Nashville cats: record production in Music City
Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945-1975 is the first book to take a global view of record production in Nashville during the three decades that the city's musicians established the city as the leading center...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2020
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| Schriftenreihe: | Oxford scholarship online
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945-1975 is the first book to take a global view of record production in Nashville during the three decades that the city's musicians established the city as the leading center for the production and distribution of country music. This period of country music history produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. Yet, despite country music's overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (352 Seiten) Illustrationen |
| ISBN: | 9780197502846 |
| DOI: | 10.1093/oso/9780197502815.001.0001 |
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Datensatz im Suchindex
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| dewey-ones | 338 - Production |
| dewey-raw | 338.47781642 |
| dewey-search | 338.47781642 |
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| dewey-tens | 330 - Economics |
| discipline | Wirtschaftswissenschaften |
| discipline_str_mv | Wirtschaftswissenschaften |
| doi_str_mv | 10.1093/oso/9780197502815.001.0001 |
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| id | DE-604.BV046750210 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:41:47Z |
| indexdate | 2024-07-10T08:52:47Z |
| institution | BVB |
| isbn | 9780197502846 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032159950 |
| oclc_num | 1164640419 |
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| physical | 1 Online-Ressource (352 Seiten) Illustrationen |
| psigel | ZDB-28-OSM ZDB-1-UMC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford scholarship online |
| spelling | Stimeling, Travis D. 1980- Verfasser (DE-588)1013541464 aut Nashville cats record production in Music City Travis D. Stimeling New York Oxford University Press 2020 1 Online-Ressource (352 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Includes bibliographical references and index Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945-1975 is the first book to take a global view of record production in Nashville during the three decades that the city's musicians established the city as the leading center for the production and distribution of country music. This period of country music history produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. Yet, despite country music's overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Country music / Tennessee / Nashville / History and criticism Country music / Production and direction / Tennessee / Nashville / History / 20th century Sound recording industry / Tennessee / Nashville / History / 20th century Erscheint auch als Druck-Ausgabe 978-0-19750-281-5 https://doi.org/10.1093/oso/9780197502815.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stimeling, Travis D. 1980- Nashville cats record production in Music City Country music / Tennessee / Nashville / History and criticism Country music / Production and direction / Tennessee / Nashville / History / 20th century Sound recording industry / Tennessee / Nashville / History / 20th century |
| title | Nashville cats record production in Music City |
| title_auth | Nashville cats record production in Music City |
| title_exact_search | Nashville cats record production in Music City |
| title_exact_search_txtP | Nashville cats record production in Music City |
| title_full | Nashville cats record production in Music City Travis D. Stimeling |
| title_fullStr | Nashville cats record production in Music City Travis D. Stimeling |
| title_full_unstemmed | Nashville cats record production in Music City Travis D. Stimeling |
| title_short | Nashville cats |
| title_sort | nashville cats record production in music city |
| title_sub | record production in Music City |
| topic | Country music / Tennessee / Nashville / History and criticism Country music / Production and direction / Tennessee / Nashville / History / 20th century Sound recording industry / Tennessee / Nashville / History / 20th century |
| topic_facet | Country music / Tennessee / Nashville / History and criticism Country music / Production and direction / Tennessee / Nashville / History / 20th century Sound recording industry / Tennessee / Nashville / History / 20th century |
| url | https://doi.org/10.1093/oso/9780197502815.001.0001 |
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