Kick it: a social history of the drum kit
The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dy...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit0and drummers helped change modern music-and society as a whole-from the bottom up. |
| Beschreibung: | Notes and references pages 321-366 |
| Beschreibung: | x, 371 Seiten Illustrationen, Portraits (schwarz-weiß) 24 cm |
| ISBN: | 9780190683870 9780190683863 |
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| 520 | 3 | |a The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit0and drummers helped change modern music-and society as a whole-from the bottom up. | |
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Datensatz im Suchindex
| _version_ | 1804181525422407680 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS
IX
INTRODUCTION
1
1.
CLEVER
DRUMMERS,
PRIMITIVISM, ENTREPRENEURIALISM,
AND
THE
INVENTION
OF
THE TRAP
DRUMMER S
OUTFIT
9
THE
TRANSATLANTIC
SLAVE
TRADE
12
THE
SNARE
DRUM, BASS
DRUM,
AND
CYMBALS COME
TOGETHER
16
THE
BIRTH
OF
HIGHBROW
AND
LOWBROW
MUSIC
20
BEING
A
DRUMMER
IN
NINETEENTH-CENTURY
AMERICA
24
TINKERERS,
INVENTORS,
AND
ENTREPRENEURS
30
THE
TRAP
DRUMMER S
OUTFIT 44
CONCLUSION
50
2.
NOISY
DRUMMERS,
RAGTIME,
JAZZ,
AND
THE
AVANT-GARDE
55
RAGGED
TIME
58
INSTRUMENTS
OF A
LOWER
ORDER 66
TRAP
DRUMMERS,
SOUND
EFFECTS,
AND
MOVING
PICTURES
69
NOISY
WOMEN,
IMMIGRANT
CULTURES, AND
TIN
PAN
ALLEY
74
THE
BIRTH
OF
JAZZ
82
QUIET
IN
THE
STUDIO!
93
DRUMS
AND
NOISE
CONQUER
THE
CLASSICAL
WORLD 97
3.
STUDIOUS
DRUMMERS,
SELLING
DRUM
OUTFITS,
STANDARDIZATION,
AND
STARDOM
105
FAKERS
VERSUS
READERS
107
SELLING
THE
DRUM
OUTFIT
113
THE
DRUM
OUTFIT
TRAVELS
THE
WORLD
121
CYMBAL
MAKING AND
THE
INVENTION
OF
THE
HI-HAT
129
SWING
BANDS
AND STAR
DRUMMERS
134
SLINGERLAND
AND
THE
STANDARDIZATION
OF
THE
DRUM
OUTFIT
144
4.
CREATIVE
DRUMMERS,
ARTISTRY,
VIRTUOSITY,
AND
PLAYING
TIME
153
PRODIGIES
AND SHOWMEN
156
BEBOP
AND
THE
MELODY
OF
THE
DRUM
KIT
165
DRUMMERS
AND
DRUM
MAKERS
IN
DIALOGUE
174
THE
RISE
OF
THE
BACKBEAT
179
THE
DRUM
KIT
IN BRITAIN
AND
THE
BIRTH
OF
BEAT
GROUPS
190
THE
RECRUITMENT OF
RINGO
194
$
B1IOTHEK
T)PIUTADHES
T -IIISERNM
:::
Y
..
VIII
CONTENTS
THEORIZING
CREATIVITY
ON
THE
DRUM KIT
200
5.
WORKING
DRUMMERS,
MUSICAL
LABOUR,
ROLE
PLAYING,
AND AUTHORSHIP
207
THE
JOB
OF A SESSION
DRUMMER
212
THE
JOB
OF A ROCK STAR
DRUMMER
222
THE
GLOBALIZATION OF
DRUM KIT
PRODUCTION
242
CREDIT
WHERE CREDIT
IS
DUE
250
SONG
AUTHORSHIP AND
GETTING PAID
257
6.
INDISPENSABLE
DRUMMERS,
DRUM
MACHINES, AND RECORD
PRODUCTION
265
THE
DRUM KIT
ON RECORD
266
THE
MULTI-TRACK
RECORDING
STUDIO
270
DIASPORIC
DRUMMING
PRACTICES
AND
DANCE
RECORDS
277
RISE
OF
THE
MACHINES
285
FROM
THE
MARGINS
TO THE
CENTRE
OF
THE
MIX
292
AUGMENTING
THE
DRUM KIT
AND
DRUMMING
WITHOUT
DRUMMERS
298
CONCLUSION
313
NOTES
321
REFERENCES
353
INDEX
367
|
| adam_txt |
CONTENTS
ACKNOWLEDGEMENTS
IX
INTRODUCTION
1
1.
CLEVER
DRUMMERS,
PRIMITIVISM, ENTREPRENEURIALISM,
AND
THE
INVENTION
OF
THE TRAP
DRUMMER'S
OUTFIT
9
THE
TRANSATLANTIC
SLAVE
TRADE
12
THE
SNARE
DRUM, BASS
DRUM,
AND
CYMBALS COME
TOGETHER
16
THE
BIRTH
OF
HIGHBROW
AND
LOWBROW
MUSIC
20
BEING
A
DRUMMER
IN
NINETEENTH-CENTURY
AMERICA
24
TINKERERS,
INVENTORS,
AND
ENTREPRENEURS
30
THE
TRAP
DRUMMER'S
OUTFIT 44
CONCLUSION
50
2.
