Voicing the cinema: film music and the integrated soundtrack
"Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana
University of Illinois Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"-- |
| Beschreibung: | 309 Seiten Illustrationen 24 cm |
| ISBN: | 9780252084867 9780252043000 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046703482 | ||
| 003 | DE-604 | ||
| 005 | 20200716 | ||
| 007 | t | ||
| 008 | 200505s2020 a||| b||| 10||| eng d | ||
| 020 | |a 9780252084867 |c pbk |9 978-0-252-08486-7 | ||
| 020 | |a 9780252043000 |c hbk. |9 978-02-520-4300-0 | ||
| 035 | |a (OCoLC)1164616876 | ||
| 035 | |a (DE-599)BVBBV046703482 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 |a DE-Po75 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 53509 |0 (DE-625)109546: |2 rvk | ||
| 245 | 1 | 0 | |a Voicing the cinema |b film music and the integrated soundtrack |c edited by James Buhler and Hannah Lewis |
| 264 | 1 | |a Urbana |b University of Illinois Press |c [2020] | |
| 300 | |a 309 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler | |
| 520 | 3 | |a "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"-- | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Motion picture music / History and criticism | |
| 653 | 0 | |a Film soundtracks | |
| 653 | 0 | |a Voice in motion pictures | |
| 653 | 0 | |a Film soundtracks | |
| 653 | 0 | |a Motion picture music | |
| 653 | 0 | |a Voice in motion pictures | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |x University of Texas |y 2016 |z Austin, Tex. |2 gnd-content | |
| 689 | 0 | 0 | |a Filmmusik |0 (DE-588)4017129-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Buhler, James |d 1964- |0 (DE-588)1024738043 |4 edt | |
| 700 | 1 | |a Lewis, Hannah |d 1985- |0 (DE-588)1149955929 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-252-05186-9 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200629 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032113979 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |g 181 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |g 181 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 181 |
Datensatz im Suchindex
| _version_ | 1804181432384356352 |
|---|---|
| adam_text | Contents Acknowledgments vii Introduction: Voices in, of, and on the Cinema і James Buhler and Hannah Lewis Part One: Historical Approaches to Technology and the Voice і Apprehending Human Voice in the “Silent Cinema” 17 Julie Brown г Silencing and Sounding the Voice in Transition-Era French Cinema 34 Hannah Lewis 3 FM Radio and the New Hollywood Soundtrack 54 Julie Hűbbért 4 Pinewood s Fiddler Fans Goldwyn s Folly: Londons Battle for Postproduction Sound Business 73 Katherine Quanz Part Two: The Practice of the Singing Voice 5 Vococentrism and Sound in Ingmar Bergmans The Magic Flute Marcia J. Citron 91
6 Breaking into Soundtrack in 1980s Teen Films Cari McDonnell 108 7 Girls’ Voices, Boys’ Stories, and Self-Determination in Animated Films since 2012 127 Robynn J. Stilwell Part Three: The “Auteuristic” Voice of the Soundtrack 8 The Trouble with Onscreen Orchestrators: Progeny and Compositional Crisis in the Four Daughters Films 151 Nathan Platte 9 Some Thoughts on Genre, the Vococentric Cinema, and “Stella by Starlight” 171 David Neumeyer 10 Listening to Soundscapes in Kurosawas Dersu Uzala (1975) Brooke McCorkle 11 Peter Weir and the Piano Concerto Erik Heine 207 Part Four: Narrative and Vococentrism 12 Monocentrism, or Soundtracks in Space: Rediscovering Forbidden Planet’s Multi- Speaker Release Eric Dienstfrey 13 Sound and the Comic/Horror Romance Film: Formula, Affect, and Inflection 245 Janet Staiger 14 Once More into the Breach: Interrogating Ben Winters’s Nondiegetic Fallacy Jeff Smith 15 The End(s) ofVococentrism James Buhler Contributors Index 301 297 278 260 229 190
|
| adam_txt |
Contents Acknowledgments vii Introduction: Voices in, of, and on the Cinema і James Buhler and Hannah Lewis Part One: Historical Approaches to Technology and the Voice і Apprehending Human Voice in the “Silent Cinema” 17 Julie Brown г Silencing and Sounding the Voice in Transition-Era French Cinema 34 Hannah Lewis 3 FM Radio and the New Hollywood Soundtrack 54 Julie Hűbbért 4 Pinewood s Fiddler Fans Goldwyn s Folly: Londons Battle for Postproduction Sound Business 73 Katherine Quanz Part Two: The Practice of the Singing Voice 5 Vococentrism and Sound in Ingmar Bergmans The Magic Flute Marcia J. Citron 91
6 Breaking into Soundtrack in 1980s Teen Films Cari McDonnell 108 7 Girls’ Voices, Boys’ Stories, and Self-Determination in Animated Films since 2012 127 Robynn J. Stilwell Part Three: The “Auteuristic” Voice of the Soundtrack 8 The Trouble with Onscreen Orchestrators: Progeny and Compositional Crisis in the Four Daughters Films 151 Nathan Platte 9 Some Thoughts on Genre, the Vococentric Cinema, and “Stella by Starlight” 171 David Neumeyer 10 Listening to Soundscapes in Kurosawas Dersu Uzala (1975) Brooke McCorkle 11 Peter Weir and the Piano Concerto Erik Heine 207 Part Four: Narrative and Vococentrism 12 Monocentrism, or Soundtracks in Space: Rediscovering Forbidden Planet’s Multi- Speaker Release Eric Dienstfrey 13 Sound and the Comic/Horror Romance Film: Formula, Affect, and Inflection 245 Janet Staiger 14 Once More into the Breach: Interrogating Ben Winters’s Nondiegetic Fallacy Jeff Smith 15 The End(s) ofVococentrism James Buhler Contributors Index 301 297 278 260 229 190 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Buhler, James 1964- Lewis, Hannah 1985- |
