Verfügbarkeit: Raimundas Sližys

Raimundas Sližys:

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Bibliographische Detailangaben
Weitere Verfasser:	Rachlevičiūtė, Ramutė 1955- (HerausgeberIn)
Format:	Buch
Sprache:	Lithuanian
Veröffentlicht:	Vilnius Tyto alba 2010
Schlagworte:	Sližys, Raimundas > 1952-2008 Bildband
Online-Zugang:	Inhaltsverzeichnis Inhaltsverzeichnis Abstract
Beschreibung:	391 Seiten 31 cm
ISBN:	9789986167976

Internformat

MARC


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Datensatz im Suchindex

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adam_text	INHALT DANK ........................................................................................... 9 1. EINLEITUNG .................................................................................. 11 FORSCHUNGSANSAETZE UND THEORETISCHE ZUGAENGE ................................ 15 QUELLEN ............................................................................................ 32 AUFBAU DES BUCHES ........................................................................... 34 2. KOERPERERZIEHUNG UND MAENNLICHKEIT ........................................ 36 2.1 MILITAER, LEIBESUEBUNGEN UND MAENNLICHKEIT: EINE VORGESCHICHTE ................................................................. 36 2.2 SPORT IN DEN GEFAENGNISSEN DER WEIMARER REPUBLIK ............. 49 3. SPORTMACHEN : PRAXIS DER GEWALT UND DER GEWALTLEGITIMATION ....................... 59 3.1 QUELLEN ................................................................................... 61 3.2 SPORT ALS PRAXIS DER LEGIMITATION VON GEWALT - DIE FOTOGRAFISCHE DARSTELLUNG VON HAEFTLINGSSPORT IN FRUEHEN KONZENTRATIONSLAGERN ............................................ 64 3.3 SPORT ALS PRAXIS DER GEWALT ................................................... 79 3.4 SPORT ALS PRAXIS ZUR HERSTELLUNG VON DISTANZ UND DIFFERENZ ......................................................................... 87 KOERPERIDEAL UND MIMETISCHE PRAXIS ................................................ 93 SPORT ALS SPEZIFISCHE PRAXIS ZUR HERSTELLUNG VON DISTANZ UND DIFFERENZ BEI JUEDISCHEN HAEFTLINGEN ...................... 97 3.5 SPORTMACHEN * ALS PRAXIS DER VERNICHTUNG, SELEKTION UND FOLTER .............................................................. 99 3.6 DAS SPORTMACHEN ALS INDIVIDUELLE PRAXIS DER GEWALT FUER AUFSEHERINNEN AUSSERHALB DER LAGERORDNUNG ............... 107 3.7 SPORT ALS PRAXIS DER IRONIE .................................................... 111 3.8 SPORTMACHEN ALS PRAXIS DER UEBERTRAGUNG: KOERPERWISSEN UND KOERPERERFAHRUNG ................................... 114 3.9 SPORTMACHEN ALS PRAXIS DER GEWALT GEGENUEBER WEIBLICHEN HAEFTLINGEN ......................................... 121 3.10 ZUSAMMENFASSUNG ............................................................... 128 4. DAS FUSSBALLSPIEL ..................................................................... 131 4.1 QUELLEN UND LITERATUR ........................................................... 134 4.2 FUSSBALL IN FRUEHEN KONZENTRATIONSLAGERN ............................. 139 4.3 DER REICHSFUEHRER SS HAT ERLAUBT, WIR DUERFEN FUSSBALL SPIELEN .................................................. 143 4.4 VORAUSSETZUNGEN DES FUSSBALLSPIELS ...................................... 151 SPIELFELD, TORE ................................................................................. 152 EINEN FUSSBALL AUS PAPIER ............................................................ 158 SCHUHWERK ...................................................................................... 163 KLEIDUNG ...................................... 166 4.5 FUSSBALL, LAGERALLTAG UND LAGEROEKONOMIE ............................. 166 4.6 AKTEURE UND ORGANISATIONSFORMEN ...................................... 169 FUSSBALLMANNSCHAFTEN ..................................................................... 