The mummy on screen: orientalism and monstrosity in horror cinema
"The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Lizenzpflichtig |
| Zusammenfassung: | "The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond."-- Acknowledgements Author's Notes -- Introduction: Death is Only the Beginning: Unravelling the Mummy on Screen -- Section 1: The Mummy in the West and Western Cinema -- 1. The Creature's Features: Moulding the Mummy and the Mummy Movie -- The Oriental Mummy as Western Projection -- The Mummy Genre: Interest and Disinterest -- 2.The Mutating Mummy: From Ancient Artefact to Modern Attraction -- Mummy Medicine: An Egyptian Prescription -- The Mummy as Memento: A Collectible Corpse -- The Mummy as Public Attraction: Exhumed, Examined and Exhibited -- Section II: The Mummy in Literature, on Stage and the Silent Screen -- 3.On the Page and Stage: The Mummy Movie's Literary and Theatrical Influences -- The Mummy's Tome: A Body of Literature -- The Rediscovery of Ancient Egypt: A Pharaoh to Remember -- The Mummy's Literary Life: Electrifying Tales! -- Romance and the Mummy: Amorous Archaeologists and Comely Corpses -- Literature's Monstrous Mummies: Dread, Despair and Doyle -- The Empire Strikes Back: Stoker's Au Revoir to the Voyeur Archaeologist -- Playing Dead: The Mummy in the Theatre -- 4. Preserved on Film: The Silent Mummy of Early Cinema -- Egypt and the Cinema: Monoliths, Mesmerism and Mummies -- The 'Mummy Complex' and the Preservative Nature of Film -- The First On-Screen Mummies: Short-lived Moments of Horror in the -- Trick Film Winding People Up: Pretend Mummies and Mummy Mix-ups in Silent Comedies -- Mummy Dearest: The Mummy as Romantic Character -- Tomb Raiders: Egypt and Early Horror -- Teutonic Terrors: The First Mummy Horror Movies -- Grave Danger: Tutmania, the Curse and the Death of the Silent Mummy -- Section III: Universal Studios and the Mummy of the 1930s and 1940s -- 5. The Mummy (1932): Overcoming the Silent Treatment -- 'The Mummy:' Art Horror or Production Line Horror? -- The Delicate Horror of 'The Mummy:' A Shudder not a Shriek! -- A Dichotomized Damsel: A 1920s/1930s Eastern/Western Woman -- |
| Beschreibung: | 1 Online-Ressource (x, 200 Seiten) Illustrationen |
| Format: | Mode of access: World Wide Web |
| ISBN: | 9781350129382 9781350129375 |
| DOI: | 10.5040/9781350134331 |
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| 520 | 3 | |a Acknowledgements Author's Notes -- Introduction: Death is Only the Beginning: Unravelling the Mummy on Screen -- Section 1: The Mummy in the West and Western Cinema -- 1. The Creature's Features: Moulding the Mummy and the Mummy Movie -- The Oriental Mummy as Western Projection -- The Mummy Genre: Interest and Disinterest -- 2.The Mutating Mummy: From Ancient Artefact to Modern Attraction -- Mummy Medicine: An Egyptian Prescription -- The Mummy as Memento: A Collectible Corpse -- The Mummy as Public Attraction: Exhumed, Examined and Exhibited -- Section II: The Mummy in Literature, on Stage and the Silent Screen -- 3.On the Page and Stage: The Mummy Movie's Literary and Theatrical Influences -- The Mummy's Tome: A Body of Literature -- The Rediscovery of Ancient Egypt: A Pharaoh to Remember -- The Mummy's Literary Life: Electrifying Tales! -- Romance and the Mummy: Amorous Archaeologists and Comely Corpses -- Literature's Monstrous Mummies: Dread, Despair and Doyle -- | |
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| index_date | 2024-07-03T14:55:57Z |
