Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean Comedy
Challenging the idea that one can apply postmodern theory or psychoanalysis to Shakespearean comedy, Barbara Freedman explores how all three share the common function of interrogating and subverting traditional models of knowing.In this original, provocative book, Freedman defines theatricality as a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | Challenging the idea that one can apply postmodern theory or psychoanalysis to Shakespearean comedy, Barbara Freedman explores how all three share the common function of interrogating and subverting traditional models of knowing.In this original, provocative book, Freedman defines theatricality as an interactive trap or strategic decentering that breaks down distinctions between observer and observed. She first grounds her interpretation of the theatrical gaze historically in the context of the humanistic tradition of right spectatorship and the Renaissance countertradition of trick perspectives; she then traces the use of the gaze from its roots in Renaissance optics and strategies of learned ignorance through Freud, Merleau-Ponty, and Lacan, to recent appropriations of Lacanian thought by feminism, deconstruction, cultural materialism, and film theory. In chapters on The Comedy of Errors, The Taming of the Shrew, A Midsummer Night's Dream, and Twelfth Night, Freedman shows how critical reception of the comedies repeats their games with error and distortion, denial and projection, optical politics and gender ideology. Her readings illuminate the counteraccusations of competing critical theories, and suggest that the comedies may serve as a means for rethinking the nature of spectatorship in contemporary theater and film.Staging the Gaze will be essential reading for Shakespeare scholars, for students of Renaissance literature, and for others interested in the controversies surrounding postmodern theory |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Mai 2020) |
| Beschreibung: | 1 online resource (264 pages) 12 halftones |
| ISBN: | 9781501735325 |
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| 520 | |a Challenging the idea that one can apply postmodern theory or psychoanalysis to Shakespearean comedy, Barbara Freedman explores how all three share the common function of interrogating and subverting traditional models of knowing.In this original, provocative book, Freedman defines theatricality as an interactive trap or strategic decentering that breaks down distinctions between observer and observed. She first grounds her interpretation of the theatrical gaze historically in the context of the humanistic tradition of right spectatorship and the Renaissance countertradition of trick perspectives; she then traces the use of the gaze from its roots in Renaissance optics and strategies of learned ignorance through Freud, Merleau-Ponty, and Lacan, to recent appropriations of Lacanian thought by feminism, deconstruction, cultural materialism, and film theory. In chapters on The Comedy of Errors, The Taming of the Shrew, A Midsummer Night's Dream, and Twelfth Night, Freedman shows how critical reception of the comedies repeats their games with error and distortion, denial and projection, optical politics and gender ideology. Her readings illuminate the counteraccusations of competing critical theories, and suggest that the comedies may serve as a means for rethinking the nature of spectatorship in contemporary theater and film.Staging the Gaze will be essential reading for Shakespeare scholars, for students of Renaissance literature, and for others interested in the controversies surrounding postmodern theory | ||
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| spelling | Freedman, Barbara Verfasser aut Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy Barbara Freedman Ithaca, NY Cornell University Press [2019] © 1991 1 online resource (264 pages) 12 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Mai 2020) Challenging the idea that one can apply postmodern theory or psychoanalysis to Shakespearean comedy, Barbara Freedman explores how all three share the common function of interrogating and subverting traditional models of knowing.In this original, provocative book, Freedman defines theatricality as an interactive trap or strategic decentering that breaks down distinctions between observer and observed. She first grounds her interpretation of the theatrical gaze historically in the context of the humanistic tradition of right spectatorship and the Renaissance countertradition of trick perspectives; she then traces the use of the gaze from its roots in Renaissance optics and strategies of learned ignorance through Freud, Merleau-Ponty, and Lacan, to recent appropriations of Lacanian thought by feminism, deconstruction, cultural materialism, and film theory. In chapters on The Comedy of Errors, The Taming of the Shrew, A Midsummer Night's Dream, and Twelfth Night, Freedman shows how critical reception of the comedies repeats their games with error and distortion, denial and projection, optical politics and gender ideology. Her readings illuminate the counteraccusations of competing critical theories, and suggest that the comedies may serve as a means for rethinking the nature of spectatorship in contemporary theater and film.Staging the Gaze will be essential reading for Shakespeare scholars, for students of Renaissance literature, and for others interested in the controversies surrounding postmodern theory In English Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf LITERARY CRITICISM / Shakespeare bisacsh Komödie (DE-588)4031952-0 gnd rswk-swf Tiefenpsychologie (DE-588)4060055-5 gnd rswk-swf Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Komödie (DE-588)4031952-0 s Tiefenpsychologie (DE-588)4060055-5 s 1\p DE-604 Psychoanalyse (DE-588)4047689-3 s 2\p DE-604 Erscheint auch als Druck-Ausgabe 0-8014-2279-5 https://www.degruyter.com/isbn/9781501735325 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Freedman, Barbara Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh Komödie (DE-588)4031952-0 gnd Tiefenpsychologie (DE-588)4060055-5 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4031952-0 (DE-588)4060055-5 (DE-588)4047689-3 |
| title | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy |
| title_auth | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy |
| title_exact_search | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy |
| title_exact_search_txtP | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy |
| title_full | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy Barbara Freedman |
| title_fullStr | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy Barbara Freedman |
| title_full_unstemmed | Staging the Gaze Postmodernism, Psychoanalysis, and Shakespearean Comedy Barbara Freedman |
| title_short | Staging the Gaze |
| title_sort | staging the gaze postmodernism psychoanalysis and shakespearean comedy |
| title_sub | Postmodernism, Psychoanalysis, and Shakespearean Comedy |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh Komödie (DE-588)4031952-0 gnd Tiefenpsychologie (DE-588)4060055-5 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| topic_facet | Shakespeare, William 1564-1616 LITERARY CRITICISM / Shakespeare Komödie Tiefenpsychologie Psychoanalyse |
| url | https://www.degruyter.com/isbn/9781501735325 |
| work_keys_str_mv | AT freedmanbarbara stagingthegazepostmodernismpsychoanalysisandshakespeareancomedy |