171 EINE EINLADUNG ALS UEBERREST ....................................................... 177 4.7 BEDEUTUNGEN DES FUSSBALLSPIELS ............................................ 183 ES WAR LUSTIG, WEIL DANN FREIZEIT WAR : DAS FUSSBALLSPIEL ALS FEST UND UNTERHALTUNG .................................. 184 SS-MAENNER ALS ZUSCHAUER ............................................................... 185 FUSSBALLPOKALE ................................................................................. 188 GEWINNEN UND VERLIEREN ................................................................ 190 SELBSTBEHAUPTUNG UND WIDERSTAND ................................................ 193 DAS TOR ALS ALLEGORIE DER FREIHEIT .................................................... 198 4.8 ZUSAMMENFASSUNG ............................................................... 201 5. BOXKAEMPFE ............................................................................... 204 5.1 BLICKWECHSEL: NARRATIONEN, VORSTELLUNGEN UND MYTHENBILDUNG ..................................................................... 213 JOHANN WILHELM TROLLMANN ........................................................... 213 SALAMO AROUCH ............................................................................... 216 5.2 QUELLEN ................................................................................. 220 5.3 AKTEURE UND RAHMENBEDINGUNGEN ..................................... 223 BOXKAMPFVERANSTALTUNGEN ............................................................. 223 HANDSCHUHE, RING UND RINGRICHTER .............................................. 227 5.4 DIFFERENZ UND GEMEINSCHAFT BEIM BOXKAMPF - DIE BOXWETTKAEMPFE DES BOXCHAMPIONS ANTONI CZORTEK ..... 229 JUEDISCHE BOXER ................................................................................ 237 INSZENIERUNGEN: GEWINNER UND VERLIERER ...................................... 239 5.5 FAIRNESS ................................................................................ 242 5.6 DAS BOXEN ALS INSZENIERUNG ABSOLUTER MACHT UND SELBSTVERHERRLICHUNG ..................................................... 246 6. SCHLUSSBETRACHTUNG ................................................................ 248 ARCHIVKUERZEL ............................................................................ 255 QUELLEN- UND LITERATURVERZEICHNIS ........................................ 256 PERSONENREGISTER .................................................................... 307 Turinys Įvadas..............................................................................................9 Ramutė Rachlevičiūtė Amžina belle époque Raimundo Sližio tapyboje.... 17 Dailės institutas Dailininkė monumentalistė Sofija Veiverytė-Liugailienė.................... 45 Dailininkė monumentalistė Gražina Arlauskaitė-Vingrienė.................49 Dailininkas Jonas Varnas...................................................................... 50 Dailininkė Giedrė Bulotaitė-Jurkūnienė...............................................51 Teatro ir kino dailininkas Galius Kličius...............................................56 Architektas Edmundas Braga...............................................................58 Dailininkas Edmundas Saladžius......................................................... 61 Dailininkė monumentalistė Nijolė Vilutytė.........................................68 Dailėtyrininkas Malvydas Sakalauskas.................................................72 Juvelyras Aleksandras (Alex) Šepkus................................................... 74 Po studijų Architektas Algimantas Mačiulis.......................................................... 77 Tapytojas Ričardas Filistovičius........................................................... 84 Dailininkas Algimantas S. Kliauga...................................................... 86 Filosofas Bronius Kuzmickas................................................................. 