Tony Conrad - writings:
"Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibitio...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Brooklyn, NY
Primary Information
2019
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Summary: | "Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them"--Publisher's website |
| Physical Description: | 576 Seiten 19 cm |
| ISBN: | 9780991558513 0991558510 |
Staff View
MARC
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| 520 | 3 | |a "Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them"--Publisher's website | |
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Record in the Search Index
| _version_ | 1811019697737433088 |
|---|---|
| adam_text |
10 INTRODUCTION ,, ; . : *.*;*--. .-;V
BY CONSTANCE DEJONG AND ANDREW LAMPERT
WORDS DO NOT HAVE POWER, THEY HAVE AUTHORITY. WHEN WORDS INDUCE
EXPECTATIONAL PROCESSES IN US, THEY ARE LINKING US TO POWER STRUCTURES.
("DOLOMITE: HAVING NO TRUST IN READERS") ***.,** * , *
16 ANTIDEFINITIONALISM,T1983 : : ; '
:
34 THEORY-THE PEOPLE'S FOE, 1987
42 NETWORK SOCIETY AND PERSONAL PLURALISM, 1987
48 DOLOMITE: HAVING NO TRUST IN READERS, 1988
56 : ARTISANSHIP AND PSYCHEDELIA, 2010
64
:
MORE ON BEAUTY, DATE UNKNOWN :.R:
FINDING THAT THE THING ONE MOST DESPISED BECAME REVALUED AS THE MOST
CHERISHED, THAT THE THING LEAST UNDERSTOOD BECAME TRANSPARENT, THAT THE
THING MOST EASILY ENJOYED BECAME REVEALED AS MAUDLIN, THAT THE THING
MOST FERVENTLY BELIEVED WAS UPENDED*THESE WERE THE MOST EXHILARATING
MOMENTS THAT CULTURAL ENGAGEMENTS COULD PROVIDE. ("AFTER PROGRESS")
90 TONY CONRAD ON THE'FLICKER, 1965 -
98 MIDSUMMER, 1967 , : ,;
104 ON 60 CYCLES, 1972 V ***-.:*. .
108 SOME PRODUCTION NOTES ON LOOSE CONNECTION AS A
DEFINITIONAL EXTENSION OF DOCUMENTARY FILM, 1973
120 ARTISTIC EXTENSIONS OF THE FILMIC IMAGE, 1974
CONTENTS
136 ARTICULATION OF BOOLEAN ALGEBRA FOR ,
;
FILM OPTICALS,1975 I
148 NON-LINGUISTIC EXTENSIONS OF FILM AND VIDEO, 1976
160 A FEW REMARKS BEFORE I BEGIN, 1977 ''*,.
178 AT LAST REAL MOVIES: SUPER 8 CINEMA FROM
NEW YORK, 1980
190 THE LONGEST WAVE, 1986
194 CAPPING NOSTALGIA, 1992
200 PEOPLE WILL COME IF THE PICTURES MOVE:
NEW OPPORTUNITIES IN VIDEO INSTALLATION ART, 1997
212 WHO WILL GIVE ANSWER TO THE CALL OF MY VOICE?
SOUND IN THE WORK OF TONY OURSLER, 2001
230 PREPARING FOR THE PROPAGANDA WAR IN THE TIME OF
GLOBAL CULTURE: TRANCE, FORM, AND PERSUASION IN THE
RENOVATION OF WESTERN MUSIC (SELECTION), 2004
246 IS THIS PENNY ANTE OR A HIGH STAKES GAME?, 2004
258 AFTER PROGRESS, 2006
274 YELLOW MOVIES, 2006 V
278 : HOW PAINTINGS WORK, 2010 *
286 MEDIA STUDY: TONY CONRAD, 2012
290 RECTILINEARITY AND PERSPECTIVE (SELECTION),
- DATE UNKNOWN * :
292 THESES ON ART (SELECTION), DATE UNKNOWN
HETEROPHONY IS THE SOUND OF RADICAL DEMOCRACY.HETEROPHONY IS DOING,
WHERE HOMOPHONIC PERFORMANCE IS ALWAYS JUST TRYING. HOMOPHONY IS
REPRESSIVE POLITICALLY. ("SACRED HARP HETEROPHONY")
