Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics
In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music-a secular, drum-based tradition-captures the entangled histories of French colonization, movements against it, and the uneasy process of the...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Chicago
University of Chicago Press
[2019]
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Schriftenreihe: | Chicago Studies in Ethnomusicology
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Schlagworte: | |
Online-Zugang: | DE-355 |
Zusammenfassung: | In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music-a secular, drum-based tradition-captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple-and often seemingly contradictory-cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"-expressions of a culture both of and against French coloniality and postcoloniality |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) |
Beschreibung: | 1 online resource (256 pages) 4 halftones, 7 line drawings |
ISBN: | 9780226631806 |
Internformat
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520 | |a In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music-a secular, drum-based tradition-captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple-and often seemingly contradictory-cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"-expressions of a culture both of and against French coloniality and postcoloniality | ||
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Datensatz im Suchindex
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author | Camal, Jerome |
author_GND | (DE-588)1199012823 |
author_facet | Camal, Jerome |
author_role | aut |
author_sort | Camal, Jerome |
author_variant | j c jc |
building | Verbundindex |
bvnumber | BV046678198 |
classification_rvk | LC 87640 LS 48700 |
collection | ZDB-23-DKU |
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dewey-ones | 781 - General principles and musical forms |
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dewey-tens | 780 - Music |
discipline | Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1635-2019 gnd |
era_facet | Geschichte 1635-2019 |
format | Electronic eBook |
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geographic | Guadeloupe (DE-588)4086841-2 gnd |
geographic_facet | Guadeloupe |
id | DE-604.BV046678198 |
illustrated | Not Illustrated |
index_date | 2024-07-03T14:23:08Z |
indexdate | 2025-01-10T17:13:18Z |
institution | BVB |
isbn | 9780226631806 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032089066 |
oclc_num | 1105199830 |
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owner_facet | DE-355 DE-BY-UBR |
physical | 1 online resource (256 pages) 4 halftones, 7 line drawings |
psigel | ZDB-23-DKU |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | University of Chicago Press |
record_format | marc |
series2 | Chicago Studies in Ethnomusicology |
spelling | Camal, Jerome Verfasser (DE-588)1199012823 aut Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics Jérôme Camal Chicago University of Chicago Press [2019] © 2019 1 online resource (256 pages) 4 halftones, 7 line drawings txt rdacontent c rdamedia cr rdacarrier Chicago Studies in Ethnomusicology Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music-a secular, drum-based tradition-captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple-and often seemingly contradictory-cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"-expressions of a culture both of and against French coloniality and postcoloniality In English Geschichte 1635-2019 gnd rswk-swf Glissant Guadeloupe aurality citizenship creolization music nationalism politics postcolonialism sovereignty MUSIC / General bisacsh Popular music Political aspects Guadeloupe Popular music Guadeloupe History and criticism Postcolonialism and music Guadeloupe Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Gwoka (DE-588)7623755-2 gnd rswk-swf Volksmusik (DE-588)4063854-6 gnd rswk-swf Antikolonialismus (DE-588)4142680-0 gnd rswk-swf Guadeloupe (DE-588)4086841-2 gnd rswk-swf Guadeloupe (DE-588)4086841-2 g Antikolonialismus (DE-588)4142680-0 s Gwoka (DE-588)7623755-2 s Postkolonialismus (DE-588)4566658-1 s Volksmusik (DE-588)4063854-6 s Geschichte 1635-2019 z DE-604 Erscheint auch als Druck-Ausgabe 978-0-226-63177-6 |
spellingShingle | Camal, Jerome Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics Glissant Guadeloupe aurality citizenship creolization music nationalism politics postcolonialism sovereignty MUSIC / General bisacsh Popular music Political aspects Guadeloupe Popular music Guadeloupe History and criticism Postcolonialism and music Guadeloupe Postkolonialismus (DE-588)4566658-1 gnd Gwoka (DE-588)7623755-2 gnd Volksmusik (DE-588)4063854-6 gnd Antikolonialismus (DE-588)4142680-0 gnd |
subject_GND | (DE-588)4566658-1 (DE-588)7623755-2 (DE-588)4063854-6 (DE-588)4142680-0 (DE-588)4086841-2 |
title | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics |
title_auth | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics |
title_exact_search | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics |
title_exact_search_txtP | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics |
title_full | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics Jérôme Camal |
title_fullStr | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics Jérôme Camal |
title_full_unstemmed | Creolized Aurality Guadeloupean Gwoka and Postcolonial Politics Jérôme Camal |
title_short | Creolized Aurality |
title_sort | creolized aurality guadeloupean gwoka and postcolonial politics |
title_sub | Guadeloupean Gwoka and Postcolonial Politics |
topic | Glissant Guadeloupe aurality citizenship creolization music nationalism politics postcolonialism sovereignty MUSIC / General bisacsh Popular music Political aspects Guadeloupe Popular music Guadeloupe History and criticism Postcolonialism and music Guadeloupe Postkolonialismus (DE-588)4566658-1 gnd Gwoka (DE-588)7623755-2 gnd Volksmusik (DE-588)4063854-6 gnd Antikolonialismus (DE-588)4142680-0 gnd |
topic_facet | Glissant Guadeloupe aurality citizenship creolization music nationalism politics postcolonialism sovereignty MUSIC / General Popular music Political aspects Guadeloupe Popular music Guadeloupe History and criticism Postcolonialism and music Guadeloupe Postkolonialismus Gwoka Volksmusik Antikolonialismus |
work_keys_str_mv | AT camaljerome creolizedauralityguadeloupeangwokaandpostcolonialpolitics |