Latin jazz: the other jazz
"Latin Jazz: the Other Jazz is an issue oriented historical and ethnographic study of Latin jazz that focuses upon key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
[2020]
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Schriftenreihe: | Currents in Latin American & Iberian music
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Latin Jazz: the Other Jazz is an issue oriented historical and ethnographic study of Latin jazz that focuses upon key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence in 18th and 19th century colonial New Orleans through to the present global stage, provides an in depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. As the book title suggests, Latin jazz is explored both as a specific sub-genre of jazz, and, through the processes involved in its constructed "otherness." Latin Jazz: the Other Jazz provides a revisionist perspective on jazz history by embracing and celebrating jazz' rich global nature and heralding the significant and undeniable Caribbean and Latin American contributions to this beautiful expressive form. This study demonstrates how jazz expression reverberates entangled histories that encompass a tapestry of racial distinctions and blurred lines between geographical divides. Jazz is a product of the black, brown, tan, mulatto, beige, and white experience throughout the Americas and the Caribbean. This book acknowledges, pays tribute to, and celebrates the diversity of culture, experience, and perspectives that are foundational to jazz. By doing so, the music's legacy is shown to transcend way beyond stylistic distinction, national borders, and the imposition of the black and white racial divide that has only served to maintain the status quo and silence and erase the foundational contributions of innovators from the Caribbean and Latin America"-- |
Beschreibung: | xi, 196 Seiten Illustrationen, Portraits, Notenbeispiele 25 cm |
ISBN: | 9780197510841 9780195371628 |
Internformat
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505 | 8 | |a Introduction. The Other Jazz -- Why call it Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just... Jazz: the politics of naming an intercultural Music -- Caribbean and Latin American Reverberations and the First Birth of Latin Jazz : New Orleans and the Spanish Tinge -- The Second Birth of Latin Jazz : Louis Armstrong and Duke Ellington Do the Rumba -- El Tema del Apollo : Latin American and Caribbean music in Harlem -- The "Othering" of Latin Jazz -- "More Cowbell" : Latin Jazz in the 21st Century | |
520 | 3 | |a "Latin Jazz: the Other Jazz is an issue oriented historical and ethnographic study of Latin jazz that focuses upon key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence in 18th and 19th century colonial New Orleans through to the present global stage, provides an in depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. As the book title suggests, Latin jazz is explored both as a specific sub-genre of jazz, and, through the processes involved in its constructed "otherness." Latin Jazz: the Other Jazz provides a revisionist perspective on jazz history by embracing and celebrating jazz' rich global nature and heralding the significant and undeniable Caribbean and Latin American contributions to this beautiful expressive form. This study demonstrates how jazz expression reverberates entangled histories that encompass a tapestry of racial distinctions and blurred lines between geographical divides. Jazz is a product of the black, brown, tan, mulatto, beige, and white experience throughout the Americas and the Caribbean. This book acknowledges, pays tribute to, and celebrates the diversity of culture, experience, and perspectives that are foundational to jazz. By doing so, the music's legacy is shown to transcend way beyond stylistic distinction, national borders, and the imposition of the black and white racial divide that has only served to maintain the status quo and silence and erase the foundational contributions of innovators from the Caribbean and Latin America"-- | |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgments ix Introduction: The Other Jazz і 1. Why Call It Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just... Jazz: The Politics ofNaming an Intercultural Music 18 2. Caribbean and Latin American Reverberations and the First Birth ofLatin Jazz: New Orleans and the Spanish Tinge 37 3. The Second Birth of Latin Jazz: Louis Armstrong and Duke Ellington Do the Rumba 64 4. El Tema del Apollo”: Latin American and Caribbean Music in Harlem 90 5. The “Othering” ofLatin Jazz 113 6. “More Cowbell”: Latin Jazz in the Twenty-First Century 142 Epilogue 175 BIBLIOGRAPHY 179 INDEX 191
|
adam_txt |
Contents Acknowledgments ix Introduction: The Other Jazz і 1. Why Call It Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just. Jazz: The Politics ofNaming an Intercultural Music 18 2. Caribbean and Latin American Reverberations and the First Birth ofLatin Jazz: New Orleans and the Spanish Tinge 37 3. The Second Birth of Latin Jazz: Louis Armstrong and Duke Ellington Do the Rumba 64 4. "El Tema del Apollo”: Latin American and Caribbean Music in Harlem 90 5. The “Othering” ofLatin Jazz 113 6. “More Cowbell”: Latin Jazz in the Twenty-First Century 142 Epilogue 175 BIBLIOGRAPHY 179 INDEX 191 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Washburne, Christopher 1963- |
author_GND | (DE-588)133700798 |