88 Keramikė Nora Blaževičiūtė................................................................. 92 Dailininkas Uja Bereznickas................................................................. 94 Architektė Nona Marija Maurukaitė................................................... 95 Filosofas Romualdas Ozolas................................................................. 96 Autoportretai ir šeima Rita Baronaitė-Sližienė ........................................................................99 Simonas Sližys...................................................................................... 1 02 Penketas Tapytojas Mindaugas Skudutis............................................................ 119 Tapytojas Romanas Vilkauskas............................................................ 122 Dailėtyrininkas Viktoras Liutkus..........................................................1 26 Tapytojas Henrikas Natalevičius..........................................................130 Fotomenininkas Algirdas Šeškus..........................................................1 32 Muzikantas, dailininkas Vladimiras Tarasovas....................................135 Vertėja Dalija Epšteinaitė-Koiv............................................................ 137 Žurnalistė Milda Šeškuvienė................................................................142 Dailėtyrininkė Lijana Šatavičiūtė-Natalevičienė................................. 142 Mindaugas Skudutis.............................................................................1 54 Judita Dailininkė, rašytoja Paulina Eglė Pukytė............................................. 163 Keramikė Dalia Laučkaitė-Jakimavičienė............................................. 168 Keramikas Rytas Jakimavičius............................................................. 1 69 Modelis Tapytojas Povilas Anikinas................................................................... 171 Tekstilininkė Danguolė Brogienė.........................................................172 Kostiumo dizainerē Agnė Biskytė.........................................................174 Kostiumo dizainerē Renata Maldutienė...............................................1 77 Medžioklė. Kulinarija. Draugai Dailininkas Rimvydas Kepežinskas.......................................................193 Tapytoja Jūratė Bagdonavičiūtė........................................................... 194 Tapytoja Jūratė Mykolaitytė ................................................................. 195 Stomatologas Mykolas Ignatavičius.................................................... 197 Tapytojas Algis Griškevičius................................................................. 201 Gydytojas Algirdas Usonis................................................................... 204 Tapytojas Linas Katinas........................................................................ 205 Plastikos chirurgas Renaldas Vaičiūnas................................................205 Dailėtyrininkė Raminta Jurėnaitė........................................................207 Dailininkas Vytautas Jurkūnas..............................................................209 Galerininkai Andželika ir Isroildžonas Baroti ...................................... 210 Kompozitorė Onutė Narbutaitė........................................................... 211 Ramunė Šuščevičiūtė............................................................................21 3 Greta Šuščevičiūtė................................................................................ 220 Mainai Skulptorius Vladas Urbanavičius...........................................................227 Skulptorė Ksenija Jaroševaitė............................................................... 229 Skulptorius Petras Mazūras................................................................... 230 Keramikė Kristina Karkaitė-Mazūrienė..................................................231 Tapytojas Valentinas Antanavičius....................................................... 