298 LETTER TO PETER. YATES, 1965
302 INSIDE THE DREAM SYNDICATE, 1965
312 MUSIC AND THE MIND OF THE WORLD, 1984
320 SLAPPING PYTHAGORAS, .1995
338 NAMING: APRIL, MAY, JUNE, 1997
350 LYSSOPHOBIA: ON FOUR VIOLINS, 1997 ,
370 MINORPREMISE, 1997 *
384 SMSIGYLLIS, 1997 .
396 ' SACRED HARP HETEROPHONY, 2003
402 MUSICAL HETEROLOGY, 2009
412 POEMS, DATE UNKNOWN
420 MINIMALISM, DATE UNKNOWN
CONTENTS
POSTMODERN OPPOSITIONALITY MUST BE RELATIONAL; IT MUST BE ROOTED IN A
RECIPROCITY OF METANARRATIVE AND LIFE EXPERIENCE. ("VIDEO AS OPPOSITION:
REMODELING POSTMODERN MEDIA")
426 TUNE UP OR BLOW OUT, DIP STICK, 1987
430 VIDEO AS OPPOSITION: REMODELING POSTMODERN
:
"
. MEDIA, 1989
448 BUFFALO ARTISTS AGAINST REPRESSION AND -:
CENSORSHIP, 1990 ;
454 THE OUTRAGEOUS PUBLIC ACCESS MESS: FOUNDING -
THE FIRST AMENDMENT NETWORK FOR PUBLIC ACCESS
TELEVISION, 1990 '
464 CENSORSHIP NOSTALGIA: THE ARTPARK BUST,
A SEASON LATER, 1991 * . ';.;**' '
474 LESSONS FOR LOCALISM, 1991 '-"***'
484 PROCESS COMMUNICATIONS AND THE CONSTRUCTION OF
ADVOCACY, 2004
496 CAMOUFLAGE, DATE UNKNOWN
502 CONTESTATION AND POLITICAL FORMS OF EXPRESSION
AMONG ARTISTS, 2008 . ' \ *
L
' **-
CONTENTS
THIS COLONIZATION OF SUBJECTIVITY BY SCIENTIFIC RATIONALISM INFECTED
THINKING
WITHIN THE ARTS, FIRST THROUGH THE POINTILLIST PAINTERS AND THEN MORE
BROADLY IN THE TWENTIETH CENTURY, AS TECHNOLOGY PROVIDED INCREASINGLY
ACCURATE CONTROL OVER THE TEMPORAL AND PERCEPTUAL PARAMETERS.
("ON DURATION") ' .
;
-**''*
;
; .
514 WHAT INTUITIONS ARE REVEALED BY A CHOICE TO
REGARD TIME AS NON-LINEAR?, 1983
524 ON DURATION, 2004 ;;
534 HOW IS THE INTERNET CHANGING THEWAY YOU THINK?,
DATE UNKNOWN ^ : - : *,/
542 THE CONSTRUCTION OF NOW, DATE UNKNOWN
:
546 NEXTNESS, DATE UNKNOWN
550 NOWNESS AND LANGUAGE, DATE UNKNOWN ;
* I WRITE WHAT COMES TO MIND. WE ALL DO. ("A FEW REMARKS BEFORE I
BEGIN")
556 WORD PIECES (SELECTION), 1961.
560 FOR TABEA, 2005
568 WORRY 2, DATE UNKNOWN
572 BIBLIOGRAPHY: WRITINGS OF TONY CONRAD |
| adam_txt |
10 INTRODUCTION ,, ; . : *.*;*--. .-;V
BY CONSTANCE DEJONG AND ANDREW LAMPERT
WORDS DO NOT HAVE POWER, THEY HAVE AUTHORITY. WHEN WORDS INDUCE
EXPECTATIONAL PROCESSES IN US, THEY ARE LINKING US TO POWER STRUCTURES.
("DOLOMITE: HAVING NO TRUST IN READERS") ***.,** * , *
16 ANTIDEFINITIONALISM,T1983 : : ; '
:
34 THEORY-THE PEOPLE'S FOE, 1987
42 NETWORK SOCIETY AND PERSONAL PLURALISM, 1987
48 DOLOMITE: HAVING NO TRUST IN READERS, 1988
56 : ARTISANSHIP AND PSYCHEDELIA, 2010
64
:
MORE ON BEAUTY, DATE UNKNOWN :.R:
FINDING THAT THE THING ONE MOST DESPISED BECAME REVALUED AS THE MOST
CHERISHED, THAT THE THING LEAST UNDERSTOOD BECAME TRANSPARENT, THAT THE
THING MOST EASILY ENJOYED BECAME REVEALED AS MAUDLIN, THAT THE THING
MOST FERVENTLY BELIEVED WAS UPENDED*THESE WERE THE MOST EXHILARATING
MOMENTS THAT CULTURAL ENGAGEMENTS COULD PROVIDE. ("AFTER PROGRESS")
