The city in American cinema: film and postindustrial culture
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York
Bloomsbury Academic
2019
|
| Edition: | First edition |
| Subjects: | |
| Online Access: | Volltext |
| Item Description: | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Includes bibliographical references and index |
| Physical Description: | 1 Online-Ressource (x, 390 Seiten) Illustrationen |
| ISBN: | 9781350115644 |
| DOI: | 10.5040/9781350115644 |
Staff View
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a American Cinema and Urban Change: Industry, Genre, and Politics from Nixon to Trump, Johan Andersson, King's College London, UK and Lawrence Webb, University of Sussex, UK -- Part One: Film Production and the Postindustrial Turn -- Daniel Bell, Post-industrial Society and Los Angeles Cinema c.a 1967-72, Mark Shiel, King's College London, UK -- Made in New York: Film Production, the City Government, and Public Protest in the Koch Era, Lawrence Webb, University of Sussex, UK -- You Don't Have to Call Us Home, but Please Stay Here: The City Film Commission, Nathan Koob, Oakland University, USA -- The Boston Movie Boom, Carlo Rotella, Boston College, USA -- Part Two Postindustrial Narratives and Aesthetics -- The New Boston and the Grip of Tradition: The Friends of Eddie Coyle (1973), The Brink's Job (1978), and The Verdict (1982), Stanley Corkin, University of Cincinnati, USA -- Undead Detroit: Crisis Capitalism and Urban Ruin, Camilla Fojas, University of Virginia, USA -- The Flexible Urban Imaginary: Postindustrial Cities in Inception, The Adjustment Bureau, and Doctor Strange, Nick Jones, University of York, UK -- A Networked Life: Representations of Connectivity and Structural Inequalities in Fruitvale Station, Amy Corbin, Muhlenberg College, USA -- Part Three Cinema and Gentrification 9 For Whom Are the Movies?: The Landscape of Movie Exhibition in the Gentrified City, Brendan Kredell, Oakland University, USA -- Ebbets Field and Other Monuments: Outer Borough Neighborhoods and Revanchism in 1990s Cinema, Erica Stein, Vassar College, USA -- Gentrification by Genre: Desperately Seeking Susan and the 1980s Screwball, Johan Andersson, King's College London, UK -- Frances Doesn't Live Here Anymore: Gender, Crisis, and the Creative City in Frances Ha and The Giant Mechanical Man, Martha Shearer, King's College London, UK -- Index | |
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| contents | American Cinema and Urban Change: Industry, Genre, and Politics from Nixon to Trump, Johan Andersson, King's College London, UK and Lawrence Webb, University of Sussex, UK -- Part One: Film Production and the Postindustrial Turn -- Daniel Bell, Post-industrial Society and Los Angeles Cinema c.a 1967-72, Mark Shiel, King's College London, UK -- Made in New York: Film Production, the City Government, and Public Protest in the Koch Era, Lawrence Webb, University of Sussex, UK -- You Don't Have to Call Us Home, but Please Stay Here: The City Film Commission, Nathan Koob, Oakland University, USA -- The Boston Movie Boom, Carlo Rotella, Boston College, USA -- Part Two Postindustrial Narratives and Aesthetics -- The New Boston and the Grip of Tradition: The Friends of Eddie Coyle (1973), The Brink's Job (1978), and The Verdict (1982), Stanley Corkin, University of Cincinnati, USA -- Undead Detroit: Crisis Capitalism and Urban Ruin, Camilla Fojas, University of Virginia, USA -- The Flexible Urban Imaginary: Postindustrial Cities in Inception, The Adjustment Bureau, and Doctor Strange, Nick Jones, University of York, UK -- A Networked Life: Representations of Connectivity and Structural Inequalities in Fruitvale Station, Amy Corbin, Muhlenberg College, USA -- Part Three Cinema and Gentrification 9 For Whom Are the Movies?: The Landscape of Movie Exhibition in the Gentrified City, Brendan Kredell, Oakland University, USA -- Ebbets Field and Other Monuments: Outer Borough Neighborhoods and Revanchism in 1990s Cinema, Erica Stein, Vassar College, USA -- Gentrification by Genre: Desperately Seeking Susan and the 1980s Screwball, Johan Andersson, King's College London, UK -- Frances Doesn't Live Here Anymore: Gender, Crisis, and the Creative City in Frances Ha and The Giant Mechanical Man, Martha Shearer, King's College London, UK -- Index |
| ctrlnum | (OCoLC)1164622192 (DE-599)OBVAC15481811 |
| doi_str_mv | 10.5040/9781350115644 |
| edition | First edition |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:53:11Z |
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| isbn | 9781350115644 |