232 Buriavimas. Atlantas Dailininkas Romanas Borisovas ...........................................................239 Architektas Jurgis Vroblevičius............................................................. 244 Dailininkas Algirdas Dovydėnas...........................................................246 Žurnalistas Gediminas Pilaitis.............................................................. 252 Dailėtyrininkas Algimantas Patašius.....................................................259 Žurnalistas Antanas Stanevičius............................................................ 273 Dailėtyrininkė Vaida Scigliene.............................................................. 278 Albumas........................................................................................... 285 Raimundo Sližio ikonografija ir bibliografija...................................... 354 Iliustracijų sąrašas.................................................................................379 Summary...............................................................................................390 Summary This book is dedicated to a distinguished painter, a true classic of Lithuanian art Raimundas Sližys (1952-2008). Already several years after Raimundas’ gradua tion from the State Art Institute of Lithuania (presently Vilnius Academy ofArt), it was clear to many that this artist’s work would end up in the treasury of Lithuanian painting. Maybe even to those who were shaking their heads sceptically at the time. This book tells its story through Raimundas Sližys’ paintings and drawings, ac companied by the reminiscences of people who knew and loved the artist. In the texts and photographs included in the book, Raimundas Sližys and those who remember him look the reader straight in the eyes, honestly and confidently. The painter was a favourite model of different artists and photographers, and often posed nude without shame. We shall accept his rules of the game: let this be a sign of true respect for Raimundas Sližys’ personality and creative work. Mural studies under the famous representative of Lithuanian monumental art professor Sofija Veiverytė - had a profound influence on Raimundas Sližys’ work and shaped his unorthodox approach to painting. He painted on canvas as if long ing for a wall and imagining the presence of the latter. A perfect wall - faultlessly primed, polished and prepared alfresco, buonfresco. The layer of paint in Raimundas’ painting was never thick. The painter also disliked the earthy colours so typical of that time’s Lithuanian painting. He favoured light local colours, especially pink- the dissident colour ofthe time. It seems that pink was understood solely as a colour of bad taste back then it was avoided in all spheres of art. Portrait became the genre that helped Raimundas Sližys to find the points of departure of his creative work, and he often used it as an arena for experiments. This is a fairly rare phenomenon - painters are more likely to choose the still-life and landscape genres for this purpose. In portraits of both close and less familiar people, the painter boldly transformed and even caricatured their features. He was not too concerned about whether the portrayed liked and understood the result. The book matches Raimundas’ personality, being very colourful. It focuses on the painter’s many-sided individuality - his work and diverse interests. “Hobbies” isn’t the right word. Whatever Raimundas did, he invested all of himself into it, as if seeking mastery of, even professionalism in each of his activities - hunting, cuisine, sailing. Some photographs from Raimundas Sližys’ life may make you laugh, while other ones are able to move you to tears when you see the little Dailė against New York’s skyline - the yacht of the Lithuanian Artists Union that symbolically paved Lithua nia’s way to the West through the Iron