Film studies: an introduction
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Columbia University Press
[2020]
|
| Edition: | Second edition |
| Series: | Film and culture
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIII, 245 Seiten Illustrationen |
| ISBN: | 9780231195928 9780231195935 |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS PREFACE: WHAT THIS BOOK IS—AND WHAT IT’S NOT INTRODUCTION: XI 1 REPRESENTATION AND REALITY ONE MISE-EN-SCENE: WITHIN THE IMAGE What Is Mise-en-Scene? 5 5 The Shot 7 Subject-Camera Distance—Why It Matters 9 Camera Angle 1շ Space and Time on Film 16 Composition STUDY guide: ANALYZING THE SHOT 18 21 WRITING ABOUT THE IMAGE TWO MISE-EN-SCENE: CAMERA MOVEMENT 24 Mobile Framing 24 Types of Camera Movement 25 Editing within the Shot 28 Space and Movement STUDY guide: ANALYZING CAMERA MOVEMENT 30 34 WRITING ABOUT CAMERA MOVEMENT THREE MISE-EN-SCENE: CINEMATOGRAPHY 38 Motion Picture Photography 38 Aspect Ratio: From 1:33 to Widescreen 39 Aspect Ratio: Form and Meaning 42 Lighting 44 Three-Point Lighting 45 Film Stocks: Super 8 to 70mm to Video 48 Black, White, Gray, and Color 49 A Word or Two about Lenses STUDY guide: analyzing CINEMATOGRAPHY WRITING ABOUT CINEMATOGRAPHY 50 53
FOUR EDITING: FROM SHOT TO SHOT 55 Transitions 55 Montage 57 The Kuleshov Experiment 60 Continuity Editing 61 The i8o° System 67 Shot/Reverse-Shot Pattern STUDY guide: ANALYZING SHOT-TO-SHOT EDITING 68 70 WRITING ABOUT EDITING FIVE SOUND 74 A Very Short History of Film Sound 74 Recording, Rerecording, Editing, and Mixing 76 Analytical Categories of Film Sound 78 Sound and Space STUDY GUIDE: HEARING SOUND, ANALYZING SOUND 81 84 WRITING ABOUT SOUND AND SOUNDTRACKS SIX NARRATIVE: FROM SCENE TO SCENE 89 Narrative Structure 89 Story and Plot 90 Scenes and Sequences 91 Transitions from Scene to Scene 95 Character, Desire, and Conflict 97 Analyzing Conflict 98 STUDY GUIDE: ANALYZING SCENE-TO-SCENE EDITING 101 WRITING ABOUT NARRATIVE STRUCTURE SEVEN FROM SCREENPLAY TO FILM 103 Deeper into Narrative Structure 103 Screenwriting: The Three-Act Structure 104 Segmentation: Form 105 Segmentation: Meaning 107 A Segmentation of Inside Man STUDY GUIDE: STORY ANALYSIS AND SEGMENTATION 108 113 WRITING ABOUT WRITING EIGHT FILMMAKERS Film—A Director’s Art? 116 116 Authorship 117 The Auteur Theory 119 The Producer’s Role 121 Teamwork 123 CONTENTS VIM
STUDY GUIDE: THE PROBLEM OF ATTRIBUTION 126 WRITING ABOUT DIRECTORS NINE PERFORMANCE 129 Performance as an Element of Mise-en-Scene 129 Acting Styles 130 Stars and Character Actors 131 Type and Stereotype 132 Women as Types 133 Acting in—andón—Film 134 Publicity: Extra-Filmic Meaning STUDY GUIDE: ANALYZING ACTING 136 138 WRITING ABOUT ACTING TEN GENRE 143 What Is a Genre? 143 Conventions, Repetitions, and Variations 145 A Brief Taxonomy of Two Film Genres—the Western 146 and the Horror Film Genre: The Semantic/Syntactic Approach 148 Film Noir: A Case Study 150 Film Noir: A Brief History Film Noir’s Conventions STUDY GUIDE: GENRE ANALYSIS FOR THE INTRODUCTORY STUDENT 152 153 155 WRITING ABOUT GENRE ELEVEN SPECIAL EFFECTS 158 Beyond the Ordinary 158 Optical and Mechanical Special Effects 162 Computer-Generated Imagery (CGI) 164 STUDY GUIDE: EFFECTS AND MEANING 166 WRITING ABOUT SPECIAL EFFECTS TWELVE FILM AND IDEOLOGY 169 Ideology in Practice: Soviet Montage 170 Continuing with Marxism 172 Film and Consciousness 175 Ideology and “Current” Events: A Reading ofJaws 176 Feminist Film Theory and Criticism 178 Case Study: Rear Window STUDY GUIDE: EXPLORING IDEOLOGY WHERE ONELEAST EXPECTS IT x CONTENTS 179 181
THIRTEEN FILM STUDIES IN THE ERA OF DIGITAL CINEMA 184 What Is Digital Cinematography? 185 The Impact of Digital Technology on Filmmaking 185 Expanding the Fihnmaking Community 186 Digital Cinema and Film Theory 187 Post-Truth? 188 Goodbye Multiplexes? 193 FOURTEEN PUTTING IT TOGETHER: A MODEL 8- TO 10-PAGE PAPER 197 How This Chapter Works 197 “Introducing Tyler,” by Robert Paulson 198 GLOSSARY 215 ACKNOWLEDGMENTS 229 INDEX 231 CONTENTS X
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| adam_txt |
