Curating contemporary music festivals: a new perspective on music's mediation
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bielefeld
transcript
[2020]
|
| Series: | Music and sound culture
volume 47 |
| Subjects: | |
| Online Access: | Volltext Volltext Volltext Inhaltsverzeichnis |
| Item Description: | Erscheint als Open Access bei De Gruyter |
| Physical Description: | 1 Online-Ressource |
| ISBN: | 9783839452431 |
| DOI: | 10.14361/9783839452431 |
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Record in the Search Index
| DE-BY-FWS_katkey | 755944 |
|---|---|
| _version_ | 1824555519670484992 |
| adam_text |
CONTENTS
IMAGE
AND
FIGURE
RIGHTS
.
9
1
INTRODUCTION
.
11
1.1
ESTABLISHING
THE
FIELD
.
11
1.2
THE
STATE
OF
THE
ART
.
15
1.2.1
SCHOLARLY
LITERATURE
.
15
1.2.2
LITERATURE
ON
CURATING
PERFORMANCE
.20
1.3
SCOPE
AND
OVERVIEW
.
23
2
CURATING
.
29
2.1
INTRODUCTION
.
29
2.1.1
THE
SCOPIC
REGIME
OF
THE
CRYSTAL
PALACE
.
34
2.1.2
MODERNIST
EXHIBITION
PRACTICES
AND
THE
COMMODIFICATION
OF
THE
MUSICAL
WORK
AT
WORLD'S
FAIRS
IN
ENGLAND
.
36
2.1.3
THE
INTERNATIONAL
NARRATIVE
OF
THE
FESTIVAL
.
38
2.2
THE
ANATOMY
OF
FESTIVALS
AND
BIENNALES
.
40
2.2.1
FEST/IVAL
.
40
2.2.2
ARTS
FESTIVALS
.
43
2.2.3
GENERAL
CHARACTERISTICS
OF
ARTS
FESTIVALS
.
46
2.3
CURATING
BIENNALES
.
61
2.3.1
DOCUMENTA
V
.
61
2.3.2
DOCUMENTA
11
.
72
2.4
CURATORIAL
DISCOURSE
.
80
2.4.1
HISTORICAL
EMERGENCE
.
81
2.4.2
CURATORIAL
AMBIGUITY
.
84
2.4.3
CURATING
AND
IMMATERIAL
WORK
.
88
2.5
CONCLUSION
.
94
3
PERFORMATIVE
CURATING
AND
EXPERIMENTAL
PERFORMANCE
.97
3.1
INTRODUCTION
.97
3.2
READING
SHANNON
JACKSON
.
98
3.2.1
THEATRICALITY
AS
THE
VIOLATION
OF
MEDIUM-SPECIFICITY
.
99
3.2.2
JACKSON'S
TEN
THESES
.
105
3.3
CURATING
DANCE
/
DANCE
CURATING
.
111
3.3.1
DANCE
IS
HARD
TO
SEE
.
111
3.3.2
DANCE
AND
THE
MUSEUM
.
116
3.4
CURATING
THEATRE
/
THEATRE
CURATING
.
124
3.4.1
DRAMATURGY
VS.
CURATING
.
124
3.4.2
TRUTH
IS
CONCRETE
.
130
3.5
CONCLUSION
.
136
4
MUNICH
BIENNALE
FOR
NEW
MUSIC
THEATER
.
139
4.1
INTRODUCTION
.
139
4.2
HANS
WERNER
HENZE
.
141
4.2.1
HENZE'S
COMPOSITIONAL
PRACTICE
.
141
4.2.2
HENZE'S
BIENNALES
.
142
4.3
MUSIC
THEATRE?
.
145
4.4
PETER
RUZICKA
.
148
4.4.1
RUZICKA'S
CAREER
.
148
4.4.2
TWO
FRAGMENTS
.
149
4.4.3
RUZICKA'S
BIENNALES
.
