Philippe Garrel:
Described by Giles Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship betwe...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Manchester
Manchester University Press
[2020]
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Schriftenreihe: | French film directors series
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Schlagworte: | |
Zusammenfassung: | Described by Giles Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director's influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel's relationship with other members of the so-called 'post-New Wave', including Jean Eustache and Chantal Akerman. The first book on Garrel's cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies |
Beschreibung: | xii, 236 Seiten Illustrationen 21 cm |
ISBN: | 1784991392 9781784991395 |
Internformat
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520 | |a Described by Giles Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director's influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel's relationship with other members of the so-called 'post-New Wave', including Jean Eustache and Chantal Akerman. The first book on Garrel's cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies | ||
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Datensatz im Suchindex
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author | Leonard, Michael |
author_GND | (DE-588)1209163942 |
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building | Verbundindex |
bvnumber | BV046696722 |
classification_rvk | AP 51400 |
ctrlnum | (OCoLC)1232514962 (DE-599)BVBBV046696722 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV046696722 |
illustrated | Illustrated |
index_date | 2024-07-03T14:26:52Z |
indexdate | 2024-07-10T08:51:23Z |
institution | BVB |
isbn | 1784991392 9781784991395 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032107365 |
oclc_num | 1232514962 |
open_access_boolean | |
owner | DE-M472 DE-12 DE-11 |
owner_facet | DE-M472 DE-12 DE-11 |
physical | xii, 236 Seiten Illustrationen 21 cm |
psigel | BSB_NED_20210318 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Manchester University Press |
record_format | marc |
series2 | French film directors series |
spelling | Leonard, Michael Verfasser (DE-588)1209163942 aut Philippe Garrel Michael Leonard Manchester Manchester University Press [2020] xii, 236 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier French film directors series Described by Giles Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director's influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel's relationship with other members of the so-called 'post-New Wave', including Jean Eustache and Chantal Akerman. The first book on Garrel's cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies Garrel, Philippe / Criticism and interpretation Garrel, Philippe fast Garrel, Philippe 1948- (DE-588)122377966 gnd rswk-swf Garrel, Philippe 1948- (DE-588)122377966 p DE-604 Erscheint auch als Online-Ausgabe 978-1-5261-1596-6 |
spellingShingle | Leonard, Michael Philippe Garrel Garrel, Philippe / Criticism and interpretation Garrel, Philippe fast Garrel, Philippe 1948- (DE-588)122377966 gnd |
subject_GND | (DE-588)122377966 |
title | Philippe Garrel |
title_auth | Philippe Garrel |
title_exact_search | Philippe Garrel |
title_exact_search_txtP | Philippe Garrel |
title_full | Philippe Garrel Michael Leonard |
title_fullStr | Philippe Garrel Michael Leonard |
title_full_unstemmed | Philippe Garrel Michael Leonard |
title_short | Philippe Garrel |
title_sort | philippe garrel |
topic | Garrel, Philippe / Criticism and interpretation Garrel, Philippe fast Garrel, Philippe 1948- (DE-588)122377966 gnd |
topic_facet | Garrel, Philippe / Criticism and interpretation Garrel, Philippe Garrel, Philippe 1948- |
work_keys_str_mv | AT leonardmichael philippegarrel |