The Marquis de Sade and the avant-garde:
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"-- |
| Beschreibung: | xi, 284 Seiten 100 Illustrationen 27 cm |
| ISBN: | 9780691141619 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046773407 | ||
| 003 | DE-604 | ||
| 005 | 20201215 | ||
| 007 | t| | ||
| 008 | 200620s2020 xx a||| b||| 00||| eng d | ||
| 020 | |a 9780691141619 |c hardback |9 978-0-6911-4161-9 | ||
| 035 | |a (OCoLC)1190913677 | ||
| 035 | |a (DE-599)BVBBV046773407 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 |a DE-Y7 | ||
| 100 | 1 | |a Mahon, Alyce |e Verfasser |0 (DE-588)1212296907 |4 aut | |
| 245 | 1 | 0 | |a The Marquis de Sade and the avant-garde |c Alyce Mahon |
| 264 | 1 | |a Princeton ; Oxford |b Princeton University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xi, 284 Seiten |b 100 Illustrationen |c 27 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"-- | |
| 600 | 1 | 7 | |a Brook, Peter |d 1925-2022 |0 (DE-588)118515713 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Sontag, Susan |d 1933-2004 |0 (DE-588)118751506 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Aury, Dominique |d 1907-1998 |0 (DE-588)118598732 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Beauvoir, Simone de |d 1908-1986 |0 (DE-588)118507877 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Ray, Man |d 1890-1976 |0 (DE-588)118598694 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Fini, Leonor |d 1908-1996 |0 (DE-588)11868728X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Masson, André |d 1896-1987 |0 (DE-588)11857874X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Pasolini, Pier Paolo |d 1922-1975 |0 (DE-588)118591908 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Lebel, Jean-Jacques |d 1936- |0 (DE-588)11899851X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Chan, Paul |d 1973- |0 (DE-588)13003570X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Apollinaire, Guillaume |d 1880-1918 |0 (DE-588)118503634 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Carter, Angela |d 1940-1992 |0 (DE-588)119058804 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1900-1950 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sadismus |g Motiv |0 (DE-588)4178870-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künste |0 (DE-588)4033422-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlechterforschung |0 (DE-588)4482930-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Einfluss |0 (DE-588)4151276-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Politische Kunst |0 (DE-588)4175029-9 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Arts / Experimental methods | |
| 653 | 1 | |a Sade / marquis de / 1740-1814 / Influence | |
| 653 | 1 | |a Sade / marquis de / 1740-1814 | |
| 653 | 0 | |a Arts / Experimental methods | |
| 653 | 0 | |a Influence (Literary, artistic, etc.) | |
| 689 | 0 | 0 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |D p |
| 689 | 0 | 1 | |a Einfluss |0 (DE-588)4151276-5 |D s |
| 689 | 0 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 3 | |a Künste |0 (DE-588)4033422-3 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |D p |
| 689 | 1 | 1 | |a Sadismus |g Motiv |0 (DE-588)4178870-9 |D s |
| 689 | 1 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 1 | 3 | |a Politische Kunst |0 (DE-588)4175029-9 |D s |
| 689 | 1 | 4 | |a Geschichte 1900-1950 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |D p |
| 689 | 2 | 1 | |a Sadismus |g Motiv |0 (DE-588)4178870-9 |D s |
| 689 | 2 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 2 | 3 | |a Masson, André |d 1896-1987 |0 (DE-588)11857874X |D p |
| 689 | 2 | 4 | |a Fini, Leonor |d 1908-1996 |0 (DE-588)11868728X |D p |
| 689 | 2 | 5 | |a Ray, Man |d 1890-1976 |0 (DE-588)118598694 |D p |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |D p |
| 689 | 3 | 1 | |a Sadismus |g Motiv |0 (DE-588)4178870-9 |D s |
| 689 | 3 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 3 | 3 | |a Apollinaire, Guillaume |d 1880-1918 |0 (DE-588)118503634 |D p |
| 689 | 3 | 4 | |a Aury, Dominique |d 1907-1998 |0 (DE-588)118598732 |D p |
| 689 | 3 | 5 | |a Lebel, Jean-Jacques |d 1936- |0 (DE-588)11899851X |D p |
| 689 | 3 | 6 | |a Brook, Peter |d 1925-2022 |0 (DE-588)118515713 |D p |
| 689 | 3 | 7 | |a Pasolini, Pier Paolo |d 1922-1975 |0 (DE-588)118591908 |D p |
| 689 | 3 | 8 | |a Chan, Paul |d 1973- |0 (DE-588)13003570X |D p |
| 689 | 3 | |5 DE-604 | |
| 689 | 4 | 0 | |a Sade |c Marquis de |d 1740-1814 |0 (DE-588)118604759 |D p |
| 689 | 4 | 1 | |a Sadismus |g Motiv |0 (DE-588)4178870-9 |D s |
| 689 | 4 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 4 | 3 | |a Sontag, Susan |d 1933-2004 |0 (DE-588)118751506 |D p |
| 689 | 4 | 4 | |a Beauvoir, Simone de |d 1908-1986 |0 (DE-588)118507877 |D p |
| 689 | 4 | 5 | |a Carter, Angela |d 1940-1992 |0 (DE-588)119058804 |D p |
| 689 | 4 | 6 | |a Geschlechterforschung |0 (DE-588)4482930-9 |D s |
| 689 | 4 | |5 DE-604 | |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182759&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200810 | |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 44 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 181 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09033 |g 44 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032182759 | |
Datensatz im Suchindex
| _version_ | 1821856195548282880 |
|---|---|
| adam_text |
CONTENTS
ACKNOWLEDGMENTS
IX
INTRODUCTION
CHAPTER
ONE.