Curtain crossed the Atlantic in 1989, lacking the needed navigation devices (not for the sake of adventure, but rather because of shortages and restrictions unknown to Western people), and Raimundas Sližys was on its deck. One of the true heroes who catalysed the restoration of Lithuania’s independence, in the USA he raised the Lithuanian tricolour, banned in the USSR. The present book, an album with reminiscences about the painter, is but a first attempt to trace the contours of Raimundas Sližys’ personality and work, all the more so because it is physically difficult to trace them: the artist’s works are scat tered around various collections not only in Lithuania, but also abroad; to photo graph them and present as comprehensive an overview of Sližys’ work as possible in this book alone demanded a lot of time and efforts. Solid academic studies of the painter’s work are yet to be written. His work undoubtedly deserves that.
adam_txt	INHALT DANK . 9 1. EINLEITUNG . 11 FORSCHUNGSANSAETZE UND THEORETISCHE ZUGAENGE . 15 QUELLEN . 32 AUFBAU DES BUCHES . 34 2. KOERPERERZIEHUNG UND MAENNLICHKEIT . 36 2.1 MILITAER, LEIBESUEBUNGEN UND MAENNLICHKEIT: EINE VORGESCHICHTE . 36 2.2 SPORT IN DEN GEFAENGNISSEN DER WEIMARER REPUBLIK . 49 3. SPORTMACHEN": PRAXIS DER GEWALT UND DER GEWALTLEGITIMATION . 59 3.1 QUELLEN . 61 3.2 SPORT ALS PRAXIS DER LEGIMITATION VON GEWALT - DIE FOTOGRAFISCHE DARSTELLUNG VON HAEFTLINGSSPORT IN FRUEHEN KONZENTRATIONSLAGERN . 64 3.3 SPORT ALS PRAXIS DER GEWALT . 79 3.4 SPORT ALS PRAXIS ZUR HERSTELLUNG VON DISTANZ UND DIFFERENZ . 87 KOERPERIDEAL UND MIMETISCHE PRAXIS . 93 SPORT ALS SPEZIFISCHE PRAXIS ZUR HERSTELLUNG VON DISTANZ UND DIFFERENZ BEI JUEDISCHEN HAEFTLINGEN . 97 3.5 SPORTMACHEN * ALS PRAXIS DER VERNICHTUNG, SELEKTION UND FOLTER . 99 3.6 DAS SPORTMACHEN ALS INDIVIDUELLE PRAXIS DER GEWALT FUER AUFSEHERINNEN AUSSERHALB DER LAGERORDNUNG . 107 3.7 SPORT ALS PRAXIS DER IRONIE . 111 3.8 SPORTMACHEN ALS PRAXIS DER UEBERTRAGUNG: KOERPERWISSEN UND KOERPERERFAHRUNG . 114 3.9 SPORTMACHEN ALS PRAXIS DER GEWALT GEGENUEBER WEIBLICHEN HAEFTLINGEN . 121 3.10 ZUSAMMENFASSUNG . 128 4. DAS FUSSBALLSPIEL . 131 4.1 QUELLEN UND LITERATUR . 134 4.2 FUSSBALL IN FRUEHEN KONZENTRATIONSLAGERN . 139 4.3 DER REICHSFUEHRER SS HAT ERLAUBT, WIR DUERFEN FUSSBALL SPIELEN . 143 4.4 VORAUSSETZUNGEN DES FUSSBALLSPIELS . 151 SPIELFELD, TORE . 152 EINEN FUSSBALL AUS PAPIER . 158 SCHUHWERK . 163 KLEIDUNG . 166 4.5 FUSSBALL, LAGERALLTAG UND LAGEROEKONOMIE . 166 4.6 AKTEURE UND ORGANISATIONSFORMEN . 169 FUSSBALLMANNSCHAFTEN . 171 EINE EINLADUNG ALS UEBERREST . 177 4.7 BEDEUTUNGEN DES FUSSBALLSPIELS . 183 ES WAR LUSTIG, WEIL DANN FREIZEIT WAR : DAS FUSSBALLSPIEL ALS FEST UND UNTERHALTUNG . 184 SS-MAENNER ALS ZUSCHAUER . 185 FUSSBALLPOKALE . 188 GEWINNEN UND VERLIEREN . 190 SELBSTBEHAUPTUNG UND WIDERSTAND . 193 DAS TOR ALS ALLEGORIE DER FREIHEIT . 198 4.8 ZUSAMMENFASSUNG . 201 5. BOXKAEMPFE . 204 5.1 BLICKWECHSEL: NARRATIONEN, VORSTELLUNGEN UND MYTHENBILDUNG . 213 JOHANN WILHELM TROLLMANN . 213 SALAMO AROUCH . 216 5.2 QUELLEN . 220 5.3 AKTEURE UND RAHMENBEDINGUNGEN . 223 BOXKAMPFVERANSTALTUNGEN . 223 HANDSCHUHE, RING UND RINGRICHTER . 227 5.4 DIFFERENZ UND GEMEINSCHAFT BEIM BOXKAMPF - DIE BOXWETTKAEMPFE DES BOXCHAMPIONS ANTONI CZORTEK . 229 JUEDISCHE BOXER . 237 INSZENIERUNGEN: GEWINNER UND VERLIERER . 239 5.5 FAIRNESS . 242 5.6 DAS BOXEN ALS INSZENIERUNG ABSOLUTER MACHT UND SELBSTVERHERRLICHUNG . 246 6. SCHLUSSBETRACHTUNG . 248 ARCHIVKUERZEL . 255 QUELLEN- UND LITERATURVERZEICHNIS . 256 PERSONENREGISTER . 307 Turinys Įvadas.9 Ramutė Rachlevičiūtė Amžina belle époque Raimundo Sližio tapyboje. 17 Dailės institutas Dailininkė monumentalistė Sofija Veiverytė-Liugailienė. 45 Dailininkė monumentalistė Gražina Arlauskaitė-Vingrienė.49 Dailininkas Jonas Varnas. 50 Dailininkė Giedrė Bulotaitė-Jurkūnienė.51 Teatro ir kino dailininkas Galius Kličius.56 Architektas Edmundas Braga.58 Dailininkas Edmundas Saladžius. 