Flaming?: the peculiar theopolitics of fire and desire in black male gospel performance
Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletic...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York
Oxford University Press
2020
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| Series: | Oxford scholarship online
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| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multisensory enactments empower artists (i.e., "peculiar people") to demonstrate modes of "competence" that affirm their fitness to minister through speech and song. Through a progression of transcongregational case studies, Flaming? observes the ways in which African American men traverse tightly knit social networks to negotiate their identities through and beyond the worship experience |
| Item Description: | Also issued in print: 2020. - Includes bibliographical references and index |
| Physical Description: | 1 Online-Ressource (304 Seiten) |
| ISBN: | 9780190065454 |
| DOI: | 10.1093/oso/9780190065416.001.0001 |
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| illustrated | Not Illustrated |
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| indexdate | 2024-07-10T08:54:05Z |
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| spelling | Jones, Alisha Lola ca. 20./21. Jh. Verfasser (DE-588)1213302978 aut Flaming? the peculiar theopolitics of fire and desire in black male gospel performance Alisha Lola Jones New York Oxford University Press 2020 1 Online-Ressource (304 Seiten) txt rdacontent c rdamedia cr rdacarrier Oxford scholarship online Also issued in print: 2020. - Includes bibliographical references and index Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multisensory enactments empower artists (i.e., "peculiar people") to demonstrate modes of "competence" that affirm their fitness to minister through speech and song. Through a progression of transcongregational case studies, Flaming? observes the ways in which African American men traverse tightly knit social networks to negotiate their identities through and beyond the worship experience Gospel music / History and criticism African American male singers African Americans / Sexual behavior Sex role in music Erscheint auch als Druck-Ausgabe 978-0-19-006541-6 https://doi.org/10.1093/oso/9780190065416.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jones, Alisha Lola ca. 20./21. Jh Flaming? the peculiar theopolitics of fire and desire in black male gospel performance Gospel music / History and criticism African American male singers African Americans / Sexual behavior Sex role in music |
| title | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance |
| title_auth | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance |
| title_exact_search | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance |
| title_exact_search_txtP | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance |
| title_full | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance Alisha Lola Jones |
| title_fullStr | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance Alisha Lola Jones |
| title_full_unstemmed | Flaming? the peculiar theopolitics of fire and desire in black male gospel performance Alisha Lola Jones |
| title_short | Flaming? |
| title_sort | flaming the peculiar theopolitics of fire and desire in black male gospel performance |
| title_sub | the peculiar theopolitics of fire and desire in black male gospel performance |
| topic | Gospel music / History and criticism African American male singers African Americans / Sexual behavior Sex role in music |
| topic_facet | Gospel music / History and criticism African American male singers African Americans / Sexual behavior Sex role in music |
| url | https://doi.org/10.1093/oso/9780190065416.001.0001 |
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