THE
MARQUIS DE
SADE
AND
THE FAIRER SEX
29
CHAPTER
TWO.
SURREALIST
SADE
89
CHAPTER
THREE.
STORY
IF
0:
SLAVE
AND
SUFFRAGETTE
OF
THE WHIP
125
CHAPTER
FOUR.
SCREAMING
FOR SADE
181
CONCLUSION
223
NOTES
237
SELECT BIBLIOGRAPHY 264
INDEX 268
IMAGE CREDITS
283 |
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS
IX
INTRODUCTION
CHAPTER
ONE.
THE
MARQUIS DE
SADE
AND
THE FAIRER SEX
29
CHAPTER
TWO.
SURREALIST
SADE
89
CHAPTER
THREE.
STORY
IF
0:
SLAVE
AND
SUFFRAGETTE
OF
THE WHIP
125
CHAPTER
FOUR.
SCREAMING
FOR SADE
181
CONCLUSION
223
NOTES
237
SELECT BIBLIOGRAPHY 264
INDEX 268
IMAGE CREDITS
283 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mahon, Alyce |
| author_GND | (DE-588)1212296907 |
| author_facet | Mahon, Alyce |
| author_role | aut |
| author_sort | Mahon, Alyce |
| author_variant | a m am |
| building | Verbundindex |
| bvnumber | BV046773407 |
| ctrlnum | (OCoLC)1190913677 (DE-599)BVBBV046773407 |
| era | Geschichte 1900-1950 gnd Geschichte gnd |
| era_facet | Geschichte 1900-1950 Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046773407</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201215</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200620s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691141619</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-6911-4161-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1190913677</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046773407</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mahon, Alyce</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1212296907</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Marquis de Sade and the avant-garde</subfield><subfield code="c">Alyce Mahon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton ; Oxford</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 284 Seiten</subfield><subfield code="b">100 Illustrationen</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Brook, Peter</subfield><subfield code="d">1925-2022</subfield><subfield code="0">(DE-588)118515713</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Sontag, Susan</subfield><subfield code="d">1933-2004</subfield><subfield code="0">(DE-588)118751506</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Aury, Dominique</subfield><subfield code="d">1907-1998</subfield><subfield code="0">(DE-588)118598732</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beauvoir, Simone de</subfield><subfield code="d">1908-1986</subfield><subfield code="0">(DE-588)118507877</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Ray, Man</subfield><subfield code="d">1890-1976</subfield><subfield code="0">(DE-588)118598694</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Fini, Leonor</subfield><subfield code="d">1908-1996</subfield><subfield code="0">(DE-588)11868728X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Masson, André</subfield><subfield code="d">1896-1987</subfield><subfield code="0">(DE-588)11857874X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Pasolini, Pier Paolo</subfield><subfield code="d">1922-1975</subfield><subfield code="0">(DE-588)118591908</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Lebel, Jean-Jacques</subfield><subfield code="d">1936-</subfield><subfield code="0">(DE-588)11899851X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Chan, Paul</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)13003570X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Apollinaire, Guillaume</subfield><subfield code="d">1880-1918</subfield><subfield code="0">(DE-588)118503634</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Carter, Angela</subfield><subfield code="d">1940-1992</subfield><subfield code="0">(DE-588)119058804</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-1950</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sadismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4178870-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Einfluss</subfield><subfield code="0">(DE-588)4151276-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politische Kunst</subfield><subfield code="0">(DE-588)4175029-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Experimental methods</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Sade / marquis de / 1740-1814 / Influence</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Sade / marquis de / 1740-1814</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Experimental methods</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Influence (Literary, artistic, etc.)