CONTENTS PREFACE: WHAT THIS BOOK IS—AND WHAT IT’S NOT INTRODUCTION: XI 1 REPRESENTATION AND REALITY ONE MISE-EN-SCENE: WITHIN THE IMAGE What Is Mise-en-Scene? 5 5 The Shot 7 Subject-Camera Distance—Why It Matters 9 Camera Angle 1շ Space and Time on Film 16 Composition STUDY guide: ANALYZING THE SHOT 18 21 WRITING ABOUT THE IMAGE TWO MISE-EN-SCENE: CAMERA MOVEMENT 24 Mobile Framing 24 Types of Camera Movement 25 Editing within the Shot 28 Space and Movement STUDY guide: ANALYZING CAMERA MOVEMENT 30 34 WRITING ABOUT CAMERA MOVEMENT THREE MISE-EN-SCENE: CINEMATOGRAPHY 38 Motion Picture Photography 38 Aspect Ratio: From 1:33 to Widescreen 39 Aspect Ratio: Form and Meaning 42 Lighting 44 Three-Point Lighting 45 Film Stocks: Super 8 to 70mm to Video 48 Black, White, Gray, and Color 49 A Word or Two about Lenses STUDY guide: analyzing CINEMATOGRAPHY WRITING ABOUT CINEMATOGRAPHY 50 53
FOUR EDITING: FROM SHOT TO SHOT 55 Transitions 55 Montage 57 The Kuleshov Experiment 60 Continuity Editing 61 The i8o° System 67 Shot/Reverse-Shot Pattern STUDY guide: ANALYZING SHOT-TO-SHOT EDITING 68 70 WRITING ABOUT EDITING FIVE SOUND 74 A Very Short History of Film Sound 74 Recording, Rerecording, Editing, and Mixing 76 Analytical Categories of Film Sound 78 Sound and Space STUDY GUIDE: HEARING SOUND, ANALYZING SOUND 81 84 WRITING ABOUT SOUND AND SOUNDTRACKS SIX NARRATIVE: FROM SCENE TO SCENE 89 Narrative Structure 89 Story and Plot 90 Scenes and Sequences 91 Transitions from Scene to Scene 95 Character, Desire, and Conflict 97 Analyzing Conflict 98 STUDY GUIDE: ANALYZING SCENE-TO-SCENE EDITING 101 WRITING ABOUT NARRATIVE STRUCTURE SEVEN FROM SCREENPLAY TO FILM 103 Deeper into Narrative Structure 103 Screenwriting: The Three-Act Structure 104 Segmentation: Form 105 Segmentation: Meaning 107 A Segmentation of Inside Man STUDY GUIDE: STORY ANALYSIS AND SEGMENTATION 108 113 WRITING ABOUT WRITING EIGHT FILMMAKERS Film—A Director’s Art? 116 116 Authorship 117 The Auteur Theory 119 The Producer’s Role 121 Teamwork 123 CONTENTS VIM
STUDY GUIDE: THE PROBLEM OF ATTRIBUTION 126 WRITING ABOUT DIRECTORS NINE PERFORMANCE 129 Performance as an Element of Mise-en-Scene 129 Acting Styles 130 Stars and Character Actors 131 Type and Stereotype 132 Women as Types 133 Acting in—andón—Film 134 Publicity: Extra-Filmic Meaning STUDY GUIDE: ANALYZING ACTING 136 138 WRITING ABOUT ACTING TEN GENRE 143 What Is a Genre? 143 Conventions, Repetitions, and Variations 145 A Brief Taxonomy of Two Film Genres—the Western 146 and the Horror Film Genre: The Semantic/Syntactic Approach 148 Film Noir: A Case Study 150 Film Noir: A Brief History Film Noir’s Conventions STUDY GUIDE: GENRE ANALYSIS FOR THE INTRODUCTORY STUDENT 152 153 155 WRITING ABOUT GENRE ELEVEN SPECIAL EFFECTS 158 Beyond the Ordinary 158 Optical and Mechanical Special Effects 162 Computer-Generated Imagery (CGI) 164 STUDY GUIDE: EFFECTS AND MEANING 166 WRITING ABOUT SPECIAL EFFECTS TWELVE FILM AND IDEOLOGY 169 Ideology in Practice: Soviet Montage 170 Continuing with Marxism 172 Film and Consciousness 175 Ideology and “Current” Events: A Reading ofJaws 176 Feminist Film Theory and Criticism 178 Case Study: Rear Window STUDY GUIDE: EXPLORING IDEOLOGY WHERE ONELEAST EXPECTS IT x CONTENTS 179 181
THIRTEEN FILM STUDIES IN THE ERA OF DIGITAL CINEMA 184 What Is Digital Cinematography? 185 The Impact of Digital Technology on Filmmaking 185 Expanding the Fihnmaking Community 186 Digital Cinema and Film Theory 187 Post-Truth? 188 Goodbye Multiplexes? 193 FOURTEEN PUTTING IT TOGETHER: A MODEL 8- TO 10-PAGE PAPER 197 How This Chapter Works 197 “Introducing Tyler,” by Robert Paulson 198 GLOSSARY 215 ACKNOWLEDGMENTS 229 INDEX 231 CONTENTS X |
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| spelling | Sikov, Ed 1957- Verfasser (DE-588)114441508X aut Film studies an introduction Ed Sikov Second edition New York Columbia University Press [2020] XIII, 245 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Film and culture Filmwissenschaft (DE-588)4154385-3 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Filmanalyse (DE-588)4140882-2 s Filmwissenschaft (DE-588)4154385-3 s DE-604 Erscheint auch als Online-Ausgabe 978-0-23155-156-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032177568&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Film studies an introduction |
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| title_exact_search | Film studies an introduction |
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| title_full | Film studies an introduction Ed Sikov |
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| title_short | Film studies |
| title_sort | film studies an introduction |
| title_sub | an introduction |
| topic | Filmwissenschaft (DE-588)4154385-3 gnd Filmanalyse (DE-588)4140882-2 gnd |
| topic_facet | Filmwissenschaft Filmanalyse Einführung |
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