NOISY
DRUMMERS,
RAGTIME,
JAZZ,
AND
THE
AVANT-GARDE
55
RAGGED
TIME
58
INSTRUMENTS
OF A
LOWER
ORDER 66
TRAP
DRUMMERS,
SOUND
EFFECTS,
AND
MOVING
PICTURES
69
NOISY
WOMEN,
IMMIGRANT
CULTURES, AND
TIN
PAN
ALLEY
74
THE
BIRTH
OF
JAZZ
82
QUIET
IN
THE
STUDIO!
93
DRUMS
AND
NOISE
CONQUER
THE
CLASSICAL
WORLD 97
3.
STUDIOUS
DRUMMERS,
SELLING
DRUM
OUTFITS,
STANDARDIZATION,
AND
STARDOM
105
FAKERS
VERSUS
READERS
107
SELLING
THE
DRUM
OUTFIT
113
THE
DRUM
OUTFIT
TRAVELS
THE
WORLD
121
CYMBAL
MAKING AND
THE
INVENTION
OF
THE
HI-HAT
129
SWING
BANDS
AND STAR
DRUMMERS
134
SLINGERLAND
AND
THE
STANDARDIZATION
OF
THE
DRUM
OUTFIT
144
4.
CREATIVE
DRUMMERS,
ARTISTRY,
VIRTUOSITY,
AND
PLAYING
TIME
153
PRODIGIES
AND SHOWMEN
156
BEBOP
AND
THE
MELODY
OF
THE
DRUM
KIT
165
DRUMMERS
AND
DRUM
MAKERS
IN
DIALOGUE
174
THE
RISE
OF
THE
BACKBEAT
179
THE
DRUM
KIT
IN BRITAIN
AND
THE
BIRTH
OF
BEAT
GROUPS
190
THE
RECRUITMENT OF
RINGO
194
$
B1IOTHEK
T)PIUTADHES
T\-IIISERNM
:::
Y
.
VIII
CONTENTS
THEORIZING
CREATIVITY
ON
THE
DRUM KIT
200
5.
WORKING
DRUMMERS,
MUSICAL
LABOUR,
ROLE
PLAYING,
AND AUTHORSHIP
207
THE
JOB
OF A SESSION
DRUMMER
212
THE
JOB
OF A ROCK STAR
DRUMMER
222
THE
GLOBALIZATION OF
DRUM KIT
PRODUCTION
242
CREDIT
WHERE CREDIT
IS
DUE
250
SONG
AUTHORSHIP AND
GETTING PAID
257
6.
INDISPENSABLE
DRUMMERS,
DRUM
MACHINES, AND RECORD
PRODUCTION
265
THE
DRUM KIT
ON RECORD
266
THE
MULTI-TRACK
RECORDING
STUDIO
270
DIASPORIC
DRUMMING
PRACTICES
AND
DANCE
RECORDS
277
RISE
OF
THE
MACHINES
285
FROM
THE
MARGINS
TO THE
CENTRE
OF
THE
MIX
292
AUGMENTING
THE
DRUM KIT
AND
DRUMMING
WITHOUT
DRUMMERS
298
CONCLUSION
313
NOTES
321
REFERENCES
353
INDEX
367 |
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| id | DE-604.BV046760041 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:44:18Z |
| indexdate | 2024-07-10T08:53:02Z |
| institution | BVB |
| isbn | 9780190683870 9780190683863 |
| language | English |
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| spelling | Brennan, Matt 1979- Verfasser (DE-588)1038823382 aut Kick it a social history of the drum kit Matt Brennan New York, NY Oxford University Press [2020] © 2020 x, 371 Seiten Illustrationen, Portraits (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Notes and references pages 321-366 The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit0and drummers helped change modern music-and society as a whole-from the bottom up. Sozialgeschichte gnd rswk-swf Schlagzeug (DE-588)4137284-0 gnd rswk-swf Schlagzeug (DE-588)4137284-0 s Sozialgeschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-008700-5 Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032169595&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brennan, Matt 1979- Kick it a social history of the drum kit Schlagzeug (DE-588)4137284-0 gnd |
| subject_GND | (DE-588)4137284-0 |
| title | Kick it a social history of the drum kit |
| title_auth | Kick it a social history of the drum kit |
| title_exact_search | Kick it a social history of the drum kit |
| title_exact_search_txtP | Kick it a social history of the drum kit |
| title_full | Kick it a social history of the drum kit Matt Brennan |
| title_fullStr | Kick it a social history of the drum kit Matt Brennan |
| title_full_unstemmed | Kick it a social history of the drum kit Matt Brennan |
| title_short | Kick it |
| title_sort | kick it a social history of the drum kit |
| title_sub | a social history of the drum kit |
| topic | Schlagzeug (DE-588)4137284-0 gnd |
| topic_facet | Schlagzeug |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032169595&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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