Making Music Indigenous: Popular Music in the Peruvian Andes
When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indig...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
[2019]
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| Schriftenreihe: | Chicago Studies in Ethnomusicology
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| Schlagworte: | |
| Online-Zugang: | UBR01 |
| Zusammenfassung: | When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to "sound indigenous." The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru's indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country's past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity-and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) |
| Beschreibung: | 1 online resource (320 pages) 18 halftones |
| ISBN: | 9780226607474 |
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| 520 | |a When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to "sound indigenous." The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru's indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country's past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity-and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music | ||
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Datensatz im Suchindex
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| dewey-sort | 3781.62 109832308529 |
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| discipline | Musikwissenschaft |
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| index_date | 2024-07-03T14:23:08Z |
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| isbn | 9780226607474 |
| language | English |
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| spelling | Tucker, Joshua Verfasser aut Making Music Indigenous Popular Music in the Peruvian Andes Joshua Tucker Chicago University of Chicago Press [2019] © 2019 1 online resource (320 pages) 18 halftones txt rdacontent c rdamedia cr rdacarrier Chicago Studies in Ethnomusicology Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to "sound indigenous." The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru's indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country's past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity-and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music In English Andes Ecology Indigenous Peoples Material Culture Music Musical Instruments Peru MUSIC / General bisacsh Indians of South America Peru Cangallo (Province) Music History and criticism Indians of South America Peru Cangallo (Province) Social life and customs Popular music Peru Cangallo (Province) History and criticism Songs, Quechua Peru Cangallo (Province) History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Anden (DE-588)4001912-3 gnd rswk-swf Peru (DE-588)4045312-1 gnd rswk-swf Peru (DE-588)4045312-1 g Anden (DE-588)4001912-3 g Unterhaltungsmusik (DE-588)4061916-3 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tucker, Joshua Making Music Indigenous Popular Music in the Peruvian Andes Andes Ecology Indigenous Peoples Material Culture Music Musical Instruments Peru MUSIC / General bisacsh Indians of South America Peru Cangallo (Province) Music History and criticism Indians of South America Peru Cangallo (Province) Social life and customs Popular music Peru Cangallo (Province) History and criticism Songs, Quechua Peru Cangallo (Province) History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4001912-3 (DE-588)4045312-1 |
| title | Making Music Indigenous Popular Music in the Peruvian Andes |
| title_auth | Making Music Indigenous Popular Music in the Peruvian Andes |
| title_exact_search | Making Music Indigenous Popular Music in the Peruvian Andes |
| title_exact_search_txtP | Making Music Indigenous Popular Music in the Peruvian Andes |
| title_full | Making Music Indigenous Popular Music in the Peruvian Andes Joshua Tucker |
| title_fullStr | Making Music Indigenous Popular Music in the Peruvian Andes Joshua Tucker |
| title_full_unstemmed | Making Music Indigenous Popular Music in the Peruvian Andes Joshua Tucker |
| title_short | Making Music Indigenous |
| title_sort | making music indigenous popular music in the peruvian andes |
| title_sub | Popular Music in the Peruvian Andes |
| topic | Andes Ecology Indigenous Peoples Material Culture Music Musical Instruments Peru MUSIC / General bisacsh Indians of South America Peru Cangallo (Province) Music History and criticism Indians of South America Peru Cangallo (Province) Social life and customs Popular music Peru Cangallo (Province) History and criticism Songs, Quechua Peru Cangallo (Province) History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Andes Ecology Indigenous Peoples Material Culture Music Musical Instruments Peru MUSIC / General Indians of South America Peru Cangallo (Province) Music History and criticism Indians of South America Peru Cangallo (Province) Social life and customs Popular music Peru Cangallo (Province) History and criticism Songs, Quechua Peru Cangallo (Province) History and criticism Unterhaltungsmusik Anden |
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