</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Einfluss</subfield><subfield code="0">(DE-588)4151276-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Sadismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4178870-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Politische Kunst</subfield><subfield code="0">(DE-588)4175029-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Geschichte 1900-1950</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Sadismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4178870-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Masson, André</subfield><subfield code="d">1896-1987</subfield><subfield code="0">(DE-588)11857874X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="4"><subfield code="a">Fini, Leonor</subfield><subfield code="d">1908-1996</subfield><subfield code="0">(DE-588)11868728X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="5"><subfield code="a">Ray, Man</subfield><subfield code="d">1890-1976</subfield><subfield code="0">(DE-588)118598694</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Sadismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4178870-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Apollinaire, Guillaume</subfield><subfield code="d">1880-1918</subfield><subfield code="0">(DE-588)118503634</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="4"><subfield code="a">Aury, Dominique</subfield><subfield code="d">1907-1998</subfield><subfield code="0">(DE-588)118598732</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="5"><subfield code="a">Lebel, Jean-Jacques</subfield><subfield code="d">1936-</subfield><subfield code="0">(DE-588)11899851X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="6"><subfield code="a">Brook, Peter</subfield><subfield code="d">1925-2022</subfield><subfield code="0">(DE-588)118515713</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="7"><subfield code="a">Pasolini, Pier Paolo</subfield><subfield code="d">1922-1975</subfield><subfield code="0">(DE-588)118591908</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="8"><subfield code="a">Chan, Paul</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)13003570X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Sade</subfield><subfield code="c">Marquis de</subfield><subfield code="d">1740-1814</subfield><subfield code="0">(DE-588)118604759</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Sadismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4178870-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Sontag, Susan</subfield><subfield code="d">1933-2004</subfield><subfield code="0">(DE-588)118751506</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2="4"><subfield code="a">Beauvoir, Simone de</subfield><subfield code="d">1908-1986</subfield><subfield code="0">(DE-588)118507877</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2="5"><subfield code="a">Carter, Angela</subfield><subfield code="d">1940-1992</subfield><subfield code="0">(DE-588)119058804</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2="6"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182759&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200810</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">44</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032182759</subfield></datafield></record></collection> |
| id | DE-604.BV046773407 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:47:32Z |
| indexdate | 2025-01-21T11:04:21Z |
| institution | BVB |
| isbn | 9780691141619 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032182759 |
| oclc_num | 1190913677 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-Y7 |
| owner_facet | DE-12 DE-255 DE-Y7 |
| physical | xi, 284 Seiten 100 Illustrationen 27 cm |
| psigel | BSB_NED_20200810 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | Mahon, Alyce Verfasser (DE-588)1212296907 aut The Marquis de Sade and the avant-garde Alyce Mahon Princeton ; Oxford Princeton University Press [2020] © 2020 xi, 284 Seiten 100 Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier "This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"-- Brook, Peter 1925-2022 (DE-588)118515713 gnd rswk-swf Sontag, Susan 1933-2004 (DE-588)118751506 gnd rswk-swf Aury, Dominique 1907-1998 (DE-588)118598732 gnd rswk-swf Beauvoir, Simone de 1908-1986 (DE-588)118507877 gnd rswk-swf Ray, Man 1890-1976 (DE-588)118598694 gnd rswk-swf Fini, Leonor 1908-1996 (DE-588)11868728X gnd rswk-swf Masson, André 1896-1987 (DE-588)11857874X gnd rswk-swf Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd rswk-swf Sade Marquis de 1740-1814 (DE-588)118604759 gnd rswk-swf Lebel, Jean-Jacques 1936- (DE-588)11899851X gnd rswk-swf Chan, Paul 1973- (DE-588)13003570X gnd rswk-swf Apollinaire, Guillaume 1880-1918 (DE-588)118503634 gnd rswk-swf Carter, Angela 1940-1992 (DE-588)119058804 gnd rswk-swf