154
4.5
DANIEL
OTT
AND
MANOS
TSANGARIS
(DOMTS)
.
162
4.5.1
MANOS
TSANGARIS
.
163
4.5.2
DANIEL
OTT
.
165
4.5.3
CONCAVE
AND
CONVEX
.
168
4.6
THE
2016
AND
2018
BIENNALE
EDITIONS
.
169
4.6.1
OVERVIEW
.
169
4.6.2
BIENNALE
PLATFORMS
.
173
4.7
COMPOSITIONAL
AND
CURATORIAL
PRACTICES
.
180
4.7.1
MUSICAL
MEANS,
CURATORIAL
ETHOS
.
180
4.7.2
EDUCATION
AND
DISSEMINATION
.
185
4.7.3
THE
BIENNALE
PLATFORMS
AS
A
CHANGE
IN
LABOUR
RELATIONS
.
194
4.7.4
HETEROGENITY
AS
A
META-NARRATIVE
.
199
4.8
THE
MUNICH
BIENNALE
IN
NUMBERS
.
203
4.8.1
AGE
OF
COMMISSIONED
COMPOSERS
AT
THE
BIENNALE
.
204
4.8.2
NUMBER
OF
PRODUCTIONS
AT
THE
BIENNALE
.
206
4.8.3
CONCENTRATION
OF
PRODUCTIONS
AT
THE
BIENNALE
.
208
4.8.4
GENDER
OF
COMMISSIONED
INDIVIDUALS
AT
THE
BIENNALE
.
209
4.8.5
NUMBER
OF
CO-PRODUCERS
OF
BIENNALE
PRODUCTIONS
.
212
4.9
CONCLUSION
.
216
5
MAERZMUSIK:
FESTIVAL
FUR
ZEITFRAGEN
.
219
5.1
INTRODUCTION
.
219
5.2
A
BRIEF
PREHISTORY
TO
THE
MAERZMUSIK
FESTIVAL
.
222
5.2.1
THE
BERLINER
FESTSPIELE
.
222
5.2.2
MUSIK-BIENNALE
BERLIN
.
224
5.2.3
HISTORICAL
TRAUMA
AND
THE
POST-REUNIFICATION
MUSIK-BIENNALE
BERLIN
.
226
5.3
MAERZMUSIK
2002-2014
.
228
5.4
BERNO
ODO
POLZER
.
230
5.4.1
THE
PROGRAMME
IS
NOW
THE
TEXT
.
230
5.4.2
ATTACA
.
234
5.4.3
EXPERIMENTS
WITH
CONCERT
STAGING
.
238
5.4.4
THE
CATALOGUE
AS
THE
LOCUS
OF
DISCOURSE-PRODUCTION
.
242
5.5
2017
OPENING
CONCERT:
JULIUS
EASTMAN
.
247
5.5.1
THE
NORTHWESTERN
UNIVERSITY
CONCERT,
16
JANUARY,
1980
.
247
5.5.2
A
CONCERT,
A
REENACTMENT
.
253
5.6
STORYTELLING
FOR
EARTHLY
SURVIVAL
.
258
5.6.1
STORYTELLING
FOR
EARTHLY
SURVIVAL
PART
3:
COMPOSTING
IS
SO
HOT!
.
265
5.6.2
COMPOSING
THE
EVENING
.
266
5.7
CURATING
AND
THE
MAERZMUSIK
FESTIVAL
.
268
5.7.1
CURATING
CONCERTS
.
268
5.7.2
MAERZMUSIK'S
CURATORIAL
SHIFT
.
270
5.8
DECOLONIZING
TIME
.
273
5.9
CONCLUSION/CODA/KONZERTEMOCHER
.
277
6
CONCLUSION/CURATING
MUSIC
.
281
BIBLIOGRAPHY
.
289
APPENDIX:
LIST
OF
PRODUCTIONS
AT
THE
MUNICH
BIENNALE
FOR
NEW
MUSIC
THEATRE
FROM
1988-2018
.
