Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection
Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musici...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2018]
|
| Schriftenreihe: | Postmillennial Pop
14 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) |
| Beschreibung: | 1 online resource 25 black and white illustrations |
| ISBN: | 9781479815357 |
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Datensatz im Suchindex
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| author | Baym, Nancy K. |
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| dewey-full | 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64 |
| dewey-search | 781.64 |
| dewey-sort | 3781.64 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV046761408 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:44:36Z |
| indexdate | 2024-07-10T08:53:05Z |
| institution | BVB |
| isbn | 9781479815357 |
| language | English |
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| physical | 1 online resource 25 black and white illustrations |
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| publishDate | 2018 |
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| publisher | New York University Press |
| record_format | marc |
| series2 | Postmillennial Pop |
| spelling | Baym, Nancy K. Verfasser (DE-588)1212045351 aut Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection Nancy K. Baym New York, NY New York University Press [2018] © 2018 1 online resource 25 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Postmillennial Pop 14 Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate In English BUSINESS & ECONOMICS / Industries / Media & Communications bisacsh Music Performance Psychological aspects Popular music fans Popular music Social aspects Publikumsforschung (DE-588)4310038-7 gnd rswk-swf Fan (DE-588)4131020-2 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Popmusik (DE-588)4046781-8 s Fan (DE-588)4131020-2 s Neue Medien (DE-588)4196910-8 s Publikumsforschung (DE-588)4310038-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4798-2158-7 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4798-9616-5 https://www.degruyter.com/isbn/9781479815357 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Baym, Nancy K. Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection BUSINESS & ECONOMICS / Industries / Media & Communications bisacsh Music Performance Psychological aspects Popular music fans Popular music Social aspects Publikumsforschung (DE-588)4310038-7 gnd Fan (DE-588)4131020-2 gnd Neue Medien (DE-588)4196910-8 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4310038-7 (DE-588)4131020-2 (DE-588)4196910-8 (DE-588)4046781-8 |
| title | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection |
| title_auth | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection |
| title_exact_search | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection |
| title_exact_search_txtP | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection |
| title_full | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection Nancy K. Baym |
| title_fullStr | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection Nancy K. Baym |
| title_full_unstemmed | Playing to the Crowd Musicians, Audiences, and the Intimate Work of Connection Nancy K. Baym |
| title_short | Playing to the Crowd |
| title_sort | playing to the crowd musicians audiences and the intimate work of connection |
| title_sub | Musicians, Audiences, and the Intimate Work of Connection |
| topic | BUSINESS & ECONOMICS / Industries / Media & Communications bisacsh Music Performance Psychological aspects Popular music fans Popular music Social aspects Publikumsforschung (DE-588)4310038-7 gnd Fan (DE-588)4131020-2 gnd Neue Medien (DE-588)4196910-8 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | BUSINESS & ECONOMICS / Industries / Media & Communications Music Performance Psychological aspects Popular music fans Popular music Social aspects Publikumsforschung Fan Neue Medien Popmusik |
| url | https://www.degruyter.com/isbn/9781479815357 |
| work_keys_str_mv | AT baymnancyk playingtothecrowdmusiciansaudiencesandtheintimateworkofconnection |