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| spelling | The city in American cinema film and postindustrial culture First edition New York Bloomsbury Academic 2019 1 Online-Ressource (x, 390 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Includes bibliographical references and index American Cinema and Urban Change: Industry, Genre, and Politics from Nixon to Trump, Johan Andersson, King's College London, UK and Lawrence Webb, University of Sussex, UK -- Part One: Film Production and the Postindustrial Turn -- Daniel Bell, Post-industrial Society and Los Angeles Cinema c.a 1967-72, Mark Shiel, King's College London, UK -- Made in New York: Film Production, the City Government, and Public Protest in the Koch Era, Lawrence Webb, University of Sussex, UK -- You Don't Have to Call Us Home, but Please Stay Here: The City Film Commission, Nathan Koob, Oakland University, USA -- The Boston Movie Boom, Carlo Rotella, Boston College, USA -- Part Two Postindustrial Narratives and Aesthetics -- The New Boston and the Grip of Tradition: The Friends of Eddie Coyle (1973), The Brink's Job (1978), and The Verdict (1982), Stanley Corkin, University of Cincinnati, USA -- Undead Detroit: Crisis Capitalism and Urban Ruin, Camilla Fojas, University of Virginia, USA -- The Flexible Urban Imaginary: Postindustrial Cities in Inception, The Adjustment Bureau, and Doctor Strange, Nick Jones, University of York, UK -- A Networked Life: Representations of Connectivity and Structural Inequalities in Fruitvale Station, Amy Corbin, Muhlenberg College, USA -- Part Three Cinema and Gentrification 9 For Whom Are the Movies?: The Landscape of Movie Exhibition in the Gentrified City, Brendan Kredell, Oakland University, USA -- Ebbets Field and Other Monuments: Outer Borough Neighborhoods and Revanchism in 1990s Cinema, Erica Stein, Vassar College, USA -- Gentrification by Genre: Desperately Seeking Susan and the 1980s Screwball, Johan Andersson, King's College London, UK -- Frances Doesn't Live Here Anymore: Gender, Crisis, and the Creative City in Frances Ha and The Giant Mechanical Man, Martha Shearer, King's College London, UK -- Index Motion pictures United States History Motion pictures Economic aspects United States Andersson, Johan (Johan Carl Alfred) edt Webb, Lawrence (DE-588)1070999253 edt https://doi.org/10.5040/9781350115644 Resolving-System Volltext |
| spellingShingle | The city in American cinema film and postindustrial culture American Cinema and Urban Change: Industry, Genre, and Politics from Nixon to Trump, Johan Andersson, King's College London, UK and Lawrence Webb, University of Sussex, UK -- Part One: Film Production and the Postindustrial Turn -- Daniel Bell, Post-industrial Society and Los Angeles Cinema c.a 1967-72, Mark Shiel, King's College London, UK -- Made in New York: Film Production, the City Government, and Public Protest in the Koch Era, Lawrence Webb, University of Sussex, UK -- You Don't Have to Call Us Home, but Please Stay Here: The City Film Commission, Nathan Koob, Oakland University, USA -- The Boston Movie Boom, Carlo Rotella, Boston College, USA -- Part Two Postindustrial Narratives and Aesthetics -- The New Boston and the Grip of Tradition: The Friends of Eddie Coyle (1973), The Brink's Job (1978), and The Verdict (1982), Stanley Corkin, University of Cincinnati, USA -- Undead Detroit: Crisis Capitalism and Urban Ruin, Camilla Fojas, University of Virginia, USA -- The Flexible Urban Imaginary: Postindustrial Cities in Inception, The Adjustment Bureau, and Doctor Strange, Nick Jones, University of York, UK -- A Networked Life: Representations of Connectivity and Structural Inequalities in Fruitvale Station, Amy Corbin, Muhlenberg College, USA -- Part Three Cinema and Gentrification 9 For Whom Are the Movies?: The Landscape of Movie Exhibition in the Gentrified City, Brendan Kredell, Oakland University, USA -- Ebbets Field and Other Monuments: Outer Borough Neighborhoods and Revanchism in 1990s Cinema, Erica Stein, Vassar College, USA -- Gentrification by Genre: Desperately Seeking Susan and the 1980s Screwball, Johan Andersson, King's College London, UK -- Frances Doesn't Live Here Anymore: Gender, Crisis, and the Creative City in Frances Ha and The Giant Mechanical Man, Martha Shearer, King's College London, UK -- Index Motion pictures United States History Motion pictures Economic aspects United States |
| title | The city in American cinema film and postindustrial culture |
| title_auth | The city in American cinema film and postindustrial culture |
| title_exact_search | The city in American cinema film and postindustrial culture |
| title_exact_search_txtP | The city in American cinema film and postindustrial culture |
| title_full | The city in American cinema film and postindustrial culture |
| title_fullStr | The city in American cinema film and postindustrial culture |
| title_full_unstemmed | The city in American cinema film and postindustrial culture |
| title_short | The city in American cinema |
| title_sort | the city in american cinema film and postindustrial culture |
| title_sub | film and postindustrial culture |
| topic | Motion pictures United States History Motion pictures Economic aspects United States |
| topic_facet | Motion pictures United States History Motion pictures Economic aspects United States |
| url | https://doi.org/10.5040/9781350115644 |
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