61 Dailininkė monumentalistė Nijolė Vilutytė.68 Dailėtyrininkas Malvydas Sakalauskas.72 Juvelyras Aleksandras (Alex) Šepkus. 74 Po studijų Architektas Algimantas Mačiulis. 77 Tapytojas Ričardas Filistovičius. 84 Dailininkas Algimantas S. Kliauga. 86 Filosofas Bronius Kuzmickas. 88 Keramikė Nora Blaževičiūtė. 92 Dailininkas Uja Bereznickas. 94 Architektė Nona Marija Maurukaitė. 95 Filosofas Romualdas Ozolas. 96 Autoportretai ir šeima Rita Baronaitė-Sližienė .99 Simonas Sližys. 1 02 Penketas Tapytojas Mindaugas Skudutis. 119 Tapytojas Romanas Vilkauskas. 122 Dailėtyrininkas Viktoras Liutkus.1 26 Tapytojas Henrikas Natalevičius.130 Fotomenininkas Algirdas Šeškus.1 32 Muzikantas, dailininkas Vladimiras Tarasovas.135 Vertėja Dalija Epšteinaitė-Koiv. 137 Žurnalistė Milda Šeškuvienė.142 Dailėtyrininkė Lijana Šatavičiūtė-Natalevičienė. 142 Mindaugas Skudutis.1 54 Judita Dailininkė, rašytoja Paulina Eglė Pukytė. 163 Keramikė Dalia Laučkaitė-Jakimavičienė. 168 Keramikas Rytas Jakimavičius. 1 69 Modelis Tapytojas Povilas Anikinas. 171 Tekstilininkė Danguolė Brogienė.172 Kostiumo dizainerē Agnė Biskytė.174 Kostiumo dizainerē Renata Maldutienė.1 77 Medžioklė. Kulinarija. Draugai Dailininkas Rimvydas Kepežinskas.193 Tapytoja Jūratė Bagdonavičiūtė. 194 Tapytoja Jūratė Mykolaitytė . 195 Stomatologas Mykolas Ignatavičius. 197 Tapytojas Algis Griškevičius. 201 Gydytojas Algirdas Usonis. 204 Tapytojas Linas Katinas. 205 Plastikos chirurgas Renaldas Vaičiūnas.205 Dailėtyrininkė Raminta Jurėnaitė.207 Dailininkas Vytautas Jurkūnas.209 Galerininkai Andželika ir Isroildžonas Baroti . 210 Kompozitorė Onutė Narbutaitė. 211 Ramunė Šuščevičiūtė.21 3 Greta Šuščevičiūtė. 220 Mainai Skulptorius Vladas Urbanavičius.227 Skulptorė Ksenija Jaroševaitė. 229 Skulptorius Petras Mazūras. 230 Keramikė Kristina Karkaitė-Mazūrienė.231 Tapytojas Valentinas Antanavičius. 232 Buriavimas. Atlantas Dailininkas Romanas Borisovas .239 Architektas Jurgis Vroblevičius. 244 Dailininkas Algirdas Dovydėnas.246 Žurnalistas Gediminas Pilaitis. 252 Dailėtyrininkas Algimantas Patašius.259 Žurnalistas Antanas Stanevičius. 273 Dailėtyrininkė Vaida Scigliene. 278 Albumas. 285 Raimundo Sližio ikonografija ir bibliografija. 354 Iliustracijų sąrašas.379 Summary.390 Summary This book is dedicated to a distinguished painter, a true classic of Lithuanian art Raimundas Sližys (1952-2008). Already several years after Raimundas’ gradua tion from the State Art Institute of Lithuania (presently Vilnius Academy ofArt), it was clear to many that this artist’s work would end up in the treasury of Lithuanian painting. Maybe even to those who were shaking their heads sceptically at the time. This book tells its story through Raimundas Sližys’ paintings and drawings, ac companied by the reminiscences of people who knew and loved the artist. In the texts and photographs included in the book, Raimundas Sližys and those who remember him look the reader straight in the eyes, honestly and confidently. The painter was a favourite model of different artists and photographers, and often posed nude without shame. We shall accept his rules of the game: let this be a sign of true respect for Raimundas Sližys’ personality and creative work. Mural studies under the famous representative of Lithuanian monumental art professor Sofija Veiverytė - had a profound influence on Raimundas Sližys’ work and shaped his unorthodox approach to painting. He painted on canvas as if long ing for a wall and imagining the presence of the latter. A perfect wall - faultlessly primed, polished and prepared alfresco, buonfresco. The layer of paint in Raimundas’ painting was never thick. The painter also disliked the earthy colours so typical of that time’s Lithuanian painting. He favoured light local colours, especially pink- the dissident colour ofthe time. It seems that pink was understood solely as a colour of bad taste back then it was avoided in all spheres of art. Portrait became