| author2_role | edt edt |
| author2_variant | j b jb h l hl |
| author_GND | (DE-588)1024738043 (DE-588)1149955929 |
| author_facet | Buhler, James 1964- Lewis, Hannah 1985- |
| building | Verbundindex |
| bvnumber | BV046703482 |
| classification_rvk | LR 53509 |
| contents | Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler |
| ctrlnum | (OCoLC)1164616876 (DE-599)BVBBV046703482 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04927nam a2200541 c 4500</leader><controlfield tag="001">BV046703482</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200716 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200505s2020 a||| b||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252084867</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-252-08486-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252043000</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-02-520-4300-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1164616876</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046703482</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53509</subfield><subfield code="0">(DE-625)109546:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Voicing the cinema</subfield><subfield code="b">film music and the integrated soundtrack</subfield><subfield code="c">edited by James Buhler and Hannah Lewis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana</subfield><subfield code="b">University of Illinois Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">309 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film soundtracks</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Voice in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film soundtracks</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Voice in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="x">University of Texas</subfield><subfield code="y">2016</subfield><subfield code="z">Austin, Tex.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buhler, James</subfield><subfield code="d">1964-</subfield><subfield code="0">(DE-588)1024738043</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lewis, Hannah</subfield><subfield code="d">1985-</subfield><subfield code="0">(DE-588)1149955929</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-252-05186-9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200629</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032113979</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift University of Texas 2016 Austin, Tex. gnd-content |
| genre_facet | Konferenzschrift University of Texas 2016 Austin, Tex. |
| id | DE-604.BV046703482 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:28:59Z |
| indexdate | 2024-07-10T08:51:34Z |
| institution | BVB |
| isbn | 9780252084867 9780252043000 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032113979 |
| oclc_num | 1164616876 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-Po75 |
| owner_facet | DE-12 DE-11 DE-Po75 |
| physical | 309 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20200629 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Illinois Press |
| record_format | marc |
| spelling | Voicing the cinema film music and the integrated soundtrack edited by James Buhler and Hannah Lewis Urbana University of Illinois Press [2020] 309 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"-- Filmmusik (DE-588)4017129-2 gnd rswk-swf Motion picture music / History and criticism Film soundtracks Voice in motion pictures Motion picture music Criticism, interpretation, etc (DE-588)1071861417 Konferenzschrift University of Texas 2016 Austin, Tex. gnd-content Filmmusik (DE-588)4017129-2 s DE-604 Buhler, James 1964- (DE-588)1024738043 edt Lewis, Hannah 1985- (DE-588)1149955929 edt Erscheint auch als Online-Ausgabe 978-0-252-05186-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Voicing the cinema film music and the integrated soundtrack Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)1071861417 |
| title | Voicing the cinema film music and the integrated soundtrack |
| title_auth | Voicing the cinema film music and the integrated soundtrack |
| title_exact_search | Voicing the cinema film music and the integrated soundtrack |
| title_exact_search_txtP | Voicing the cinema film music and the integrated soundtrack |
| title_full | Voicing the cinema film music and the integrated soundtrack edited by James Buhler and Hannah Lewis |
| title_fullStr | Voicing the cinema film music and the integrated soundtrack edited by James Buhler and Hannah Lewis |
| title_full_unstemmed | Voicing the cinema film music and the integrated soundtrack edited by James Buhler and Hannah Lewis |
| title_short | Voicing the cinema |
| title_sort | voicing the cinema film music and the integrated soundtrack |
| title_sub | film music and the integrated soundtrack |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik Konferenzschrift University of Texas 2016 Austin, Tex. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT buhlerjames voicingthecinemafilmmusicandtheintegratedsoundtrack AT lewishannah voicingthecinemafilmmusicandtheintegratedsoundtrack |