_facet | Bottomley, Andrew J. |
author_role | aut |
author_sort | Bottomley, Andrew J. |
author_variant | a j b aj ajb |
building | Verbundindex |
bvnumber | BV046818282 |
classification_rvk | AP 33200 AP 34050 AP 18420 |
collection | ZDB-30-PQE |
ctrlnum | (OCoLC)1190909671 (DE-599)BVBBV046818282 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1993-2020 gnd |
era_facet | Geschichte 1993-2020 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04179nmm a2200601 c 4500</leader><controlfield tag="001">BV046818282</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200805 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200722s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472126774</subfield><subfield code="c">Online</subfield><subfield code="9">9780472126774</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3998/mpub.9978838</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1190909671</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046818282</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 33200</subfield><subfield code="0">(DE-625)7300:658</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 34050</subfield><subfield code="0">(DE-625)7314:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 18420</subfield><subfield code="0">(DE-625)7052:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bottomley, Andrew J.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)111698167X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sound streams</subfield><subfield code="b">a cultural history of radio-internet convergence</subfield><subfield code="c">Andrew J. Bottomley</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 326 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1993-2020</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hörfunk</subfield><subfield code="0">(DE-588)4025408-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Medienkonvergenz</subfield><subfield code="0">(DE-588)1024346722</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Podcast</subfield><subfield code="0">(DE-588)7527248-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Internetradio</subfield><subfield code="0">(DE-588)4830454-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Internet radio broadcasting / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Radio programs / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Internet radio broadcasting</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Podcasting</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Webcasting</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Medienkonvergenz</subfield><subfield code="0">(DE-588)1024346722</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Hörfunk</subfield><subfield code="0">(DE-588)4025408-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1993-2020</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Internetradio</subfield><subfield code="0">(DE-588)4830454-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Podcast</subfield><subfield code="0">(DE-588)7527248-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version</subfield><subfield code="a">Bottomley, Andrew</subfield><subfield code="t">Sound streams</subfield><subfield code="d">Ann Arbor : University of Michigan Press, 2020</subfield><subfield code="z">9780472074495</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032226707</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/fuberlin-ebooks/detail.action?docID=6199313</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV046818282 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:01:02Z |
indexdate | 2024-07-10T08:54:42Z |
institution | BVB |
isbn | 9780472126774 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032226707 |
oclc_num | 1190909671 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | 1 Online-Ressource (xii, 326 Seiten) |
psigel | ZDB-30-PQE |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | University of Michigan Press |
record_format | marc |
spelling | Bottomley, Andrew J. Verfasser (DE-588)111698167X aut Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley Ann Arbor University of Michigan Press 2020 1 Online-Ressource (xii, 326 Seiten) txt rdacontent c rdamedia cr rdacarrier "In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"-- Geschichte 1993-2020 gnd rswk-swf Hörfunk (DE-588)4025408-2 gnd rswk-swf Medienkonvergenz (DE-588)1024346722 gnd rswk-swf Podcast (DE-588)7527248-9 gnd rswk-swf Internetradio (DE-588)4830454-2 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Internet radio broadcasting / History Radio programs / History Internet radio broadcasting Podcasting Webcasting Electronic books (DE-588)4113937-9 Hochschulschrift gnd-content Medienkonvergenz (DE-588)1024346722 s Hörfunk (DE-588)4025408-2 s Internet (DE-588)4308416-3 s Geschichte 1993-2020 z DE-604 Internetradio (DE-588)4830454-2 s Podcast (DE-588)7527248-9 s Print version Bottomley, Andrew Sound streams Ann Arbor : University of Michigan Press, 2020 9780472074495 |
spellingShingle | Bottomley, Andrew J. Sound streams a cultural history of radio-internet convergence Hörfunk (DE-588)4025408-2 gnd Medienkonvergenz (DE-588)1024346722 gnd Podcast (DE-588)7527248-9 gnd Internetradio (DE-588)4830454-2 gnd Internet (DE-588)4308416-3 gnd |
subject_GND | (DE-588)4025408-2 (DE-588)1024346722 (DE-588)7527248-9 (DE-588)4830454-2 (DE-588)4308416-3 (DE-588)4113937-9 |
title | Sound streams a cultural history of radio-internet convergence |
title_auth | Sound streams a cultural history of radio-internet convergence |
title_exact_search | Sound streams a cultural history of radio-internet convergence |
title_exact_search_txtP | Sound streams a cultural history of radio-internet convergence |
title_full | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
title_fullStr | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
title_full_unstemmed | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
title_short | Sound streams |
title_sort | sound streams a cultural history of radio internet convergence |
title_sub | a cultural history of radio-internet convergence |
topic | Hörfunk (DE-588)4025408-2 gnd Medienkonvergenz (DE-588)1024346722 gnd Podcast (DE-588)7527248-9 gnd Internetradio (DE-588)4830454-2 gnd Internet (DE-588)4308416-3 gnd |
topic_facet | Hörfunk Medienkonvergenz Podcast Internetradio Internet Hochschulschrift |
work_keys_str_mv | AT bottomleyandrewj soundstreamsaculturalhistoryofradiointernetconvergence |