author_facet | Washburne, Christopher 1963- |
author_role | aut |
author_sort | Washburne, Christopher 1963- |
author_variant | c w cw |
building | Verbundindex |
bvnumber | BV046783459 |
contents | Introduction. The Other Jazz -- Why call it Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just... Jazz: the politics of naming an intercultural Music -- Caribbean and Latin American Reverberations and the First Birth of Latin Jazz : New Orleans and the Spanish Tinge -- The Second Birth of Latin Jazz : Louis Armstrong and Duke Ellington Do the Rumba -- El Tema del Apollo : Latin American and Caribbean music in Harlem -- The "Othering" of Latin Jazz -- "More Cowbell" : Latin Jazz in the 21st Century |
ctrlnum | (OCoLC)1190923789 (DE-599)BVBBV046783459 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV046783459 |
illustrated | Illustrated |
index_date | 2024-07-03T14:50:46Z |
indexdate | 2024-07-10T08:53:42Z |
institution | BVB |
isbn | 9780197510841 9780195371628 |
language | English |
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physical | xi, 196 Seiten Illustrationen, Portraits, Notenbeispiele 25 cm |
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publishDate | 2020 |
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publishDateSort | 2020 |
publisher | Oxford University Press |
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series2 | Currents in Latin American & Iberian music |
spelling | Washburne, Christopher 1963- Verfasser (DE-588)133700798 aut Latin jazz the other jazz Christopher Washburne New York Oxford University Press [2020] © 2020 xi, 196 Seiten Illustrationen, Portraits, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Currents in Latin American & Iberian music Introduction. The Other Jazz -- Why call it Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just... Jazz: the politics of naming an intercultural Music -- Caribbean and Latin American Reverberations and the First Birth of Latin Jazz : New Orleans and the Spanish Tinge -- The Second Birth of Latin Jazz : Louis Armstrong and Duke Ellington Do the Rumba -- El Tema del Apollo : Latin American and Caribbean music in Harlem -- The "Othering" of Latin Jazz -- "More Cowbell" : Latin Jazz in the 21st Century "Latin Jazz: the Other Jazz is an issue oriented historical and ethnographic study of Latin jazz that focuses upon key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence in 18th and 19th century colonial New Orleans through to the present global stage, provides an in depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. As the book title suggests, Latin jazz is explored both as a specific sub-genre of jazz, and, through the processes involved in its constructed "otherness." Latin Jazz: the Other Jazz provides a revisionist perspective on jazz history by embracing and celebrating jazz' rich global nature and heralding the significant and undeniable Caribbean and Latin American contributions to this beautiful expressive form. This study demonstrates how jazz expression reverberates entangled histories that encompass a tapestry of racial distinctions and blurred lines between geographical divides. Jazz is a product of the black, brown, tan, mulatto, beige, and white experience throughout the Americas and the Caribbean. This book acknowledges, pays tribute to, and celebrates the diversity of culture, experience, and perspectives that are foundational to jazz. By doing so, the music's legacy is shown to transcend way beyond stylistic distinction, national borders, and the imposition of the black and white racial divide that has only served to maintain the status quo and silence and erase the foundational contributions of innovators from the Caribbean and Latin America"-- Geschichte gnd rswk-swf Latin jazz (DE-588)4363903-3 gnd rswk-swf Latin jazz / History and criticism Latin jazz Criticism, interpretation, etc Latin jazz (DE-588)4363903-3 s Geschichte z DE-604 Online version Washburne, Christopher Latin jazz New York : Oxford University Press, 2020 9780197510858 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032192574&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Washburne, Christopher 1963- Latin jazz the other jazz Introduction. The Other Jazz -- Why call it Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just... Jazz: the politics of naming an intercultural Music -- Caribbean and Latin American Reverberations and the First Birth of Latin Jazz : New Orleans and the Spanish Tinge -- The Second Birth of Latin Jazz : Louis Armstrong and Duke Ellington Do the Rumba -- El Tema del Apollo : Latin American and Caribbean music in Harlem -- The "Othering" of Latin Jazz -- "More Cowbell" : Latin Jazz in the 21st Century Latin jazz (DE-588)4363903-3 gnd |
subject_GND | (DE-588)4363903-3 |
title | Latin jazz the other jazz |
title_auth | Latin jazz the other jazz |
title_exact_search | Latin jazz the other jazz |
title_exact_search_txtP | Latin jazz the other jazz |
title_full | Latin jazz the other jazz Christopher Washburne |
title_fullStr | Latin jazz the other jazz Christopher Washburne |
title_full_unstemmed | Latin jazz the other jazz Christopher Washburne |
title_short | Latin jazz |
title_sort | latin jazz the other jazz |
title_sub | the other jazz |
topic | Latin jazz (DE-588)4363903-3 gnd |
topic_facet | Latin jazz |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032192574&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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