311 |
| adam_txt |
CONTENTS
IMAGE
AND
FIGURE
RIGHTS
.
9
1
INTRODUCTION
.
11
1.1
ESTABLISHING
THE
FIELD
.
11
1.2
THE
STATE
OF
THE
ART
.
15
1.2.1
SCHOLARLY
LITERATURE
.
15
1.2.2
LITERATURE
ON
CURATING
PERFORMANCE
.20
1.3
SCOPE
AND
OVERVIEW
.
23
2
CURATING
.
29
2.1
INTRODUCTION
.
29
2.1.1
THE
SCOPIC
REGIME
OF
THE
CRYSTAL
PALACE
.
34
2.1.2
MODERNIST
EXHIBITION
PRACTICES
AND
THE
COMMODIFICATION
OF
THE
MUSICAL
WORK
AT
WORLD'S
FAIRS
IN
ENGLAND
.
36
2.1.3
THE
INTERNATIONAL
NARRATIVE
OF
THE
FESTIVAL
.
38
2.2
THE
ANATOMY
OF
FESTIVALS
AND
BIENNALES
.
40
2.2.1
FEST/IVAL
.
40
2.2.2
ARTS
FESTIVALS
.
43
2.2.3
GENERAL
CHARACTERISTICS
OF
ARTS
FESTIVALS
.
46
2.3
CURATING
BIENNALES
.
61
2.3.1
DOCUMENTA
V
.
61
2.3.2
DOCUMENTA
11
.
72
2.4
CURATORIAL
DISCOURSE
.
80
2.4.1
HISTORICAL
EMERGENCE
.
81
2.4.2
CURATORIAL
AMBIGUITY
.
84
2.4.3
CURATING
AND
IMMATERIAL
WORK
.
88
2.5
CONCLUSION
.
94
3
PERFORMATIVE
CURATING
AND
EXPERIMENTAL
PERFORMANCE
.97
3.1
INTRODUCTION
.97
3.2
READING
SHANNON
JACKSON
.
98
3.2.1
THEATRICALITY
AS
THE
VIOLATION
OF
MEDIUM-SPECIFICITY
.
99
3.2.2
JACKSON'S
TEN
THESES
.
105
3.3
CURATING
DANCE
/
DANCE
CURATING
.
111
3.3.1
DANCE
IS
HARD
TO
SEE
.
111
3.3.2
DANCE
AND
THE
MUSEUM
.
116
3.4
CURATING
THEATRE
/
THEATRE
CURATING
.
124
3.4.1
DRAMATURGY
VS.
CURATING
.
124
3.4.2
TRUTH
IS
CONCRETE
.
130
3.5
CONCLUSION
.
136
4
MUNICH
BIENNALE
FOR
NEW
MUSIC
THEATER
.
139
4.1
INTRODUCTION
.
139
4.2
HANS
WERNER
HENZE
.
141
4.2.1
HENZE'S
COMPOSITIONAL
PRACTICE
.
141
4.2.2
HENZE'S
BIENNALES
.
142
4.3
MUSIC
THEATRE?
.
145
4.4
PETER
RUZICKA
.
148
4.4.1
RUZICKA'S
CAREER
.
148
4.4.2
TWO
FRAGMENTS
.
149
4.4.3
RUZICKA'S
BIENNALES
.
154
4.5
DANIEL
OTT
AND
MANOS
TSANGARIS
(DOMTS)
.
162
4.5.1
MANOS
TSANGARIS
.
163
4.5.2
DANIEL
OTT
.
165
4.5.3
CONCAVE
AND
CONVEX
.
168
4.6
THE
2016
AND
2018
BIENNALE
EDITIONS
.
169
4.6.1
OVERVIEW
.
169
4.6.2
BIENNALE
PLATFORMS
.
173
4.7
COMPOSITIONAL
AND
CURATORIAL
PRACTICES
.