90 TONY CONRAD ON THE'FLICKER, 1965 -
98 MIDSUMMER, 1967 , : ,;
104 ON 60 CYCLES, 1972 V ***-.:*. .
108 SOME PRODUCTION NOTES ON LOOSE CONNECTION AS A
DEFINITIONAL EXTENSION OF DOCUMENTARY FILM, 1973
120 ARTISTIC EXTENSIONS OF THE FILMIC IMAGE, 1974
CONTENTS
136 ARTICULATION OF BOOLEAN ALGEBRA FOR ,
;
FILM OPTICALS,1975 I
148 NON-LINGUISTIC EXTENSIONS OF FILM AND VIDEO, 1976
160 A FEW REMARKS BEFORE I BEGIN, 1977 ''*,.
178 AT LAST REAL MOVIES: SUPER 8 CINEMA FROM
NEW YORK, 1980
190 THE LONGEST WAVE, 1986
194 CAPPING NOSTALGIA, 1992
200 PEOPLE WILL COME IF THE PICTURES MOVE:
NEW OPPORTUNITIES IN VIDEO INSTALLATION ART, 1997
212 WHO WILL GIVE ANSWER TO THE CALL OF MY VOICE?
SOUND IN THE WORK OF TONY OURSLER, 2001
230 PREPARING FOR THE PROPAGANDA WAR IN THE TIME OF
GLOBAL CULTURE: TRANCE, FORM, AND PERSUASION IN THE
RENOVATION OF WESTERN MUSIC (SELECTION), 2004
246 IS THIS PENNY ANTE OR A HIGH STAKES GAME?, 2004
258 AFTER PROGRESS, 2006
274 YELLOW MOVIES, 2006 V
278 : HOW PAINTINGS WORK, 2010 *
286 MEDIA STUDY: TONY CONRAD, 2012
290 RECTILINEARITY AND PERSPECTIVE (SELECTION),
- DATE UNKNOWN * :
292 THESES ON ART (SELECTION), DATE UNKNOWN
HETEROPHONY IS THE SOUND OF RADICAL DEMOCRACY.HETEROPHONY IS DOING,
WHERE HOMOPHONIC PERFORMANCE IS ALWAYS JUST TRYING. HOMOPHONY IS
REPRESSIVE POLITICALLY. ("SACRED HARP HETEROPHONY")
298 LETTER TO PETER. YATES, 1965
302 INSIDE THE DREAM SYNDICATE, 1965
312 MUSIC AND THE MIND OF THE WORLD, 1984
320 SLAPPING PYTHAGORAS, .1995
338 NAMING: APRIL, MAY, JUNE, 1997
350 LYSSOPHOBIA: ON FOUR VIOLINS, 1997 ,
370 MINORPREMISE, 1997 *
384 SMSIGYLLIS, 1997 .
396 ' SACRED HARP HETEROPHONY, 2003
402 MUSICAL HETEROLOGY, 2009
412 POEMS, DATE UNKNOWN
420 MINIMALISM, DATE UNKNOWN
CONTENTS
POSTMODERN OPPOSITIONALITY MUST BE RELATIONAL; IT MUST BE ROOTED IN A
RECIPROCITY OF METANARRATIVE AND LIFE EXPERIENCE. ("VIDEO AS OPPOSITION:
REMODELING POSTMODERN MEDIA")
426 TUNE UP OR BLOW OUT, DIP STICK, 1987
430 VIDEO AS OPPOSITION: REMODELING POSTMODERN
:
"
. MEDIA, 1989
448 BUFFALO ARTISTS AGAINST REPRESSION AND -:
CENSORSHIP, 1990 ;
454 THE OUTRAGEOUS PUBLIC ACCESS MESS: FOUNDING -
THE FIRST AMENDMENT NETWORK FOR PUBLIC ACCESS
TELEVISION, 1990 '
464 CENSORSHIP NOSTALGIA: THE ARTPARK BUST,
A SEASON LATER, 1991 * . ';.;**' '
474 LESSONS FOR LOCALISM, 1991 '-"***'
484 PROCESS COMMUNICATIONS AND THE CONSTRUCTION OF
ADVOCACY, 2004
496 CAMOUFLAGE, DATE UNKNOWN
502 CONTESTATION AND POLITICAL FORMS OF EXPRESSION
AMONG ARTISTS, 2008 . ' \ *
L
' **-
CONTENTS
THIS COLONIZATION OF SUBJECTIVITY BY SCIENTIFIC RATIONALISM INFECTED
THINKING
WITHIN THE ARTS, FIRST THROUGH THE POINTILLIST PAINTERS AND THEN MORE
BROADLY IN THE TWENTIETH CENTURY, AS TECHNOLOGY PROVIDED INCREASINGLY
ACCURATE CONTROL OVER THE TEMPORAL AND PERCEPTUAL PARAMETERS.
