Philosophy of the essay: scepticism, experience and style
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2020
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| Ausgabe: | Paperback first published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 184 Seiten 24 cm |
| ISBN: | 9781350170483 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgements viii 1 Introduction: Knowing and essaying і 2 Nostres Conditions in Montaigne’s essays n 3 Concepts in conversation in the Humean essay 53 4 Infinite approximation in the German romantic fragment 77 5 Possibility in Kierkegaard’s imaginative discourses io9 6 Scepticism and acknowledgement in Cavell’s essays 139 Conclusion 163 Bibliography 171 Index 179
trin Plunkett draws from both analytic and continental sources to argue for the philosophical relevance of style, making tite case that the essay form is uniquely suited to address the sceptical problem. The authors examined here—Montaigne, Hume, the early German romantics, Kierkegaard and Stanley Cavell—bring into relief the relationship between scepticism and ordinary life and situate the will to know within a broader frame of meaningful human activity. The formal features of the essay call attention to time, subjectivity, and language as the existential conditions of knowledge. In contrast to foundationalist approaches, which expect philosophy to reach empirical or rational certainty, Plunkett demonstrates through these writings the philosophical advantages of a fragmentary, noń-dogmatk style éf writing. A Philosophy of the Essay shows how this medium can help us come to terms with the contingency and uncertainty of life.
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| adam_txt |
CONTENTS Acknowledgements viii 1 Introduction: Knowing and essaying і 2 Nostres Conditions in Montaigne’s essays n 3 Concepts in conversation in the Humean essay 53 4 Infinite approximation in the German romantic fragment 77 5 Possibility in Kierkegaard’s imaginative discourses io9 6 Scepticism and acknowledgement in Cavell’s essays 139 Conclusion 163 Bibliography 171 Index 179
trin Plunkett draws from both analytic and continental sources to argue for the philosophical relevance of style, making tite case that the essay form is uniquely suited to address the sceptical problem. The authors examined here—Montaigne, Hume, the early German romantics, Kierkegaard and Stanley Cavell—bring into relief the relationship between scepticism and ordinary life and situate the will to know within a broader frame of meaningful human activity. The formal features of the essay call attention to time, subjectivity, and language as the existential conditions of knowledge. In contrast to foundationalist approaches, which expect philosophy to reach empirical or rational certainty, Plunkett demonstrates through these writings the philosophical advantages of a fragmentary, noń-dogmatk style éf writing. A Philosophy of the Essay shows how this medium can help us come to terms with the contingency and uncertainty of life. |
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