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| spelling | Glynn, Basil Verfasser (DE-588)1044562234 aut The mummy on screen orientalism and monstrosity in horror cinema Basil Glynn First edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 1 Online-Ressource (x, 200 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier "The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond."-- Acknowledgements Author's Notes -- Introduction: Death is Only the Beginning: Unravelling the Mummy on Screen -- Section 1: The Mummy in the West and Western Cinema -- 1. The Creature's Features: Moulding the Mummy and the Mummy Movie -- The Oriental Mummy as Western Projection -- The Mummy Genre: Interest and Disinterest -- 2.The Mutating Mummy: From Ancient Artefact to Modern Attraction -- Mummy Medicine: An Egyptian Prescription -- The Mummy as Memento: A Collectible Corpse -- The Mummy as Public Attraction: Exhumed, Examined and Exhibited -- Section II: The Mummy in Literature, on Stage and the Silent Screen -- 3.On the Page and Stage: The Mummy Movie's Literary and Theatrical Influences -- The Mummy's Tome: A Body of Literature -- The Rediscovery of Ancient Egypt: A Pharaoh to Remember -- The Mummy's Literary Life: Electrifying Tales! -- Romance and the Mummy: Amorous Archaeologists and Comely Corpses -- Literature's Monstrous Mummies: Dread, Despair and Doyle -- The Empire Strikes Back: Stoker's Au Revoir to the Voyeur Archaeologist -- Playing Dead: The Mummy in the Theatre -- 4. Preserved on Film: The Silent Mummy of Early Cinema -- Egypt and the Cinema: Monoliths, Mesmerism and Mummies -- The 'Mummy Complex' and the Preservative Nature of Film -- The First On-Screen Mummies: Short-lived Moments of Horror in the -- Trick Film Winding People Up: Pretend Mummies and Mummy Mix-ups in Silent Comedies -- Mummy Dearest: The Mummy as Romantic Character -- Tomb Raiders: Egypt and Early Horror -- Teutonic Terrors: The First Mummy Horror Movies -- Grave Danger: Tutmania, the Curse and the Death of the Silent Mummy -- Section III: Universal Studios and the Mummy of the 1930s and 1940s -- 5. The Mummy (1932): Overcoming the Silent Treatment -- 'The Mummy:' Art Horror or Production Line Horror? -- The Delicate Horror of 'The Mummy:' A Shudder not a Shriek! -- A Dichotomized Damsel: A 1920s/1930s Eastern/Western Woman -- Mode of access: World Wide Web Geschichte gnd rswk-swf Horrorfilm (DE-588)4127415-5 gnd rswk-swf Mumie Motiv (DE-588)4672074-1 gnd rswk-swf Mummy films / History and criticism Asian history Electronic books Horrorfilm (DE-588)4127415-5 s Mumie Motiv (DE-588)4672074-1 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-78831-408-4 X:BLOOM https://doi.org/10.5040/9781350134331?locatt=label:secondary_bloomsburyCollections Resolving-System Lizenzpflichtig |
| spellingShingle | Glynn, Basil The mummy on screen orientalism and monstrosity in horror cinema Horrorfilm (DE-588)4127415-5 gnd Mumie Motiv (DE-588)4672074-1 gnd |
| subject_GND | (DE-588)4127415-5 (DE-588)4672074-1 |
| title | The mummy on screen orientalism and monstrosity in horror cinema |
| title_auth | The mummy on screen orientalism and monstrosity in horror cinema |
| title_exact_search | The mummy on screen orientalism and monstrosity in horror cinema |
| title_exact_search_txtP | The mummy on screen orientalism and monstrosity in horror cinema |
| title_full | The mummy on screen orientalism and monstrosity in horror cinema Basil Glynn |
| title_fullStr | The mummy on screen orientalism and monstrosity in horror cinema Basil Glynn |
| title_full_unstemmed | The mummy on screen orientalism and monstrosity in horror cinema Basil Glynn |
| title_short | The mummy on screen |
| title_sort | the mummy on screen orientalism and monstrosity in horror cinema |
| title_sub | orientalism and monstrosity in horror cinema |
| topic | Horrorfilm (DE-588)4127415-5 gnd Mumie Motiv (DE-588)4672074-1 gnd |
| topic_facet | Horrorfilm Mumie Motiv |
| url | https://doi.org/10.5040/9781350134331?locatt=label:secondary_bloomsburyCollections |
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