180
4.7.1
MUSICAL
MEANS,
CURATORIAL
ETHOS
.
180
4.7.2
EDUCATION
AND
DISSEMINATION
.
185
4.7.3
THE
BIENNALE
PLATFORMS
AS
A
CHANGE
IN
LABOUR
RELATIONS
.
194
4.7.4
HETEROGENITY
AS
A
META-NARRATIVE
.
199
4.8
THE
MUNICH
BIENNALE
IN
NUMBERS
.
203
4.8.1
AGE
OF
COMMISSIONED
COMPOSERS
AT
THE
BIENNALE
.
204
4.8.2
NUMBER
OF
PRODUCTIONS
AT
THE
BIENNALE
.
206
4.8.3
CONCENTRATION
OF
PRODUCTIONS
AT
THE
BIENNALE
.
208
4.8.4
GENDER
OF
COMMISSIONED
INDIVIDUALS
AT
THE
BIENNALE
.
209
4.8.5
NUMBER
OF
CO-PRODUCERS
OF
BIENNALE
PRODUCTIONS
.
212
4.9
CONCLUSION
.
216
5
MAERZMUSIK:
FESTIVAL
FUR
ZEITFRAGEN
.
219
5.1
INTRODUCTION
.
219
5.2
A
BRIEF
PREHISTORY
TO
THE
MAERZMUSIK
FESTIVAL
.
222
5.2.1
THE
BERLINER
FESTSPIELE
.
222
5.2.2
MUSIK-BIENNALE
BERLIN
.
224
5.2.3
HISTORICAL
TRAUMA
AND
THE
POST-REUNIFICATION
MUSIK-BIENNALE
BERLIN
.
226
5.3
MAERZMUSIK
2002-2014
.
228
5.4
BERNO
ODO
POLZER
.
230
5.4.1
THE
PROGRAMME
IS
NOW
THE
TEXT
.
230
5.4.2
ATTACA
.
234
5.4.3
EXPERIMENTS
WITH
CONCERT
STAGING
.
238
5.4.4
THE
CATALOGUE
AS
THE
LOCUS
OF
DISCOURSE-PRODUCTION
.
242
5.5
2017
OPENING
CONCERT:
JULIUS
EASTMAN
.
247
5.5.1
THE
NORTHWESTERN
UNIVERSITY
CONCERT,
16
JANUARY,
1980
.
247
5.5.2
A
CONCERT,
A
REENACTMENT
.
253
5.6
STORYTELLING
FOR
EARTHLY
SURVIVAL
.
258
5.6.1
STORYTELLING
FOR
EARTHLY
SURVIVAL
PART
3:
COMPOSTING
IS
SO
HOT!
.
265
5.6.2
COMPOSING
THE
EVENING
.
266
5.7
CURATING
AND
THE
MAERZMUSIK
FESTIVAL
.
268
5.7.1
CURATING
CONCERTS
.
268
5.7.2
MAERZMUSIK'S
CURATORIAL
SHIFT
.
270
5.8
DECOLONIZING
TIME
.
273
5.9
CONCLUSION/CODA/KONZERTEMOCHER
.
277
6
CONCLUSION/CURATING
MUSIC
.
281
BIBLIOGRAPHY
.
289
APPENDIX:
LIST
OF
PRODUCTIONS
AT
THE
MUNICH
BIENNALE
FOR
NEW
MUSIC
THEATRE
FROM
1988-2018
.
