The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition
Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) |
| Beschreibung: | 1 online resource 20 halftones. 22 line illus. 5 tables |
| ISBN: | 9780691213231 |
| DOI: | 10.1515/9780691213231 |
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| 520 | |a Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities | ||
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| author | Currid-Halkett, Elizabeth |
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| index_date | 2024-07-03T14:44:35Z |
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| isbn | 9780691213231 |
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| spelling | Currid-Halkett, Elizabeth Verfasser aut The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition Elizabeth Currid-Halkett Princeton, NJ Princeton University Press [2020] © 2009 1 online resource 20 halftones. 22 line illus. 5 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities In English Adidas;Becker, Howard;Bell, Daniel Bloomberg, Michael Bungalow Cameron, Martina Castells, Manuel Clark, Terry Costa, Francisco Deitch Projects Deitch, Jeffrey Fashion Week Futura 2000 Glaeser, Edward Guertin, Robbie Haring, Keith Hernandez, Lazaro Jacobs, Jane Jones, Quincy Klein, Calvin Manhattan McGinness, Ryan New York Post Piore, Michael Ralph Lauren San Francisco education filmmakers indie music location "ient (LQ) new wave music taxes BUSINESS & ECONOMICS / Urban & Regional bisacsh Cultural industries New York (State) New York Popular culture Economic aspects New York (State) New York https://doi.org/10.1515/9780691213231 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Currid-Halkett, Elizabeth The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition Adidas;Becker, Howard;Bell, Daniel Bloomberg, Michael Bungalow Cameron, Martina Castells, Manuel Clark, Terry Costa, Francisco Deitch Projects Deitch, Jeffrey Fashion Week Futura 2000 Glaeser, Edward Guertin, Robbie Haring, Keith Hernandez, Lazaro Jacobs, Jane Jones, Quincy Klein, Calvin Manhattan McGinness, Ryan New York Post Piore, Michael Ralph Lauren San Francisco education filmmakers indie music location "ient (LQ) new wave music taxes BUSINESS & ECONOMICS / Urban & Regional bisacsh Cultural industries New York (State) New York Popular culture Economic aspects New York (State) New York |
| title | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition |
| title_auth | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition |
| title_exact_search | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition |
| title_exact_search_txtP | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition |
| title_full | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition Elizabeth Currid-Halkett |
| title_fullStr | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition Elizabeth Currid-Halkett |
| title_full_unstemmed | The Warhol Economy How Fashion, Art, and Music Drive New York City - New Edition Elizabeth Currid-Halkett |
| title_short | The Warhol Economy |
| title_sort | the warhol economy how fashion art and music drive new york city new edition |
| title_sub | How Fashion, Art, and Music Drive New York City - New Edition |
| topic | Adidas;Becker, Howard;Bell, Daniel Bloomberg, Michael Bungalow Cameron, Martina Castells, Manuel Clark, Terry Costa, Francisco Deitch Projects Deitch, Jeffrey Fashion Week Futura 2000 Glaeser, Edward Guertin, Robbie Haring, Keith Hernandez, Lazaro Jacobs, Jane Jones, Quincy Klein, Calvin Manhattan McGinness, Ryan New York Post Piore, Michael Ralph Lauren San Francisco education filmmakers indie music location "ient (LQ) new wave music taxes BUSINESS & ECONOMICS / Urban & Regional bisacsh Cultural industries New York (State) New York Popular culture Economic aspects New York (State) New York |
| topic_facet | Adidas;Becker, Howard;Bell, Daniel Bloomberg, Michael Bungalow Cameron, Martina Castells, Manuel Clark, Terry Costa, Francisco Deitch Projects Deitch, Jeffrey Fashion Week Futura 2000 Glaeser, Edward Guertin, Robbie Haring, Keith Hernandez, Lazaro Jacobs, Jane Jones, Quincy Klein, Calvin Manhattan McGinness, Ryan New York Post Piore, Michael Ralph Lauren San Francisco education filmmakers indie music location "ient (LQ) new wave music taxes BUSINESS & ECONOMICS / Urban & Regional Cultural industries New York (State) New York Popular culture Economic aspects New York (State) New York |
| url | https://doi.org/10.1515/9780691213231 |
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