the genre that helped Raimundas Sližys to find the points of departure of his creative work, and he often used it as an arena for experiments. This is a fairly rare phenomenon - painters are more likely to choose the still-life and landscape genres for this purpose. In portraits of both close and less familiar people, the painter boldly transformed and even caricatured their features. He was not too concerned about whether the portrayed liked and understood the result. The book matches Raimundas’ personality, being very colourful. It focuses on the painter’s many-sided individuality - his work and diverse interests. “Hobbies” isn’t the right word. Whatever Raimundas did, he invested all of himself into it, as if seeking mastery of, even professionalism in each of his activities - hunting, cuisine, sailing. Some photographs from Raimundas Sližys’ life may make you laugh, while other ones are able to move you to tears when you see the little Dailė against New York’s skyline - the yacht of the Lithuanian Artists Union that symbolically paved Lithua nia’s way to the West through the Iron Curtain crossed the Atlantic in 1989, lacking the needed navigation devices (not for the sake of adventure, but rather because of shortages and restrictions unknown to Western people), and Raimundas Sližys was on its deck. One of the true heroes who catalysed the restoration of Lithuania’s independence, in the USA he raised the Lithuanian tricolour, banned in the USSR. The present book, an album with reminiscences about the painter, is but a first attempt to trace the contours of Raimundas Sližys’ personality and work, all the more so because it is physically difficult to trace them: the artist’s works are scat tered around various collections not only in Lithuania, but also abroad; to photo graph them and present as comprehensive an overview of Sližys’ work as possible in this book alone demanded a lot of time and efforts. Solid academic studies of the painter’s work are yet to be written. His work undoubtedly deserves that.
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genre	(DE-588)4145395-5 Bildband gnd-content
genre_facet	Bildband
id	DE-604.BV046790812
illustrated	Not Illustrated
index_date	2024-07-03T14:53:00Z
indexdate	2024-07-10T08:53:55Z
institution	BVB
isbn	9789986167976
language	Lithuanian
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032199747
oclc_num	1197719059
open_access_boolean
owner	DE-12 DE-255
owner_facet	DE-12 DE-255
physical	391 Seiten 31 cm
psigel	BSB_NED_20220222
publishDate	2010
publishDateSearch	2010
publishDateSort	2010
publisher	Tyto alba
record_format	marc
spelling	Raimundas Sližys sudarė Ramutė Rachlevičiūtė Vilnius Tyto alba 2010 391 Seiten 31 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Text litauisch, Zusammenfassung englisch Sližys, Raimundas 1952-2008 (DE-588)119452383 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Sližys, Raimundas 1952-2008 (DE-588)119452383 p DE-604 Sližys, Raimundas 1952-2008 (DE-588)119452383 art Rachlevičiūtė, Ramutė 1955- (DE-588)1204067406 edt wat DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Raimundas Sližys Sližys, Raimundas 1952-2008 (DE-588)119452383 gnd
subject_GND	(DE-588)119452383 (DE-588)4145395-5
title	Raimundas Sližys
title_auth	Raimundas Sližys
title_exact_search	Raimundas Sližys
title_exact_search_txtP	Raimundas Sližys
title_full	Raimundas Sližys sudarė Ramutė Rachlevičiūtė
title_fullStr	Raimundas Sližys sudarė Ramutė Rachlevičiūtė
title_full_unstemmed	Raimundas Sližys sudarė Ramutė Rachlevičiūtė
title_short	Raimundas Sližys
title_sort	raimundas slizys
topic	Sližys, Raimundas 1952-2008 (DE-588)119452383 gnd
topic_facet	Sližys, Raimundas 1952-2008 Bildband
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032199747&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT slizysraimundas raimundasslizys AT rachleviciuteramute raimundasslizys

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