Performance, subjectivity, and experimentation:
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents ?an? individual or ?a?...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Leuven (Belgium)
Leuven University Press
[2020]
|
| Series: | Orpheus Institute series
|
| Subjects: | |
| Summary: | Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents ?an? individual or ?a? group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. |
| Physical Description: | 240 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9789462702318 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046767573 | ||
| 003 | DE-604 | ||
| 005 | 20210126 | ||
| 007 | t | ||
| 008 | 200617s2020 agl| |||| 00||| eng d | ||
| 020 | |a 9789462702318 |c (pbk.) |9 978-94-6270-231-8 | ||
| 035 | |a (OCoLC)1193308514 | ||
| 035 | |a (DE-599)BVBBV046767573 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-B170 |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Performance, subjectivity, and experimentation |c edited by Catherine Laws |
| 264 | 1 | |a Leuven (Belgium) |b Leuven University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 240 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Orpheus Institute series | |
| 520 | 3 | |a Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents ?an? individual or ?a? group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. | |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerische Forschung |0 (DE-588)1068661038 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Subjektivität |0 (DE-588)4058323-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Identität |0 (DE-588)4026482-8 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Subjectivity in music | |
| 653 | 0 | |a ART / Performance | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 1 | |a Subjektivität |0 (DE-588)4058323-5 |D s |
| 689 | 0 | 2 | |a Identität |0 (DE-588)4026482-8 |D s |
| 689 | 0 | 3 | |a Künstlerische Forschung |0 (DE-588)1068661038 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Laws, Catherine |d ca. 20. Jh. |0 (DE-588)1047090031 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-94-6166-331-3 |
| 940 | 1 | |q BSB_NED_20201013 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032177039 | ||
| 942 | 1 | 1 | |c 780.72 |e 22/bsb |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |
Record in the Search Index
| _version_ | 1804181538764488704 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Laws, Catherine ca. 20. Jh |
| author2_role | edt |
| author2_variant | c l cl |
| author_GND | (DE-588)1047090031 |
| author_facet | Laws, Catherine ca. 20. Jh |
| building | Verbundindex |
| bvnumber | BV046767573 |
| ctrlnum | (OCoLC)1193308514 (DE-599)BVBBV046767573 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02610nam a2200505 c 4500</leader><controlfield tag="001">BV046767573</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210126 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200617s2020 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789462702318</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-94-6270-231-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1193308514</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046767573</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B170</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performance, subjectivity, and experimentation</subfield><subfield code="c">edited by Catherine Laws</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven (Belgium)</subfield><subfield code="b">Leuven University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">240 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Orpheus Institute series</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents ?an? individual or ?a? group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstlerische Forschung</subfield><subfield code="0">(DE-588)1068661038</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Subjektivität</subfield><subfield code="0">(DE-588)4058323-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Subjectivity in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ART / Performance</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Subjektivität</subfield><subfield code="0">(DE-588)4058323-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Künstlerische Forschung</subfield><subfield code="0">(DE-588)1068661038</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Laws, Catherine</subfield><subfield code="d">ca. 20. Jh.</subfield><subfield code="0">(DE-588)1047090031</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-94-6166-331-3</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201013</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032177039</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.72</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046767573 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:45:48Z |
| indexdate | 2024-07-10T08:53:15Z |
| institution | BVB |
| isbn | 9789462702318 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032177039 |
| oclc_num | 1193308514 |
| open_access_boolean | |
| owner | DE-B170 DE-12 |
| owner_facet | DE-B170 DE-12 |
| physical | 240 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20201013 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Leuven University Press |
| record_format | marc |
| series2 | Orpheus Institute series |
| spelling | Performance, subjectivity, and experimentation edited by Catherine Laws Leuven (Belgium) Leuven University Press [2020] © 2020 240 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Orpheus Institute series Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents ?an? individual or ?a? group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. Performance Künste (DE-588)4173750-7 gnd rswk-swf Künstlerische Forschung (DE-588)1068661038 gnd rswk-swf Subjektivität (DE-588)4058323-5 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Subjectivity in music ART / Performance (DE-588)4143413-4 Aufsatzsammlung gnd-content Performance Künste (DE-588)4173750-7 s Subjektivität (DE-588)4058323-5 s Identität (DE-588)4026482-8 s Künstlerische Forschung (DE-588)1068661038 s DE-604 Laws, Catherine ca. 20. Jh. (DE-588)1047090031 edt Erscheint auch als Online-Ausgabe 978-94-6166-331-3 |
| spellingShingle | Performance, subjectivity, and experimentation Performance Künste (DE-588)4173750-7 gnd Künstlerische Forschung (DE-588)1068661038 gnd Subjektivität (DE-588)4058323-5 gnd Identität (DE-588)4026482-8 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)1068661038 (DE-588)4058323-5 (DE-588)4026482-8 (DE-588)4143413-4 |
| title | Performance, subjectivity, and experimentation |
| title_auth | Performance, subjectivity, and experimentation |
| title_exact_search | Performance, subjectivity, and experimentation |
| title_exact_search_txtP | Performance, subjectivity, and experimentation |
| title_full | Performance, subjectivity, and experimentation edited by Catherine Laws |
| title_fullStr | Performance, subjectivity, and experimentation edited by Catherine Laws |
| title_full_unstemmed | Performance, subjectivity, and experimentation edited by Catherine Laws |
| title_short | Performance, subjectivity, and experimentation |
| title_sort | performance subjectivity and experimentation |
| topic | Performance Künste (DE-588)4173750-7 gnd Künstlerische Forschung (DE-588)1068661038 gnd Subjektivität (DE-588)4058323-5 gnd Identität (DE-588)4026482-8 gnd |
| topic_facet | Performance Künste Künstlerische Forschung Subjektivität Identität Aufsatzsammlung |
| work_keys_str_mv | AT lawscatherine performancesubjectivityandexperimentation |