("ON DURATION") ' .
;
-**''*
;
; .
514 WHAT INTUITIONS ARE REVEALED BY A CHOICE TO
REGARD TIME AS NON-LINEAR?, 1983
524 ON DURATION, 2004 ;;
534 HOW IS THE INTERNET CHANGING THEWAY YOU THINK?,
DATE UNKNOWN ^ : - : *,/
542 THE CONSTRUCTION OF NOW, DATE UNKNOWN
:
546 NEXTNESS, DATE UNKNOWN
550 NOWNESS AND LANGUAGE, DATE UNKNOWN ;
* I WRITE WHAT COMES TO MIND. WE ALL DO. ("A FEW REMARKS BEFORE I
BEGIN")
556 WORD PIECES (SELECTION), 1961.
560 FOR TABEA, 2005
568 WORRY 2, DATE UNKNOWN
572 BIBLIOGRAPHY: WRITINGS OF TONY CONRAD |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Conrad, Tony 1940-2016 |
| author2 | DeJong, Constance 1950- Lampert, Andrew |
| author2_role | edt edt |
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| author_GND | (DE-588)135652383 (DE-588)129119083 (DE-588)1093433280 |
| author_facet | Conrad, Tony 1940-2016 DeJong, Constance 1950- Lampert, Andrew |
| author_role | aut |
| author_sort | Conrad, Tony 1940-2016 |
| author_variant | t c tc |
| building | Verbundindex |
| bvnumber | BV046717334 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6537 |
| callnumber-raw | N6537.C6543 |
| callnumber-search | N6537.C6543 |
| callnumber-sort | N 46537 C6543 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1164620650 (DE-599)KXP1689835397 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1965-2012 gnd |
| era_facet | Geschichte 1965-2012 |
| format | Book |
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No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046717334 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:32:31Z |
| indexdate | 2024-09-23T20:22:51Z |
| institution | BVB |
| isbn | 9780991558513 0991558510 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032127625 |
| oclc_num | 1164620650 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 576 Seiten 19 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Primary Information |
| record_format | marc |
| spelling | Conrad, Tony 1940-2016 Verfasser (DE-588)135652383 aut Tony Conrad - writings edited by Constance DeJong and Andrew Lampert Writings Brooklyn, NY Primary Information 2019 576 Seiten 19 cm txt rdacontent n rdamedia nc rdacarrier "Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them"--Publisher's website Conrad, Tony 1940-2016 (DE-588)135652383 gnd rswk-swf Geschichte 1965-2012 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Conrad, Tony 1940-2016 (DE-588)135652383 p Geschichte 1965-2012 z Kunstkritik (DE-588)4033659-1 s DE-604 DeJong, Constance 1950- (DE-588)129119083 edt Lampert, Andrew (DE-588)1093433280 edt V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1689835397inh.htm Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032127625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Conrad, Tony 1940-2016 Tony Conrad - writings Conrad, Tony 1940-2016 (DE-588)135652383 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)135652383 (DE-588)4033659-1 (DE-588)4143413-4 |
| title | Tony Conrad - writings |
| title_alt | Writings |
| title_auth | Tony Conrad - writings |
| title_exact_search | Tony Conrad - writings |
| title_exact_search_txtP | Tony Conrad - writings |
| title_full | Tony Conrad - writings edited by Constance DeJong and Andrew Lampert |
| title_fullStr | Tony Conrad - writings edited by Constance DeJong and Andrew Lampert |
| title_full_unstemmed | Tony Conrad - writings edited by Constance DeJong and Andrew Lampert |
| title_short | Tony Conrad - writings |
| title_sort | tony conrad writings |
| topic | Conrad, Tony 1940-2016 (DE-588)135652383 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Conrad, Tony 1940-2016 Kunstkritik Aufsatzsammlung |
| url | http://swbplus.bsz-bw.de/bsz1689835397inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032127625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT conradtony tonyconradwritings AT dejongconstance tonyconradwritings AT lampertandrew tonyconradwritings AT conradtony writings AT dejongconstance writings AT lampertandrew writings |
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