Geschichte 1900-1950 gnd rswk-swf Geschichte gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Sadismus Motiv (DE-588)4178870-9 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf Einfluss (DE-588)4151276-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Arts / Experimental methods Sade / marquis de / 1740-1814 / Influence Sade / marquis de / 1740-1814 Influence (Literary, artistic, etc.) Sade Marquis de 1740-1814 (DE-588)118604759 p Einfluss (DE-588)4151276-5 s Literatur (DE-588)4035964-5 s Künste (DE-588)4033422-3 s Geschichte z DE-604 Sadismus Motiv (DE-588)4178870-9 s Rezeption (DE-588)4049716-1 s Politische Kunst (DE-588)4175029-9 s Geschichte 1900-1950 z Masson, André 1896-1987 (DE-588)11857874X p Fini, Leonor 1908-1996 (DE-588)11868728X p Ray, Man 1890-1976 (DE-588)118598694 p Apollinaire, Guillaume 1880-1918 (DE-588)118503634 p Aury, Dominique 1907-1998 (DE-588)118598732 p Lebel, Jean-Jacques 1936- (DE-588)11899851X p Brook, Peter 1925-2022 (DE-588)118515713 p Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 p Chan, Paul 1973- (DE-588)13003570X p Sontag, Susan 1933-2004 (DE-588)118751506 p Beauvoir, Simone de 1908-1986 (DE-588)118507877 p Carter, Angela 1940-1992 (DE-588)119058804 p Geschlechterforschung (DE-588)4482930-9 s V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182759&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mahon, Alyce The Marquis de Sade and the avant-garde Brook, Peter 1925-2022 (DE-588)118515713 gnd Sontag, Susan 1933-2004 (DE-588)118751506 gnd Aury, Dominique 1907-1998 (DE-588)118598732 gnd Beauvoir, Simone de 1908-1986 (DE-588)118507877 gnd Ray, Man 1890-1976 (DE-588)118598694 gnd Fini, Leonor 1908-1996 (DE-588)11868728X gnd Masson, André 1896-1987 (DE-588)11857874X gnd Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Sade Marquis de 1740-1814 (DE-588)118604759 gnd Lebel, Jean-Jacques 1936- (DE-588)11899851X gnd Chan, Paul 1973- (DE-588)13003570X gnd Apollinaire, Guillaume 1880-1918 (DE-588)118503634 gnd Carter, Angela 1940-1992 (DE-588)119058804 gnd Literatur (DE-588)4035964-5 gnd Sadismus Motiv (DE-588)4178870-9 gnd Künste (DE-588)4033422-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd Einfluss (DE-588)4151276-5 gnd Rezeption (DE-588)4049716-1 gnd Politische Kunst (DE-588)4175029-9 gnd |
| subject_GND | (DE-588)118515713 (DE-588)118751506 (DE-588)118598732 (DE-588)118507877 (DE-588)118598694 (DE-588)11868728X (DE-588)11857874X (DE-588)118591908 (DE-588)118604759 (DE-588)11899851X (DE-588)13003570X (DE-588)118503634 (DE-588)119058804 (DE-588)4035964-5 (DE-588)4178870-9 (DE-588)4033422-3 (DE-588)4482930-9 (DE-588)4151276-5 (DE-588)4049716-1 (DE-588)4175029-9 |
| title | The Marquis de Sade and the avant-garde |
| title_auth | The Marquis de Sade and the avant-garde |
| title_exact_search | The Marquis de Sade and the avant-garde |
| title_exact_search_txtP | The Marquis de Sade and the avant-garde |
| title_full | The Marquis de Sade and the avant-garde Alyce Mahon |
| title_fullStr | The Marquis de Sade and the avant-garde Alyce Mahon |
| title_full_unstemmed | The Marquis de Sade and the avant-garde Alyce Mahon |
| title_short | The Marquis de Sade and the avant-garde |
| title_sort | the marquis de sade and the avant garde |
| topic | Brook, Peter 1925-2022 (DE-588)118515713 gnd Sontag, Susan 1933-2004 (DE-588)118751506 gnd Aury, Dominique 1907-1998 (DE-588)118598732 gnd Beauvoir, Simone de 1908-1986 (DE-588)118507877 gnd Ray, Man 1890-1976 (DE-588)118598694 gnd Fini, Leonor 1908-1996 (DE-588)11868728X gnd Masson, André 1896-1987 (DE-588)11857874X gnd Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Sade Marquis de 1740-1814 (DE-588)118604759 gnd Lebel, Jean-Jacques 1936- (DE-588)11899851X gnd Chan, Paul 1973- (DE-588)13003570X gnd Apollinaire, Guillaume 1880-1918 (DE-588)118503634 gnd Carter, Angela 1940-1992 (DE-588)119058804 gnd Literatur (DE-588)4035964-5 gnd Sadismus Motiv (DE-588)4178870-9 gnd Künste (DE-588)4033422-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd Einfluss (DE-588)4151276-5 gnd Rezeption (DE-588)4049716-1 gnd Politische Kunst (DE-588)4175029-9 gnd |
| topic_facet | Brook, Peter 1925-2022 Sontag, Susan 1933-2004 Aury, Dominique 1907-1998 Beauvoir, Simone de 1908-1986 Ray, Man 1890-1976 Fini, Leonor 1908-1996 Masson, André 1896-1987 Pasolini, Pier Paolo 1922-1975 Sade Marquis de 1740-1814 Lebel, Jean-Jacques 1936- Chan, Paul 1973- Apollinaire, Guillaume 1880-1918 Carter, Angela 1940-1992 Literatur Sadismus Motiv Künste Geschlechterforschung Einfluss Rezeption Politische Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182759&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mahonalyce themarquisdesadeandtheavantgarde |