311 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Farnsworth, Brandon 1991- |
| author_GND | (DE-588)1172010064 |
| author_facet | Farnsworth, Brandon 1991- |
| author_role | aut |
| author_sort | Farnsworth, Brandon 1991- |
| author_variant | b f bf |
| building | Verbundindex |
| bvnumber | BV046679353 |
| collection | ZDB-23-DGG ZDB-23-DBV ZDB-23-GOA ZDB-94-OAB ZDB-4-EOAC |
| ctrlnum | (ZDB-94-OAB)DOAB48458 (ZDB-23-DBV)9783839452431 (OCoLC)1197717675 (DE-599)DNB1205212213 |
| discipline | Wirtschaftswissenschaften |
| discipline_str_mv | Wirtschaftswissenschaften |
| doi_str_mv | 10.14361/9783839452431 10.1515/9783839452431 |
| era | Geschichte 1988-2018 gnd |
| era_facet | Geschichte 1988-2018 |
| format | Electronic eBook |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV046679353 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:23:28Z |
| indexdate | 2025-02-20T07:08:57Z |
| institution | BVB |
| isbn | 9783839452431 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032090210 |
| oclc_num | 1197717675 |
| open_access_boolean | 1 |
| owner | DE-B1533 DE-M100 DE-12 DE-634 DE-210 DE-1052 DE-521 DE-1102 DE-1046 DE-1047 DE-1028 DE-Aug4 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-523 DE-11 DE-Re13 DE-BY-UBR DE-M483 DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-150 DE-154 DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-B1533 DE-M100 DE-12 DE-634 DE-210 DE-1052 DE-521 DE-1102 DE-1046 DE-1047 DE-1028 DE-Aug4 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-523 DE-11 DE-Re13 DE-BY-UBR DE-M483 DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-150 DE-154 DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | 1 Online-Ressource |
| psigel | ZDB-23-DGG ZDB-23-DBV ZDB-23-GOA ZDB-94-OAB ZDB-4-EOAC ZDB-23-DBV19 ZDB-23-DBV20 BSB_NED_20201215 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | transcript |
| record_format | marc |
| series | Music and sound culture |
| series2 | Music and sound culture |
| spellingShingle | Farnsworth, Brandon 1991- Curating contemporary music festivals a new perspective on music's mediation Music and sound culture MaerzMusik (DE-588)1223398668 gnd Münchener Biennale (DE-588)1214103-3 gnd Musiktheater (DE-588)4040874-7 gnd Kulturmanagement (DE-588)4309943-9 gnd Neue Musik (DE-588)4428235-7 gnd Musikfestspiel (DE-588)4170821-0 gnd |
| subject_GND | (DE-588)1223398668 (DE-588)1214103-3 (DE-588)4040874-7 (DE-588)4309943-9 (DE-588)4428235-7 (DE-588)4170821-0 (DE-588)4113937-9 |
| title | Curating contemporary music festivals a new perspective on music's mediation |
| title_auth | Curating contemporary music festivals a new perspective on music's mediation |
| title_exact_search | Curating contemporary music festivals a new perspective on music's mediation |
| title_exact_search_txtP | Curating contemporary music festivals a new perspective on music's mediation |
| title_full | Curating contemporary music festivals a new perspective on music's mediation Brandon Farnsworth |
| title_fullStr | Curating contemporary music festivals a new perspective on music's mediation Brandon Farnsworth |
| title_full_unstemmed | Curating contemporary music festivals a new perspective on music's mediation Brandon Farnsworth |
| title_short | Curating contemporary music festivals |
| title_sort | curating contemporary music festivals a new perspective on music s mediation |
| title_sub | a new perspective on music's mediation |
| topic | MaerzMusik (DE-588)1223398668 gnd Münchener Biennale (DE-588)1214103-3 gnd Musiktheater (DE-588)4040874-7 gnd Kulturmanagement (DE-588)4309943-9 gnd Neue Musik (DE-588)4428235-7 gnd Musikfestspiel (DE-588)4170821-0 gnd |
| topic_facet | MaerzMusik Münchener Biennale Musiktheater Kulturmanagement Neue Musik Musikfestspiel Hochschulschrift |
| url | https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=48458 https://doi.org/10.14361/9783839452431 https://doi.org/10.1515/9783839452431 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032090210&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044930611 |
| work_keys_str_mv | AT farnsworthbrandon curatingcontemporarymusicfestivalsanewperspectiveonmusicsmediation |